Ravenseed: Excerpt 1

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Here’s an excerpt from my recently released fantasy novel Ravenseed, an epic tale of love, lust, betrayal, and vengeance. It is mostly set in the Dark Ages, with a parallel plot in the present. This scene is from Chapter 3, in which Sir Peter, Sir Matthew, and their squires Hugh and Robin encounter a mysterious monk as they ride to war. The monk warns against the detour they are about to take to the Raven Inn.

The path through the woods grew broader as we approached the fork in the road. To the left, the path went down into a valley, into thicker forest that I knew would eventually bring us to our destination, just outside Plymouth. To the right, the path climbed further, leading west towards the great river and the bridge that separated Cornwall from the rest of the land.

  As we approached, I noticed a man in a brown robe standing facing us at the fork in the road. His face was hidden by a hood, but he appeared to be a monk. In his hand, he held a staff. Something about his manner bothered me, and it seemed clear that he wished to speak with us. Everyone else sensed the same, as we came to a joint decision to halt our horses.

  ‘Greetings friend,’ I said. ‘Can we help you?’

  The Monk drew back his hood, revealing a youthful face with pale skin. His dark eyes were wide and intense. He looked us over, as though evaluating or assessing us. I didn’t care for his gaze, which felt uncomfortably shrewd and penetrating. It made me want to hide, though from what I did not know.

  ‘Are you lost?’ said Matthew.

  ‘I see my path better than you,’ said the Monk.

  His voice had a curious, deep tone that echoed more than I expected amid the dense woodland. Was this really a monk from a local monastery? I shivered. Everything about this young man unsettled me. He didn’t belong in this landscape.

  ‘You speak in riddles,’ I said. ‘Yet we cannot break our journey to indulge in such discourse, as we wish to reach the Raven Inn by nightfall.’

  ‘So, you will turn left,’ said the Monk.

  In his voice I sensed disappointment. I could not understand why our journey should be of interest to him, a complete stranger. What could he possibly know of our decision to take a detour to the inn, rather than continue west to Cornwall?

  ‘Who are you?’ I asked.

  The Monk shook his head. ‘Who I am is unimportant, but you may call me Brother Mordecai.’

  ‘Well, Brother Mordecai,’ said Matthew. ‘If you do not require our assistance, we will wish you well and continue our journey.’

  Mordecai addressed Matthew. ‘There is death ahead for you if you take the right path.’

  Matthew and I exchanged bemused glances. This young monk was eccentric, possibly even mad, but he didn’t seem dangerous. Why then did he fill me with such unease?

  ‘Why are you saying that?’ asked Matthew.

  ‘Because something worse than death lies in wait if you take the left path.’

  ‘What if we turn around and go back the way we came?’ Matthew asked, not caring to hide the mockery in his voice.

  The Monk did not answer. Matthew addressed him in exasperated tones. ‘Well, Brother Mordecai, we wish to avoid death, and I fail to see what could be worse than that, so if it’s all the same to you, I think we’ll continue on our journey to the Raven Inn.’

  ‘It is not all the same to me,’ said the Monk. ‘If you take the path to the Raven Inn, I will regret it. I am sent to deliver warnings, and when they are not heeded, I am grieved.’

  ‘Sent by whom?’ I asked.

  The Monk did not answer. Robin and Hugh began to chuckle amongst themselves at this somewhat absurd figure. But there was a nervousness to their laughter, and however much we might have desired to ridicule Brother Mordecai, with hindsight I must admit that moment unsettled us all.

  ‘Brother Mordecai, you are not speaking reason,’ said Matthew. ‘You stand yonder, and make nebulous, mystical pronouncements, claiming we have a choice between death or something worse. That is no choice at all!’

  ‘If you do not understand that there are worse things than death, you have my pity.’ The Monk shook his head. ‘Perhaps I am destined to deliver warnings that are unheeded, so I better understand the perspective of God. But that is my burden to bear, not yours.’

  The Monk sat down at the fork in the path and cast his eyes to the ground. Matthew and I stared at one another in bewilderment. What could this man know of our journey? How could he possibly think appearing here before us with no explanation, urging us to ride to certain death would possibly result in us heeding his advice? It was preposterous. Brother Mordecai had to be mad.

  ‘You’re insane,’ said Matthew, voicing my thoughts. He indicated to Hugh. ‘Come!’

  We continued to ride, taking the left fork, onto the path that led down into the denser woodland. As we passed the Monk, he remained seated, staring down at the ground. Only as I turned my head from him did I catch, out of the corner of my eye, one final glance up at me. I couldn’t swear to it, but I sensed dismay, as though he had singled me out for special pity.

You can pick up Ravenseed from Amazon on Kindle or paperback here (in the UK) and here (in the US). Downloads or paperbacks are also available from Draft2Digital, Smashwords, and associated outlets here.

Ravenseed: An Introduction

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My new novel Ravenseed is out now. A page-turning epic of love, lust, betrayal, and vengeance, this (mostly) Dark Ages-set tale marks my first foray into the fantasy genre. Ravenseed has been a long time in gestation, with many rewrites, tweaks, and polishes. I am extremely pleased with it, and I do hope you’ll read and enjoy it.

What’s it about? Here’s the blurb from the back of the book:

532 AD. Knights Sir Peter and Sir Matthew ride to battle, but when they take an ill-advised detour, the two friends find themselves involved in a quest to break a curse on Sir Matthew’s love, Elizabeth.

The quest sends them on a journey through Anglia, where they encounter magicians, spirits, gods, and dangers beyond their wildest dreams – from without and within.

In the present day, as teenager Fay Pendleton reads an ancient account of the two knights, scars start appearing on her face. Despite her ongoing disfigurement, she becomes obsessed with discovering the outcome of the quest, and her link to this mysterious story.

Hopefully, that will spark your interest. As I mentioned in my previous announcement, I don’t intend for Ravenseed to be purely for genre fans. This novel is written to have broad appeal for all (adult) readers. In my not particularly humble opinion, all the best fantasy novels have that same broad appeal – The Lord of the Rings, the Harry Potter series, and His Dark Materials, for instance.

One thing I’ve learned about writing fantasy is not to make worldbuilding the main thing. Yes, worldbuilding provides background, but it should not become foreground. People generally don’t read The Lord of the Rings because they’re fascinated by arcane details of Elven magic, Dwarf metallurgy, or how many mana points Gandalf needs to defeat a Balrog. They read it because of universally resonant, relatable themes – courage, loyalty, friendship, temptation, betrayal, sacrifice, the love of home, the horrors of war, the devastation of the industrial machine at the expense of the environment, good versus evil (not just external evil, but the evil in oneself), growing up, the melancholy at the end of an era, and so forth.

In the case of Ravenseed, the tightrope of drip-feeding worldbuilding into the narrative whilst avoiding the fall into the dreaded info dump was not an issue, because it is mostly set in the Dark Ages. Everyone is aware of that era by cultural osmosis due to the Arthur legends. Creating a dirt-under-the-fingernails landscape of bleak moors, mountains, rivers, and mystical forests, or dwellings such as taverns, monasteries, besieged castles, and so forth, gave the novel a feeling of the familiar. Setting the novel in and around areas I know in southwest England (and further north) also proved immensely liberating.

My tagline sums up the plot thus: “An epic tale of love, lust, betrayal, and vengeance.” All four of those themes are universally relatable, and in addition, the book is about friendship, loyalty, honour, and a lot more I wouldn’t dream of spoiling. Although most of the novel is set in the Dark Ages, there’s also a parallel plot in the present day that provides a contemporary reference point, again reinforcing the idea that this is a grounded fantasy. As such, this is a story with relatable characters that can be enjoyed by all, regardless of the genre.

You can pick up Ravenseed from Amazon on Kindle or paperback here (in the UK) and here (in the US). Downloads or paperbacks are also available from Draft2Digital, Smashwords, and associated outlets here.

New Novel: Ravenseed is Out Now!

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Today marks the release of my latest novel Ravenseed. A page-turning epic of love, lust, betrayal, and vengeance, Ravenseed is the first fantasy novel I’ve ever released. It was a wonderful challenge to write, and I’m extremely pleased with it. I hope you love it as much as I do.

Blending adventure and romance with Arthurian mysticism, most of the novel is set during the Dark Ages, but a parallel plot in the present mirrors that of the past, and eventually the two narratives converge. For more about the plot, here’s the blurb from the back of the book.

532 AD. Knights Sir Peter and Sir Matthew ride to battle, but when they take an ill-advised detour, the two friends find themselves involved in a quest to break a curse on Sir Matthew’s love, Elizabeth.

The quest sends them on a journey through Anglia, where they encounter magicians, spirits, gods, and dangers beyond their wildest dreams – from without and within.

In the present day, as teenager Fay Pendleton reads an ancient account of the two knights, scars start appearing on her face. Despite her ongoing disfigurement, she becomes obsessed with discovering the outcome of the quest, and her link to this mysterious story.

I hope that whets your appetite. Over the coming weeks, I’ll be talking in greater detail about specific aspects of this novel, from giving a more thorough introduction to the narrative, to excerpts, discussions on research, settings, locations, the process of revising the manuscript, inspiration, influences, and more. I should add that this isn’t just a novel for genre fans, but for all readers, so even if fantasy isn’t usually your thing, I do hope you’ll give this a go regardless. I’ll get into more of the specifics of how I’ve aimed for broad appeal with this novel in an article next week.

In the meantime, you can pick up Ravenseed from Amazon on Kindle or paperback here (in the UK) and here (in the US). Ravenseed is out on Friday 17th of May. Downloads or paperbacks are also available from Draft2Digital, Smashwords, and associated outlets here.

Ravenseed Exclusive Image: Location Teaser 4

Concluding my series of location teaser images, in the run-up to the release of my new fantasy novel Ravenseed, here is the final location and cryptic clue: A monastery interior. Is this seemingly innocent location a simple resting place for the characters on their quest? Or do darker deeds take place here?

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Ravenseed is out on Friday 17th of May. To pre-order a copy on Kindle here (in the UK) and here (in the US). Paperbacks will be available from the 17th of May. Downloads or paperbacks are also available for pre-order from Draft2Digital, Smashwords, and associated outlets here.

Ravenseed Exclusive Image: Location Teaser 3

Continuing my series of location teaser images, in the run-up to the release of my new fantasy novel Ravenseed, here is today’s location and cryptic clue: An overgrown ruined fortress at the heart of a forbidden forest. An ancient power resides in these woods, but will it help or hinder? And at what cost?

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Ravenseed is out on Friday 17th of May. To pre-order a copy on Kindle here (in the UK) and here (in the US). Paperbacks will be available from the 17th of May. Downloads or paperbacks are also available for pre-order from Draft2Digital, Smashwords, and associated outlets here.

Ravenseed Exclusive Image: Location Teaser 2

Continuing my series of location teaser images, in the run-up to the release of my new fantasy novel Ravenseed, here is today’s location and cryptic clue: A pool. But not just any pool. A hidden pool that has been touched by a supernatural power. For good or ill? Find out when you read the novel.

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Ravenseed is out on Friday 17th of May. To pre-order a copy on Kindle here (in the UK) and here (in the US). Paperbacks will be available from the 17th of May. Downloads or paperbacks are also available for pre-order from Draft2Digital, Smashwords, and associated outlets here.

Ravenseed Exclusive Image: Location Teaser 1

Over the next four days, in the run-up to the release of my new fantasy novel Ravenseed, I’m putting out a few images of location teasers with cryptic clues. The first is inside a cave looking out across a mountain range. There are three very different scenes in caves in the novel, all of them involving something supernatural. But this particular location isn’t a cave just anyone can enter.

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Ravenseed is out on Friday 17th of May. To pre-order a copy on Kindle here (in the UK) and here (in the US). Paperbacks will be available from the 17th of May. Downloads or paperbacks are also available for pre-order from Draft2Digital, Smashwords, and associated outlets here.

New Novel: Ravenseed

In early 2018, I finished the first draft of an as-yet untitled fantasy novel. Six years and several rewrites later, it is finally ready for public consumption. Ravenseed is now available for pre-order on Kindle or paperback and will be released on Friday 17th of May.

This is a fairly big deal for yours truly, as fantasy is a genre into which I have not yet dared to tread (give or take the odd short story or novella). Ravenseed is a 113,000-word mystical epic of love, lust, betrayal, and vengeance. It’s mostly set in the Dark Ages, with a present-day parallel plot, and a third perspective also in the present. I’m extremely excited (and nervous) to put this story out into the world, as it is one of the most ambitious novels I’ve ever written. I do hope you enjoy it.

Between Monday and Thursday of next week, I’m previewing exclusive teaser images of certain locations in the novel, with a bit of cryptic commentary on each. In the meantime, ahead of a bigger introduction to the novel next Friday, here’s a preview of the cover, followed by the blurb on the back of the book.

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From the author of Death Nest… A fantasy epic of love, lust, betrayal, and vengeance that will keep you riveted till the very end.

532 AD. Knights Sir Peter and Sir Matthew ride to battle, but when they take an ill-advised detour, the two friends find themselves involved in a quest to break a curse on Sir Matthew’s love, Elizabeth.

The quest sends them on a journey through Anglia, where they encounter magicians, spirits, gods, and dangers beyond their wildest dreams – from without and within.

In the present day, as teenager Fay Pendleton reads an ancient account of the two knights, scars start appearing on her face. Despite her ongoing disfigurement, she becomes obsessed with discovering the outcome of the quest, and her link to this mysterious story.

You can pre-order Ravenseed from Amazon on Kindle here (in the UK) and here (in the US). Paperbacks will be available from the 17th May.

New Short Story: Red Butterfly

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I’ve recently released a new short story. Red Butterfly concerns a man grappling with repressed memories of abuse in a cult his parents were part of when he was a child. It’s
a companion piece of sorts to an earlier short story, Aftermath, about a young woman returning to her estranged mother after leaving a cult. This brace of stories about coming to terms with leaving cults are quite personal to me, as they are in part informed by personal experience. But to be clear: both are fiction.

You can read both parts of Red Butterfly on Medium (here) or on Substack (here), depending on whether you have a Medium account, or if you subscribe to me on Substack (a mere $5 a month for unlimited access to short stories, classic film analysis, top tens, and my full film review archive). There’s a link to the second part at the end of the first.

A Novel to Offend Everyone: Peaceful Quiet Lives

Credit: Denisa Trenkle

A new dystopian thriller currently playing in cinemas, Alex Garland’s Civil War, makes provocative speculation on the horrors of a second internal military conflict in the US. It’s a tense, gripping work, well worth watching, and my full review of the film can be read here. However, whilst Garland portrays the President in a vaguely Trumpian manner, the specific issues that might trigger a modern US civil war are deliberately sidestepped. Garland’s priority is to show a hellish conflict to be avoided at all costs.

Garland allows all viewers a way in by uniting Texas and California in the story, as the “Western Forces” leading an insurrection against the US government. With Texas and California sitting on opposite ends of the political spectrum in real life, this union ensures no one in the audience feels got at, regardless of their political views. It’s a smart move and works well for the film.

However, my 2021 novel Peaceful Quiet Lives is set in the aftermath of a second American civil war, in which two politically polarised nations on the North American continent live side by side in an uneasy peace. A satirical dystopian romantic drama, Peaceful Quiet Lives features secret lovers who find themselves at odds with the political powers of both nations. Unlike Civil War, it does not duck the political issues.

I wrote the first draft of this novel in 2018, during Trump’s first term, as I watched the so-called culture wars unfolding in America. Admittedly, I was watching from the UK. Some people have dismissed my book on that basis, suggesting I lack the cultural insight or objectivity to write about this because I’m British. I’m not sure that’s true, and to those who say this, I’d urge them to read my novel first, before judging it.

At any rate, these culture wars, whether social, political, racial, or religious, have been a division in America simmering all my life. In one sense, they are nothing remarkable in a Western democracy. However, in recent years, these divisions have become a lot more exacerbated. A militant tendency in the language and behaviour of both sides is remarkably similar. This militancy, fuelled by fear-driven social media, television news, and opportunistic politicians, has stirred up serious unpleasantness. The events of 6th January 2021, for example.

Although Peaceful Quiet Lives explores some of these divisive topics, it is not a political statement. My novel has no left or right political agenda. However, the central idea — regarding two extreme authoritarian states being two sides of the same militant coin — I thought would make an intriguing backdrop for a doomed romance. I also wanted the novel to be a satire of the worst fears of both sides in the US culture wars.

The first half of the novel plays on fears that the US could turn into an authoritarian right wing religious theocracy. This section explores (among other things) a world in which women’s rights are severely curtailed. For example, sex outside of marriage can result in public flogging or imprisonment. Abortions carry the death penalty for all those involved, and churches have far more political power. Some of what I wrote here in 2018 isn’t that far from recent developments.

The second half sends up fears that the US is headed for an authoritarian left wing state. This section takes place in a world where taxes are higher based on sex and race (white men are taxed more for being white and male), and Incel culture has become a serious terrorist threat. In addition, sexual consent has become a bureaucracy where a man can be charged with rape, even if his partner insists it wasn’t rape, if the correct online consent forms aren’t filled in at the time.

The novel isn’t so much intended as a warning against both scenarios, neither is it an attempt to lash out in despair at the current problems in America, but rather it is an exercise in absurdity. I hope the tragic lunacy of such a future is inherent within the text, and that as a result, perhaps the fears of both sides will be eased, just a little.

Such grandiose ambitions aside, I hope people enjoy the novel as simply a damn good read. I’ll admit this novel exists outside my usual horror-thriller mystery oeuvre, but I’ve explored dystopian tales elsewhere (mostly in short story form —here, for instance), so I expect I’ll dabble in it again, from time to time. I do hope you’ll give Peaceful Quiet Lives a go, even though it’s got something in it to offend everyone (by design).

By the way, the title derives from New Testament verses urging people to live a quiet life and mind one another’s business (in 1 Thessalonians chapter 4). The title is ironic since events in the lives of my protagonists are neither peaceful nor quiet. Nor are they left alone to get on with their private lives.

If you’re interested in reading a sample, the first six chapters of Peaceful Quiet Lives can be read on Medium (here’s chapter one). Otherwise, the full novel is available on Kindle or paperback from Amazon (here in the UK, here in the US). It’s a very different beast to Alex Garland’s Civil War, which is more concerned with the visceral horrors of actual war, but I hope you’ll consider Peaceful Quiet Lives interesting in its own right.

(Originally published on Medium.)