My new novel Phantom Audition is a nail-biting gothic mystery. It encompasses a wide variety of themes, including being in love with something that doesn’t exist, abuse of power, how artists can become narcissists who think that moral codes do not apply to them, the dangers of tampering in the occult, obsession, madness and much more.
Here are a few snippets from initial reviews on Amazon and Goodreads:
“Phantom Audition is one of the absolute best books I have recently read… A brilliant mystery… with plenty of suspicious characters, you will be enticed to turn each page as you travel through this mystery to its surprising conclusion.” – Sue Marie.
“Stole my sleep for two nights… I know I’ll be thinking about so many of the characters, twists and turns, and emotions I came across on this reading adventure… I can’t say that I’ve ever read anything remotely similar to this plot.” – Kelli Pizarro.
“I love this story with all of its puzzles and strong emotion. Mia is a complex main character who is lost in grief after her husband’s death. She is searching not only for answers, but also to be able to own her own skin again. She feels lost in her husband’s shadow and is determined to come into her own. The way Simon weaves the side characters into the plot, revealing more and more secrets to the puzzle is genius. The setting also felt like an additional character, which I loved so much. I will be rereading this book many times, as I do only a few books that I also love.” – Rowan Thalia.
“Left me wanting to re-read it right away — like the feeling you get after watching an M Night Shyamalan film — where you suddenly realise maybe you were asking the wrong questions all along! A thoroughly enjoyable, page-turner read.” – Sara Meg Seese.
“PAGE-TURNER! I thoroughly enjoyed Phantom Audition… Dillon is a skilled storyteller; his characters all convey their backstories and humanity through their natural/believable dialogue and actions, that their motives are always clear. Every single piece fits into the puzzle perfectly.” – Ximena Escobar.
“A fantastic, page-turning, supernatural mystery! Thrilling from start to finish, with plenty of intrigue, Phantom Audition will have you on the edge of your seat… Had me guessing again and again how it was going to end, all the way until it actually ended… Reminded me of how much I love the mystery genre and how badly I need to read more like this.” – Antonio Gonzales-Rodriguez.
Phantom Audition is published by Dragon Soul Press. Click here to get it on Kindle or in paperback.



More psychological thriller/mystery than horror, and if it were a film, probably wouldn’t be rated stronger than 12A (that’s PG-13 for our American cousins). Yes, there is plenty of page-turning suspense, with our imperilled heroine wandering spooky corridors at night, but let’s put it this way; my notoriously easy-to-scare mother braved it, and managed to reach the ending unscathed. It’s only a notch up from something like Daphne Du Maurier’s Rebecca.
This begins more like a whodunnit, develops into a supernatural thriller, and really only segues into horror during the finale, in quite a gradual slow-burn. Yes, the bodies do pile up a bit, but in scariness, only a notch or so up from The Birds Began to Sing.
A properly full-blown ghostly gothic horror mystery, most akin to something like an MR James short story, or The Woman in Black. It is a slow-burn, but it does build to a properly spine-chilling finale that will test the nerves, so I’m giving this one a higher scariness rating.
For the most part, I’d argue this is a supernatural conspiracy thriller. However, the final act is undoubtedly in clear horror territory, in a pretty full-on manner. Comparison texts would be something like Coma crossed with the more horrific elements of Lars von Trier’s The Kingdom.





Fatherland – The Irresistible Summons isn’t just a modern gothic horror but also a conspiracy thriller. In fact, I’d argue the tone throughout is more conspiracy thriller than horror. For that reason, I’ve included this novel, by Robert Harris, in my list of influential stories. The plot – set in a parallel universe where the Nazis won the war – has no bearing whatsoever on my novel. However, the tone of investigation into a gradually uncovered conspiracy was certainly something I strove to emulate in my telling.
Coma – Both Robin Cook’s novel and Michael Crichton’s film adaptation are key inspirations. The premise – a possible conspiracy in a Boston hospital whereby patients are being deliberately placed in irreplaceable comas – is a masterclass in escalating unease and paranoia, building to full blown suspense set pieces that are pure modern gothic. The film in particular is terrific, with Genevieve Bujold making a fantastic imperilled heroine. Michael Douglas is also good as her is-he-or-isn’t-he-in-on-it boyfriend. A real nail-biter, and a major tonal influence on my work (not just this novel either).
Riget (The Kingdom) – This Danish TV miniseries, partly directed by Lars Von Trier, was edited together for an epic cinema release in the UK, which I caught sometime in the mid-1990s. I’ve never forgotten it. Think Casualty/ER meets Ghostbusters/The Exorcist, with a healthy dose of Twin Peaks thrown into the mix. Quirky, mysterious, funny and frightening, I cite this as an influence mainly for the notorious segment where a woman’s pregnancy is gradually revealed to have a disturbingly supernatural origin.
The Descent – This brilliant Neil Marshall directed horror film, about a bereaved woman and her friends discovering more than they bargained for on a pot-holing expedition, was considered so disturbing that the ending was actually censored in the US, ending a few minutes before the version we see in the UK, and thus blunting the true horror of what has occurred. Said censored ending was certainly a key influence on one moment during the finale of my story.
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