2019 has been an extremely busy year for me, and I am very pleased to have released a number of novels and shorter pieces.
Novels
Two more of my gothic mystery horror thrillers were released: The Irresistible Summons, which erred much more on the horror side, and Phantom Audition, which was more on the thriller side. Both feature nail-biting, page-turning spooky shenanigans, and were very well received. If you’re interested in picking up a copy as a Christmas present (or to read yourself) click here for The Irresistible Summons and here for Phantom Audition.
Shorts
Also this year, my short story Papercut was included in romantic fantasy anthology First Love, also published by Dragon Soul Press. Furthermore, three of my “Drabbles” (micro-fiction of exactly 100 words) were published by Blood Song Books anthology Curses & Cauldrons. These anthologies have also been very well reviewed. Check them out here and here, respectively.
Works in progress
Of the above works, Phantom Audition was a novel I wrote early in the year, and that was fast-tracked for publication. Compared with other years, I have written less than usual, outside of that, but there are still a number of short stories, and one novella, waiting in the wings. Indeed, delving into shorter works has been an agreeable change of pace for me, and the total word count of the above almost amounts to the equivalent of another novel. So I’ve not been that lazy.
On the blog
As ever, I’ve enjoyed covering lots of different topics on the blog. I love to write on subjects I am passionate about, and hopefully spark some discussion. You might have missed some of these, or want to re-read them, so here are three of my favourites.
Never Surrender to the Professionally Offended: A Rallying Cry for Authors
Uses and Abuses of Inner Monologue
Why Spoiler Awareness is Important
The Tangent Tree
Series three of The Tangent Tree – the film podcast I co-host with Samantha Stephen – is about to begin next week. Series two appeared earlier in the year. You can catch up on all episodes at the Tangent Tree website here – or listen on iTunes, Spotify, Podcast Addict and so on.
There have been many people who helped and supported me this year, sometimes through difficult things.
You know who you are.
Thank you.
Here’s a one-stop-shop with links to all you need to know about my latest gothic mystery thriller, 
The Birds Began to Sing
The Thistlewood Curse
Spectre of Springwell Forest
The Irresistible Summons
The Little Stranger – Sarah Waters’s sublime gothic mystery was a key tonal influence. Throughout the promotion of Phantom Audition, I’ve been very keen to emphasise that this isn’t a story that’s interested in terrifying the living daylights out of readers like some of my more overt horror stories. It that respect, it is akin to the psychological drama of this very clever ghost story, which whilst being page-turningly gripping, isn’t necessarily going to cause nightmares. The ghost story here belongs to a more old-school tradition, wherein the protagonist entering the haunted house ultimately discovers themselves within, in a manner of speaking.
Jane Eyre – Charlotte Bronte’s masterpiece is a clear inspiration in many areas, most tellingly in the way Thornfield Hall intimidates Jane, and has hidden secrets. In my novel, the dark secrets of Steven Yardley (a sort-of Rochester figure) haunt the protagonist Mia from beyond his grave. His Jacobean family mansion also intimidates Mia, and holds a few hidden secrets of its own.
Don’t Look Now – Daphne Du Maurier’s stunning short story (and Nic Roeg’s equally stunning film adaptation) were definite thematic inspirations. Don’t Look Now’s themes of grief and obsession are mirrored in my novel, along with certain plot themes (including the mediums). Incidentally, Du Maurier’s Rebecca was also an influence, but then again, that novel has influenced so many of my works that it’s getting a bit tedious to keep listing it.
Sleeping Murder – Act one of this Agatha Christie mystery remains a superbly unsettling opener, as a young married woman finds her dream home was once laid out with the exact refurbishments she wants to undertake. Every detail – from garden landscaping, to where she would put a door, to her chosen wallpaper – are already there, beneath the surface. This mess-with-your-head mystery is tonally something I adopted in my novel.
A Fantastic Woman – This Chilean film, which won Best Foreign Film at the 2018 Oscars, might at first appear an odd choice as an influence on Phantom Audition. Nonetheless, it actually provided the initial inspiration. The story concerns a transgender woman dealing with the death of her partner, and finding herself isolated and ostracised by his family. The film has a dreamlike, magical realist quality to it, and even at times becomes a bit like a thriller (there’s a mysterious key which her partner left, for example). Moreover, there is something of a descent into the underworld/death and rebirth metaphor in the film, a story arc which is very much echoed in my novel. One image particularly leapt out at me – that of a ghostly vision of the dead partner staring out at her from a crowded nightclub dance floor amid strobe lights. It’s an image I actually nicked, sorry, “paid homage” to.
Death and the Maiden – Another Chilean influence of sorts, in that Chilean playwright Ariel Dorfman wrote this blinder of a stage play (later adapted into a film by Roman Polanski). The plot concerns a woman called Paulina Escobar who becomes convinced her husband’s house guest is actually the man who kidnapped, tortured, and raped her several years previously. Paulina’s lawyer husband isn’t convinced, but she is determined to torture a confession out of the man who might be her former tormentor. However if he confesses, is his confession true, or simply a desperate attempt at escaping his predicament by telling her what she wants to hear? How this play influenced my novel, I will not explain, but it will become apparent when you read it.
Simon Dillon Books 
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