BIG NEWS: The Spectre of Springwell Forest to be published by Dragon Soul Press

I am very pleased to announce my next novel, The Spectre of Springwell Forest, is to be published by Dragon Soul Press this December.

Spectre of Springwell Forest sinister wood - for blog headerNeedless to say, I am utterly thrilled at this news. Having a traditional publisher has been a wonderful, eye-opening experience, and I am very excited to see where things go from here. My previous novels have all been self-published with varying degrees of success, but it is wonderful to now have talented publishing professionals working alongside me.

The Spectre of Springwell Forest is a mysterious, ghostly, gothic nail-biter. The story involves a young mother who is strangely drawn to a sinister painting of an abandoned railway tunnel. If you enjoyed my previous novels The Birds Began to Sing or The Thistlewood Curse, you’ll definitely enjoy this one too.

In the meantime, don’t forget I also have my short story Once in a Lifetime coming soon, as part of the All Dark Places horror anthology, also published by Dragon Soul Press.

All Dark Places is released on the 30th of October.

The Spectre of Springwell Forest is released on the 20th of December.

My Five Favourite Gothic Mysteries

As regular readers of this blog (and indeed my novels) will know, I absolutely love a good gothic brew of mystery, melodrama, thrills and horror. To date I have written five novels of this kind, including The Birds Began to Sing and The Thistlewood Curse, as well as The Spectre of Springwell Forest, which is the next book I intend to publish.

Here are five classic gothic mysteries that I return to endlessly, that have proved a huge inspiration and influence. NOTE: Although undoubted gothic classics, for this list I have deliberately ignored Dracula and Frankenstein, since those are less mysteries and more full-throttle horror.

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Rebecca (Daphne Du Maurier) – I adore Daphne Du Maurier, and this one remains top of my gothic influences list. For instance, how many other novels have their own variations on the manipulative, vindictive, psychopathic housekeeper Danvers? The central narrative is great too, with the famously unnamed, tormented protagonist living in the shadow of her husband’s dead wife. It also has one of the greatest gothic mystery plot twists of all time, and an appropriately fiery climax.

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Jane Eyre (Charlotte Bronte) – This moody, brooding romance features one of the most iconic gothic subplots in the history of English literature (ie the classic, oft-imitated mad-woman-in-the-attic). A rich, melancholy, menacing work, brimming with vivid description, dangerous passions, and many other gothic touchstones (like Rebecca, this one ends in purging flames).

 

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The Hound of the Baskervilles (Arthur Conan Doyle) – I tend to think of this Sherlock Holmes story as a spinoff into gothic horror, rather than belonging in the main Holmes crime fiction canon. The quality of the suspenseful prose remains unsurpassed, not just in obviously scary sections, but in little moments, such as Watson’s unsettling first night in Baskerville Hall. The oozing dread and menace drips from every page.

 

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The Woman in Black (Susan Hill) – Despite the popularity of the long-running stage show and a successful film adaptation, the source novel is still one of the finest, most bone-chilling ghost stories ever written. The superbly abrupt, genuinely shattering ending (significantly different from the film) has lost none of its ability to shock.

 

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Coma (Film) – I’m referring here to Michael Crichton’s superb film version of Robin Cook’s novel, rather than the novel itself. The premise – a possible conspiracy in a Boston hospital whereby patients are being deliberately placed in irreplaceable comas – is a masterclass in escalating unease and paranoia, building to full blown suspense set pieces that are pure modern gothic. Genevieve Bujold makes a fantastic imperiled heroine, and Michael Douglas is also good as her is-he-or-isn’t-he-in-on-it boyfriend. A real nail-biter.

Download The Birds Began to Sing FREE – for five days only!

I love a good, satisfying, emotionally resonant twist ending in a thriller, especially one that you immediately realise ought to have been obvious all along, yet somehow you didn’t see it coming.

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My mystery thriller The Birds Began to Sing has such an ending (don’t just take my word for it, check out the five star reviews here). It’s the story of Alice Darnell, an aspiring novelist who enters a mysterious writing competition at a remote mansion. She and other writers pen their own endings for an incomplete, unpublished manuscript written by a very famous deceased author. The winner of the competition will have their ending published, along with their own novel.

However, once Alice arrives at the mansion, weird stuff starts to happen…

Download your copy of The Birds Began to Sing FREE from Amazon Kindle here, for the next five days only.

Download The Birds Began to Sing FREE – for five days only

Love a gripping, page-turning psychological thriller? Download my novel The Birds Began to Sing absolutely FREE – for five days only!

Here is the blurb from the back of the novel:

When aspiring novelist Alice Darnell enters a competition to write the ending for an unfinished manuscript by late, world famous author Sasha Hawkins, it appears she might have her big break at last.

However, upon arrival at Sasha’s former home – the sinister Blackwood House – Alice is unsettled by peculiar competition rules, mysterious dreams and inexplicable ghostly visions. She begins to question her sanity as she is drawn into a terrifying web of deceit, revenge and murder.

Some review snippets:

“Mystery, drama, conspiracy theory, and some supernatural intrigue. A real page turner!” – Anonymous, Barnes and Noble.

“Well written, poetic in places, funny at times and with a plot that will keep you turning the pages…” – Al Gibson, Amazon.

“What a magical work of art! You’re really missing out if you don’t read this one.” – A Critical Reader, Amazon.

“Absolutely loved this. Properly chilling.” – Alice R Brewer, Amazon.

“This was really a great read and I loved the twist. Did not expect it at all.” – Jennifer, Amazon.

“A terrific read for lovers of suspense and mystery. Big thumbs up!” – Mickey, Amazon.

The Birds Began to Sing can be downloaded from Amazon Kindle FREE here – for five days only.

The Birds Began to Sing FREE from Amazon Kindle – for five days only!

Since it’s summer, here is the first in a series of giveaways on most of my presently published novels.

Beginning today, for just five days, you can download The Birds Began to Sing absolutely FREE from Amazon Kindle.

The Birds Began to Sing is a mystery novel with shades of Agatha Christie, Daphne Du Maurier and Sir Arthur Conan Doyle, a dash of Susan Hill, a pinch of the Bronte Sisters and sprinkling of Michael Crichton. Actually, it isn’t really any of those things, but it is a damn good and highly original thriller in its own right, even though I say so myself.

Here is the blurb from the back of the novel:

When aspiring novelist Alice Darnell enters a competition to write the ending for an unfinished manuscript by late, world famous author Sasha Hawkins, it appears she might have her big break at last.

However, upon arrival at Sasha’s former home – the sinister Blackwood House – Alice is unsettled by peculiar competition rules, mysterious dreams and inexplicable ghostly visions. She begins to question her sanity as she is drawn into a terrifying web of deceit, revenge and murder.

Some review snippets:

“Mystery, drama, conspiracy theory, and some supernatural intrigue. A real page turner!” – Anonymous, Barnes and Noble.

“Well written, poetic in places, funny at times and with a plot that will keep you turning the pages…” – Al Gibson, Amazon.

“This was really a great read and I loved the twist. Did not expect it at all.” – Jennifer, Amazon.

The Birds Began to Sing can be downloaded from Amazon Kindle FREE here (you can also buy a print copy here).

The Thistlewood Curse – early reviews

The first reviews for The Thistlewood Curse continue to trickle in, and so far they have all been very positive.

THE THISTLEWOOD CURSE Cover (JPG Print version)

For example, one reviewer on Goodreads spoke of “chilling moments”, “an unusual premise” and that although it was “not what I’d usually choose… I was kept guessing to the end”.

There have been also been five star reviews on the US and UK Amazon sites respectively. One stated “Simon Dillon’s streak continues with another cracking book! The author’s storytelling is top notch with the twists, turns and suspense covering the book with glue, that is to say, you can’t put it down.”

Another said “This one will certainly leave you with “novel hangover,” still reeling from the emotional storm that just picked you up and spit you out. It was engaging, captivating, and immersive from the very beginning, and the plot twists were a pleasant surprise.”

I’m also very pleased people are seeing past the murder mystery/horror elements into the deeper stuff. For example, one reviewer commented “The characters are built up and written so well, you feel you know them and connect with them. For that reason, when they go through an ordeal, you go through it with them.” The reviewer went on to state that this was “a book with real depth, personal struggle and a test of faith—in more ways than one.”

To all those that have left reviews for this or any of my other novels, thank you so much. I really appreciate your support.

If you have read and enjoyed The Thistlewood Curse, please, please do leave a review on Amazon. It need not be long. Even just a one-liner saying “I enjoyed it” is fine. All such reviews are a great help to independent self-published authors such as yours truly – not because we require endless affirmation, but because the more reviews are published on Amazon, the more Amazon shows the fruits of our hard work to other customers.

Thank you.

Genre blending

Blending genres can be a fiendishly tricky exercise yet sometimes it can work brilliantly, against the odds, even if conventional wisdom says these genres would mix like oil and water.

The film Colossal is a good recent example of this. It blends indie drama elements with that of the monster movie tin a surprisingly effective way. TV series Twin Peaks is another genre blender, and one that is very difficult to define in conventional terms. The programme contains elements of soap opera, offbeat dark comedy, whodunit detective drama and supernatural horror with an avant-garde surrealism that is continually pulls the rug out from under the viewer in ways that both delight and infuriate.

I have a personal passion for films that start out in one genre, but then evolve into full blown horror. Kill List begins as social realist hitman thriller but becomes Grand Guignol occult horror. Bone Tomahawk is essentially a western that gets gatecrashed by cannibal horror. Most effectively of all, the massively underrated Angel Heart begins as private detective noir but ends in Faustian horror.

My recent novel, The Thistlewood Curse, attempts to emulate this genre evolution, from detective whodunit, to supernatural thriller and then full-on horror, hopefully in a fairly gradual build-up. There are risks of course. It can be difficult to categorise and promote. But ultimately the story is what it is. I hope readers take a risk and give it a go regardless. So far the feedback I have heard has been very positive.

THE THISTLEWOOD CURSE Cover (JPG Print version)

You can download or buy print copies of The Thistlewood Curse from Amazon here.

The Thistlewood Curse: What’s it really about?

Over the past few weeks, I’ve talked at length about my latest novel The Thistlewood Curse; what inspired it, the history behind it, short excerpts, discussion on the cover, and so forth.

THE THISTLEWOOD CURSE Cover (JPG Print version)

This article will focus on the themes of the story. What was I trying to explore, or to say, in The Thistlewood Curse?

The most honest answer would be nothing at all. I don’t believe any story should be written with an intentional message. Such endeavours tend to come off as tedious, condescending sermons. Instead, the primary motive for writing the novel was to create a suspenseful, gripping tale of supernatural mystery and horror.

That said, what is important to any writer will be inherent in the stories they tell. I had initially thought The Thistlewood Curse to be a tale of terror, but as the writing progressed it became less deliberately frightening and bloody (although there is still plenty of that), and more reflective, more melancholic, more sombre and ultimately more a tale of faith and coming to terms with grief in the face of the inexplicable.

The novel also flirts with contemporary concerns such as human trafficking, although more as a springboard exploring how the sins of past generations can be revisited upon the present in classic Greek tragedy style, rather than a deep expose of a very serious current problem. Themes of witchcraft also crop up, though again more as a plot device rather than a serious look at what goes on in covens. I doubt very much that astral projection could be used in real life the way it is used in The Thistlewood Curse, but who knows?

In subsequent drafts, the story evolved further, adding an element of religious oppression into the mix in a backstory I had originally intended to keep a mystery. However, my amazing and brilliantly honest wife persuaded me that these elements were needed to provide stronger emotional context for what was otherwise a clever but somewhat cold supernatural whodunit. I was happy to add these chapters into a now extended act one, because religious oppression is a key recurrent theme in my work in any case, and I can now see that keeping that part out for the sake of getting to the main plot quicker would have been a mistake. In fact, the reverse is true. I believe with this element now in the novel it makes the mystery all the more compelling, because the reader now cares far more about the two main characters.

Here is the blurb from the back of The Thistlewood Curse:

Can a ghost murder the living?

Lawrence Crane’s powers of astral projection are put to the ultimate test when he and his lifelong friend Detective Laura Buchan investigate a mysterious death on Lundy Island.

Sensing a dark power at work, they attempt to identify a human assassin under the control of supernatural evil.

But can they escape a terrifying, centuries-old curse?

You can download or buy print copies of The Thistlewood Curse from Amazon here.

Some facts behind The Thistlewood Curse

Following on from my recent post about what inspired my latest novel The Thistlewood Curse, here are some points of interest on the history, geography and other facts that are either directly or peripherally relevant to the novel. Obviously to avoid spoilers I won’t explain exactly how these tie into the supernatural narrative, but as with Uncle Flynn and various other (as yet unpublished) novels, local history and geography provided a fertile ground for my imagination.

THE THISTLEWOOD CURSE Cover (JPG Print version)

Lundy Island is a real place in the Bristol Channel, about twelve miles off the north coast of Devon. The island is small – about 3.5 miles long and 1.5 miles at its widest point. It has a population of about thirty, and many visitors who go to see the wildlife, especially puffins and other birds. The Oldenburg is a real vessel that ferries passengers to and from the island on a regular basis.

Lundy-island

As per the novel, the island is bereft of trees, and most of the settlements lie in the south, including the Marisco Tavern and Lundy (or Marisco) Castle, both of which are real places. However, in the novel Lundy Castle is substantially larger and privately owned, whereas in real life the castle has been broken down into self-catering accommodation. The history of the castle as described in the novel (involving Henry III and so forth) is also mostly true. Surrounding the island are spectacular cliffs, which can be better appreciated on boat trips. The only place to land a boat safely is in the south.

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Both lighthouses mentioned in the novel are real, along with Quarter wall, Halfway wall and Three-Quarter wall. It is true that supplies of electricity are only in use during certain hours, and that mobile phone signal is all but non-existent. Also, there really is a Tibbet’s Hill on the island, possibly a location where people were indeed hanged, which brings me neatly onto my next point.

As per the novel, the history of Lundy includes tales of pirates and slave traders, and it proved a very difficult place to govern. For example, Barbary Pirates from the Republic of Sale occupied Lundy from 1627 to 1632. These North African invaders, under the command of renegade Dutchman Jan Janszoon, flew an Ottoman Empire flag over the island. They captured Europeans and held them on Lundy before sending them to Algiers as slaves.

Finally, on a more arcane note, the Lundy cabbage is a genuine vegetable (see yellow flowered plant below), though I am fairly certain it has not been used as an ingredient for deadly poison. That however is sailing very close to spoiler territory, so I’ll just leave it there for now…

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Here is the blurb from the back of The Thistlewood Curse:

Can a ghost murder the living?

Lawrence Crane’s powers of astral projection are put to the ultimate test when he and his lifelong friend Detective Laura Buchan investigate a mysterious death on Lundy Island.

Sensing a dark power at work, they attempt to identify a human assassin under the control of supernatural evil.

But can they escape a terrifying, centuries-old curse?

You can download or buy print copies of The Thistlewood Curse from Amazon here.

What inspired The Thistlewood Curse?

What inspired my latest novel, The Thistlewood Curse?

THE THISTLEWOOD CURSE Cover (JPG Print version)

A colleague of mine told me of a paranormal experience she once had. This experience gave me an intriguing story idea which would combine a conventional mystery whodunit with supernatural themes, including astral projection. I wrote a brief outline of the plot (the big twist ending was foreseen from the outset), but wondered about where to set it.

Subsequently, when my mother-in-law visited Lundy Island, she returned to show me her extensive photographic survey, along with the various guidebooks and maps she had picked up. I then realised I had the ideal setting for my novel, which would evolve from detective story to supernatural mystery thriller, culminating in an under siege horror finale, as the characters are trapped on the island in the midst of a fierce night storm.

As I set about writing the novel, there were various influences in the back of my mind, including Sherlock Holmes short stories like The Speckled Band and Agatha Christie’s Sleeping Murder, as well as films like Angel Heart, The Exorcist and television series Twin Peaks. However, I do hope the novel is distinctive and original in its own right too.

Here is the blurb from the back of The Thistlewood Curse:

Can a ghost murder the living?

Lawrence Crane’s powers of astral projection are put to the ultimate test when he and his lifelong friend Detective Laura Buchan investigate a mysterious death on Lundy Island.

Sensing a dark power at work, they attempt to identify a human assassin under the control of supernatural evil.

But can they escape a terrifying, centuries-old curse?

You can download or buy print copies of The Thistlewood Curse from Amazon here.