Update: April 2025

This month’s big news: I finally finished the first draft of my new supernatural mystery thriller novel. This is slightly later than originally projected, but the novel threw out a few unexpected branches despite being meticulously planned. The first draft weighs in at about 100,000 words, but there will be some cuts to the manuscript for various reasons.

I’ll make trims due to the usual rewriting and tightening. However, more importantly, this first draft includes the beginnings of a few plot threads intended for subsequent novels, as this story is the first in a series. These brought the bigger mystery behind the series to life and helped in the planning of subsequent novels, but I’ll remove them in the second draft as I don’t want to frustrate readers with too many questions and loose ends in book one. The central mystery of the first novel is complete and satisfying in and of itself, so I intend to minimise hints and clues of the bigger, overarching narrative to come. Incidentally, JK Rowling did a similar thing when she removed the explanation of Horcruxes from Harry Potter and the Chamber of Secrets and saved it for Harry Potter and the Half-Blood Prince four books later.

Thanks to this slightly inflated and overembellished first draft, I already have solid outlines for books two and three, plus a book I intend to appear around the middle of the series and the final book. Because I’m not entirely sure how many novels this series will run to, I can’t say exactly where that middle book will appear at this point. However, once I have the other novels plotted out (each will be a standalone mystery), the bigger plan will continue to evolve, and eventually, I’ll settle on a final number for this series. It could be as many as twelve novels, and it is certainly the most ambitious writing project I’ve ever undertaken.

The plot remains strictly under wraps for now. However, an extended version of this update, featuring details of the lead characters, some of the folklore that inspired the supernatural tinges of this mystery thriller, and an exclusive title reveal, is available if you become a Patreon supporter at Free Citizen of the Dillon Empire level or higher. Click here for more information. In the meantime, I’m about to start work polishing up various short stories as well as the second draft of the novel I wrote this time last year. Watch this space.

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Update: March 2025

A brief update on the new novel: I’m currently at about 91,000 words into the first draft. I’m well into the third act, and the book is taking shape nicely. I’m very excited about this novel. As you probably know if you’ve been following my updates, it is the first in a planned series of supernatural thrillers.

Of course, I had hoped to have the first draft finished by now, but it is taking longer than expected. I’ll get there, though. By the end of next month, without doubt. In the meantime, I’m still shopping A Thorn in Winter, a mystery thriller I wrote in 2023, around literary agents, hoping to spark some interest. If anything happens on that front, I’ll update you next month as well. In the meantime, I’d better get back to writing rather than keep spouting here. Bye for now.

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Update: February 2025

What have I been up to lately? Well, besides the ongoing film articles and reviews that form a key part of my writing elsewhere, I’ve been hard at work on the first draft of my latest novel. It’s quite difficult to pen witty or interesting updates at this point in proceedings, since I’m naturally inclined to be tight-lipped about the plot, the title, and pretty much everything else. If you weren’t already aware, I can tell you this is a supernatural mystery thriller. It is also the first in what I hope will be a series, concerning the principal characters. However, each novel will be a standalone story in its own right.

I’m going to share more on this once the first draft is finished, but for now I’ll simply say this is probably the most ambitious long-term project I’ve undertaken as a writer, as there could be as many as twelve novels in this series. I’ve also penned a spin-off short story; a comedic mystery that contrasts the darker, scarier mystery of the novel. This short story is actually written by someone in the novel, so I’ve credited it to their character’s pseudonym. There will almost certainly be further short stories in this vein. Again, more on all that in due course.

As of today, I’ve written about 62,000 words (not counting the short story, which is about 9,000 words), and I estimate the final wordcount will be somewhere around the 90,000-word mark. I hope to have a first draft completed by the end of March, with the first round of initial revisions made by the end of April. I will then do what I always do and set the manuscript aside for a year, so I can review it with fresh eyes. In the meantime, I will work on other fiction projects.

That’s about it for now. Look out for further updates soon.

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Update: January 2025

Me working on the first draft of my new novel.

I’m in haste, so this update will be brief.

New Novel

I’ve made a solid start to 2025 and am hard at work on the first draft of my next novel. What’s it called? What’s it about? I can’t give out any details at present, but I will say it is a supernaturally tinged mystery thriller and I’m very excited about it. That doesn’t really tell you anything, considering my genre mainstay, but if you want a few facts and figures, I can tell you I’m working on chapter eight, and I’m about 30,000 words into the manuscript. It’s also the first in a series that I have planned in rather minute detail. That said, each novel is a standalone story.

Other activities

Beyond that, I’m currently preparing A Thorn in Winter – the mystery novel I wrote in 2023 – to send to agents and publishers. I hope to have exciting news to share on that front soon, so watch this space.

I’ve also started serialising The Thistlewood Curse on Substack in weekly instalments. This is one of my earlier novels – another supernatural thriller – that has had tremendous response from those who have read it. I decided it would be fun to make it available this way as well. If you want to check it out on Substack, you can subscribe here (you’ll also get access to many of my other short stories, plus lots of film articles).

That’s it for now. I’d better get back to writing the new novel. Watch this space for further updates.

A Christmas Present Suggestion: Death Nest

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Seldom-seen relatives one only catches up with at Christmas can be difficult to buy presents for. However, most people love a nail-biting, page-turning mystery thriller. To that end, I humbly suggest my recently released novel Death Nest.

I’ve written about this novel a little on Medium, principally in this Orson Welles-ish faux-interview prank designed to intrigue readers (I interview one of the supporting characters). I’ve also written a lot about it here, for example in this piece, which is probably as close as I’m ever going to get to a baring-my-soul, personal essay-type article. In it, I discuss the real-life fears and traumas that metaphorically and emotionally informed the novel.

But if that makes it all sound heavy and depressing, don’t be put off! Death Nest is first and foremost a gripping thriller with a touch of romance, a smidgen of coming-of-age drama, and the odd moment of supernaturally tinged horror. There are also a few funny bits, and that’s important in any novel if you ask me, purely to provide contrast.

Here’s the blurb from the back of the book to give you an idea of the plot:

From the author of Spectre of Springwell Forest and The Irresistible Summons…

A nail-biting new mystery.

After his young son Ben writes a disturbing story about murdering a boy in a forest, widower Nick Unwin is alarmed by eerie parallels between his son’s behaviour and that of his younger brother Jason, prior to his inexplicable disappearance twenty years previously. This tragic past returns to haunt Nick when he sees an image of his long-lost brother in a newly released film.

Fearing history will repeat itself, Nick decides to investigate, along with Tanith, an old flame from his early teenage years, with dark secrets of her own connected to Jason’s disappearance. But as they delve deeper into the labyrinthine mysteries of their past, long-buried memories resurface. Nick is forced to face the terrible fear that has plagued him for decades: Was he responsible for the death of his brother?

A riveting coming-of-age thriller exploring traumatic sibling relationships, parental fears, and the misleading nature of memory, Death Nest is Simon Dillon’s most gripping novel yet.

If you want to try before you buy, the first three chapters of Death Nest are available to read on Medium in Fictions. Here’s chapter one.

Of course, Death Nest isn’t the only novel I have available for potential Christmas presents. I’ve also written other mystery horror thrillers, children’s adventure stories, dystopian sci-fi tales, and one or two other things. For a full list of my published novels, click here.

Death Nest is available in paperback or on Kindle from Amazon here (in the US) and here (in the UK). It is also available via Smashwords and its various outlets (click here).

Death Nest: Summary of Recent Articles

My new mystery thriller novel Death Nest is out now. I’ve been writing a lot about it recently, from many different angles. Here’s a summary of what I’ve been discussing, with links to the articles in question. First though, here’s a brief idea of what the novel is about.

A widower fears his young son is cursed when he shows disturbing behaviour akin to that of his younger brother, before he vanished without a trace twenty years previously. Gnawing dread that history will repeat itself is inherent throughout this modern gothic mystery novel. It’s also a coming-of-age romance with hints of the supernatural, exploring traumatic sibling relationships, parental worries, and the misleading nature of memory. 

After his young son Ben writes a disturbing story about murdering a boy in a forest, widower Nick Unwin is alarmed by eerie parallels between his son’s behaviour and that of Nick’s younger brother Jason, prior to his inexplicable disappearance twenty years previously. This tragic past returns to haunt Nick when he sees an image of his long-lost brother in a newly released film.

Fearing a repeat of history, Nick decides to investigate, along with Tanith, an old flame from his early teenage years, with dark secrets of her own connected to Jason’s disappearance. But as they delve deeper into the labyrinthine mysteries of their past, long-buried memories resurface. Nick is forced to face the terrible fear that has plagued him for decades: Was he responsible for the death of his brother?

The following articles explore different aspects of the novel and the making of it. I have worded them carefully to avoid plot spoilers.

Death Nest: Reflections on Writing My Most Personal Novel

This story is quite personal for me, as it has been informed (in broad metaphorical terms) by the sectioning of my youngest brother following drug abuse, as well as my own fears about the future of my autistic youngest son. The article above was slightly written through gritted teeth, as I’ve revealed a lot more of my personal life than I’m normally accustomed to, but I hope this provides some valuable insights.

Death Nest: Chapter 1 Excerpt

According to readers so far, this is an opening that immediately grips the reader. As an author that’s all very encouraging to hear.

Death Nest: Chapter 7 Excerpt

A second clip, this time from a flashback chapter, introducing a key supporting character.

Death Nest: Settings, Research, Revisions

Various locations in southwest England, as well as my home city of Oxford, were chosen as a setting. This article also touches on other research aspects, and some of the ways in which the novel was rewritten.

Death Nest: Inspiration and Influences

Here I discuss the initial idea for the novel, and how it evolved, including an abandoning of almost all the original premise, and the switching of the protagonist’s gender from female to male (my horror-thriller novel protagonists are usually female). I also mention other novels and a few films that informed the story.

Death Nest: Initial Reviews

The five-star raves are starting to trickle in! Check out some reader feedback here.

Death Nest is in paperback or on Kindle from Amazon (click here for the UK, and here for the US). It’s also available from Smashwords and its various outlets.

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Death Nest: Initial Reviews

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The first reviews for my latest novel, mystery thriller Death Nest, are starting to trickle in. I’m thrilled to tell you they are five-star raves! I’m extremely pleased readers are finding this book as gripping and entertaining as I had hoped. My fears that the story would prove too painfully personal (for reasons discussed here) seem to have been unfounded. I’m glad.

Let’s take a look at what people are saying.

“Once I started reading this, I couldn’t put it down. The mystique of the storyline drew me in and held my attention until the very end.” – Joseph M Zobel, Amazon.

“I couldn’t put it down because the twists and turns kept me on my toes. Dillon’s deep dives into characters, narrative, mystery, and intrigue kept me totally engaged. There were no lulls… I was sorry when it ended.” – Annabelle Colbert, Amazon.

“The perfect pre-Halloween read. A wonderful combination of dark and supernatural forces with moral dilemmas in life that we can all relate to, and a thread of romance that runs right through the story… Thoroughly enjoyable (if deeply disturbing at times) and hard to put down from start to finish.” – Saltram, Amazon.

The above reviews can be read in full here.

If you’ve read and enjoyed Death Nest, please do add a review to Amazon or Goodreads (or ideally both). It doesn’t have to be long or eloquent. A one-liner saying you enjoyed it is fine. I seek reviews not to massage my ego (though obviously good reviews are encouraging) but because they are absolutely vital for independent writers like yours truly. Reviews mean the algorithms show my books to more people who potentially buy them. As such, reviews literally put food on my table, so a huge thank you to all of you who take the time to write them. It is so, so appreciated.

If you’ve not read Death Nest, here’s the blurb from the back of the book to whet your appetite.

From the author of Spectre of Springwell Forest and The Irresistible Summons…

A nail-biting new mystery.

After his young son Ben writes a disturbing story about murdering a boy in a forest, widower Nick Unwin is alarmed by eerie parallels between his son’s behaviour and that of his younger brother Jason, prior to his inexplicable disappearance twenty years previously. This tragic past returns to haunt Nick when he sees an image of his long-lost brother in a newly released film.

Fearing history will repeat itself, Nick decides to investigate, along with Tanith, an old flame from his early teenage years, with dark secrets of her own connected to Jason’s disappearance. But as they delve deeper into the labyrinthine mysteries of their past, long buried memories resurface. Nick is forced to face the terrible fear that has plagued him for decades: Was he responsible for the death of his brother?

A riveting coming-of-age thriller exploring traumatic sibling relationships, parental fears, and the misleading nature of memory, Death Nest is Simon Dillon’s most gripping novel yet.

Death Nest is available in paperback or on Kindle from Amazon (click here for the UK, and here for the US). It’s also available from Smashwords and its various outlets.

Death Nest: Settings, Research, Revisions

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My latest novel, the mystery thriller Death Nest, has recently been released. Lately, I’ve been exploring different aspects of this novel, which as well as dealing in page-turning suspense also features coming-of-age elements, a touch of romance, and the odd horror moment (especially in the latter stages). It’s also possibly my most “personal” novel to date (as I’ve discussed elsewhere), with a variety of influences and inspirations informing the book.

Here, I want to share a few insights into the settings, research, and revisions that went into the creation of the novel. Beginning with the settings, I should point out that the town of Corthpothan in the novel is fictional, but slightly based on the real Cornish village Porthcothan. I visited this lovely area on the north Cornwall coast a few years ago with the family, at the height of summer. 

Porthcothan beach. Photo by Zara Dillon.

If you drive past, it looks deceptively uninteresting, but if you walk the short distance along the sand of the small inlet next to the village, it widens out into a vast sandy beach. The sea has phenomenal waves, so it is great for surfers. The area is bordered by a spectacular rugged coastline that boasts caves and gorgeous rock pools. Some of the latter are great for children to swim in (if one is concerned about the ferociousness of the sea waves and strong currents).

We had a fantastic time here, but at the same time, the details of the area were carefully logged away in my mind, knowing they might one day make their way into a novel. As for other settings that wound up appearing in the novel, these include the lovely Bagley Woods on Boars Hill, Oxford. In fact, the opening movement of the novel features a variety of Oxford locations, including the King’s Arms pub; a real place, which used to be a regular watering hole of mine. The story also includes scenes in the Magdalen Street cinema (now sadly closed), and Port Meadow, which is another fabulous place to go for walks if you ever visit Oxford, especially if you’re a keen birdwatcher.

Beyond that, the sinister Darkfire Forest is inspired by a few different woodland areas in and around where I live in Devon. Of course, eerie, possibly haunted forests have cropped up before in my novels Spectre of Springwell Forest, but what takes place in Death Nest is a little different. Here’s a photograph I took a while ago that sets the tone for the Darkfire Forest.

Photo by author.

Much of my research for this novel came about from simply checking details about places I already knew, making sure I either rendered them accurately, or deliberately changed them (as was the case with the name Porthcothan). The novel also dealt with certain subjects with which I am already greatly familiar (film production, for instance). However, some more in-depth research took place into dark subjects like human trafficking and brainwashing. I also had to research pagan folklore quite a bit, which is where I discovered and adopted the name Damara for the ancient spirit that may (or may not) influence events in the story. But I also made up a great deal too.

The initial draft had a lot more overtly supernatural stuff included. I cut or greatly reduced much of this, deciding a greater ambiguity over such incidents was preferable. There are still plenty of spooky edges in the final text, and one can read the supernatural into the events. But at the same time, there are enough doubts and questions to leave such matters up to the reader, rather than forcing them into a particular perspective.

Death Nest is available in paperback or on Kindle from Amazon (click here for the UK, and here for the US). It’s also available from Smashwords and its various outlets.

Death Nest: Chapter 7 Excerpt

Here’s another taster of my latest mystery thriller novel, Death Nest. This excerpt is taken from chapter 7; a flashback chapter in which the protagonist, Nick, meets the enigmatic Tanith, in his early teens. The excerpt begins as Nick is looking after his younger brother Jason, playing a game with him.

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For the best part of an hour, we rushed along the stream, following the dusty footpath away from the village green to the south, running a little way uphill, parallel to farmland and clusters of tall hedges and spinneys. Along the way, Jason and I selected our usual weapons of choice from the various sticks that lay around, all the better to shoot the marauding malevolent aliens on the strange planet where we had crash landed. I threw myself more vigorously than usual into the pew-pew of shooting, and we would often take cover together behind rocks, trees, and bushes, looking ahead into the distance and blasting alien threats from afar. Sometimes we would attack. Other times we would be on the run. For Jason, it was exhilarating and fun. I enjoyed it too.

  Ultimately, our game petered out, but we decided to keep walking. I knew eventually we’d reach a small cluster of cottages on our left that lay on the southern border of the Darkfire Forest. The stream continued south to its source somewhere in the woods, skewing right with the building site of Wally’s Wonderland in the distance, further up the hill. I decided this was where we would halt and head home for lunch.

  More than ever, reality seemed heightened. The stillness, sweaty heat, glimmering sunshine dancing through branches, bouncing off the stream… It all fused together, slowing time down into a kind of meandering trance. Jason and I had enjoyed a boisterous time together, but now we ambled along the stream path in silence, as the cottages at the foot of Darkfire Forest came into view. They lay on the opposite side of the path, their thatched roofs and well-tended vegetable gardens gradually revealed as the path wound to the right. Absorbed in the hazy tranquillity, I halted.

  That’s when I first heard the singing.

  The high, clear, beautiful voice of a girl rang out across the stream.

  At first, I couldn’t see her, but her song carried through the still air like a magic spell. I tried to locate the source of the music. My eyes wandered across the water, through a patch of reed and tussock, to the foot of a great oak tree. A young teenage girl emerged from behind the trunk, still singing. She wore a bright summer dress and held a marigold. I couldn’t see her face properly, as her long auburn hair hid her features. Almost ritualistically, she took the marigold to the edge of the stream and began to pluck at the petals, throwing them into the water one at a time. I watched in fascination, listening to catch the words of her song.

It’s over again, no longer together.

But dry your tears, they’re not forever.

Another comes, to take the rein.

The cycle begins again.

Earth, air, water, flame.

The cycle begins again.

  We watched for a while, before Jason got bored, wandered to a nearby willow tree, and started to climb. I remained transfixed, staring at the girl beneath the oak tree, plucking the petals and throwing them into the stream. After about a minute, she turned and caught my eye. Bright blue eyes shone across the water, captivating me in their gaze. For the briefest of seconds, she appeared startled, but the flicker of surprise passed from her face almost immediately. She smiled, as though she were expecting me. A strange dizziness came upon me, and I stumbled where I stood.

  The girl resumed her singing, continuing until she had finished plucking the petals. She discarded the stalk with the final note, staring across the water towards me. I remained arrested in the dreamlike stillness, sensing something had taken place between us, though I didn’t know what.

  ‘I’m Tanith,’ the girl said.

  ‘Nick,’ I replied. I indicated my brother, who was busy climbing the willow tree. ‘That’s Jason.’

  Tanith’s eyes made a brief dart in Jason’s direction, before snapping back to me.

  ‘How old are you?’

  ‘Fourteen. How old are you?’

  ‘Fifteen. Come over here a moment.’

  ‘Why?’

  ‘I want to ask you something, but I want to whisper.’

  Too intrigued to refuse, I made my way down the bank to a rocky place in the stream. The crossing was easy enough, but I took more care than usual, not wanting to trip and fall in the water, thus embarrassing myself in front of Tanith.

  Whilst climbing the bank on the other side, I again became acutely aware of the bubbling stream, still air, hazy heat, distant birdsong… It all blended like a peculiar enchantment. I couldn’t take my eyes off Tanith and wondered at how she drew me in like a fish on a hook. Suddenly self-conscious, I turned away, staring determinedly at the grass, the reeds, and back across to Jason, busy having fun in the willow tree.

  ‘Look at me,’ Tanith said.

  Her tone was commanding, but beguiling. She appraised me, and I felt uncomfortable, as though I were standing before her naked.

  Presently, she nodded. ‘Scruffy, a bit smelly, but you’ve got kind eyes. I think you’re safe.’

  ‘Safe?’

  ‘I can tell straight away if people are safe. It’s a gift. My grandma taught me how to do it. Look into a person’s eyes and see inside their soul.’

  Tanith was certainly beautiful, but all this weirdness started to annoy me. ‘Look, what did you drag me across here for?’

  ‘I wanted to ask you a question.’

  ‘What question?’

  Tanith leaned closer. My heart began to speed up, and once again I felt dizzy. For one thrilling, terrifying second, I thought she was going to kiss me. But then she placed her mouth close to my ear and whispered.

Death nest, Simon dillon, 2023.

Want know what Tanith whispered to Nick? Check out Death Nest, which is out now in paperback or on Kindle from Amazon (click here for the UK, and here for the US). It’s also available from Smashwords and their various outlets.

Death Nest: Inspiration and Influences

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What inspired, influenced, or otherwise informed my latest novel, Death Nest? It has a strange history. I’ve already spoken on this blog about how intensely personal the book is on a metaphorical level, but whilst the novel frames this by exploring traumatic sibling relationships, parental fears, and the misleading nature of memory, the genesis of the story itself came from an altogether different source.

A cursory glance at my scribbled notes informs me the first time I conceived this story was in early 2019, but the premise is rather different. At that point, the working title was simply Film Censor and the protagonist was female. She worked at the British Board of Film Classification in London (BBFC), where films are given certificates (U, PG, 12A, 15, and 18). Here, she views a film that features an image of what appears to be a young girl who mysteriously vanished during her childhood. How has the director managed to capture this young girl on film? Is it a ghost? Or someone who simply looks like her?

Remarkably, this premise is almost identical to the film Censor, which came out in cinemas a couple of years later (though that film takes a very different turn from what I would have done with my story). I ditched the idea of making the protagonist work for the BBFC, as unlike Censor, my story wasn’t really about the issues around film censorship. Instead, I had the protagonist be a member of the general public who sees this image of her childhood friend at a public screening in the cinema. But at this point, the story went in an entirely different direction to what happens in the final version of Death Nest. I won’t say what else was in my original outline, as I may explore the subsequent plot threads in another novel at a later date.

However, when I had the dream I discussed in this article, the idea for the book radically changed. After a long period of reflection, I ditched everything except the idea that the protagonist sees the image of what appears to be a ghost at a cinema screening. The rest of the story was built from scratch, and it became a much more intensely personal work, focused on coming-of-age elements in flashbacks, and the more sinister revelations that come to light in the second half of the novel. At a certain point, I broke with tradition and switched the protagonist’s gender to male. All my other novels in the gothic mystery horror-thriller tradition feature female protagonists.

With a radically new plot outline, character profiles, and so forth, I proceeded to write the first draft in early 2020, with the working title The White Nest. Afterwards, I changed that title to Death Rattle, which eventually became Death Nest. As I’ve written about elsewhere, after completing the first draft, I set the manuscript aside for a long time, and the subsequent to-ing and fro-ing between beta readers in which the final draft was shaped isn’t worth recounting in detail here.

Perhaps unusually, the tales that informed this novel aren’t necessarily supernatural thrillers or horror stories. Instead, the influences were an eclectic bunch ranging from Great Expectations by Charles Dickens to (bizarrely) films like romantic comedy Adventureland. Obviously, my novel bears no resemblance to the latter, but it does feature a somewhat second-rate theme park as a setting, like that film. As for the Dickens classic, themes of thwarted adolescent love are in my story too, though the object of my protagonist’s affection, although enigmatic, is certainly not cruel like Estella. Elsewhere, the brainwashing elements present in A Clockwork Orange, The Manchurian Candidate, and The Parallax View also lingered in the back of my mind while writing.

Death Nest is out now. Here’s the blurb from the back of the book:

From the author of Spectre of Springwell Forest and The Irresistible Summons…

A nail-biting new mystery.

After his young son Ben writes a disturbing story about murdering a boy in a forest, widower Nick Unwin is alarmed by eerie parallels between his son’s behaviour and that of his younger brother Jason, prior to his inexplicable disappearance twenty years previously. This tragic past returns to haunt Nick when he sees an image of his long-lost brother in a newly released film.

Fearing history will repeat itself, Nick decides to investigate, along with Tanith, an old flame from his early teenage years, with dark secrets of her own connected to Jason’s disappearance. But as they delve deeper into the labyrinthine mysteries of their past, long buried memories resurface. Nick is forced to face the terrible fear that has plagued him for decades: Was he responsible for the death of his brother?

A riveting coming-of-age thriller exploring traumatic sibling relationships, parental fears, and the misleading nature of memory, Death Nest is Simon Dillon’s most gripping novel yet.

Get your copy today! Available in paperback or on Kindle from Amazon (click here for the UK, and here for the US). It’s also available from Smashwords and their various outlets.