All great horror stories have, at their core, a simple and relatable fear which is then explored, exploited and exaggerated. In my opinion that is what makes for a really memorable scary tale, not blood and gore.

My new novel Spectre of Springwell Forest asks this simple question: how far would you be prepared to go, to protect your child? Would you run away from a possible supernatural threat? Or would you stand up it? What if you didn’t understand the evil force you were up against? Would you research it to try and find a way to defeat it, or would you think some questions don’t have good answers and run for it?

Lily Parker, the protagonist at the heart of the story, faces all the above questions. She is curious, but inwardly battles against a second instinct urging her to flee. In addition, her investigations take her to an increasingly lonely place. As she gradually asks questions, a breakdown in communication occurs within her marriage, alienating her from her sceptical husband.

The novel isn’t all mystery, suspense and scares. I make room for a few slightly satirical moments. For instance, the competitiveness of parents of primary school children and related playground politics, as well as some jokey nods to UK political history.

In addition, Spectre of Springwell Forest touches on the folly of mob justice, and one or two other questions concerning the precise nature of the supernatural force at the heart of the tale. I have always enjoyed horror stories that include enough ambiguity for the reader to bring their own interpretations. Despite the apparently inexplicable nature of events in the story, there are a few hints here and there that might just offer a more rational explanation, for those that want such a thing. Yes, it all builds to a shocking and unexpected finale, but even then… Well, I shall say nothing more, for fear of spoilers.

Spectre of Springwell Forest is out now. Pick up your copy here (in the UK) and here (in the US).