Update: November 2024

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What have I been up to lately? Lots, as it happens.

New novel

Most of my recent writing time has been spent working on the outline, character profiles, and research for my next novel. I’m very excited about this one, as I hope it will be part of a longer series, featuring the same protagonist. It’s a supernaturally tinged whodunnit, which will come as no surprise to any of you, given that mystery horror-thrillers are my bread and butter. But this is the first time I’ve planned a series of novels in that genre. It’s a challenging project, but one I can’t wait to share with you all. I begin writing the first draft in January.

New short story: An In-Between Christmas

Outside the next novel(s), one of my recently written short stories, An In-Between Christmas, is now being serialised in Fictions on Medium (see part 1, here). As a taster, here is the logline for this bittersweet dark fairy tale: “A young woman tries to contact her comatose father on a mysterious spiritual plane between life and death.”

An In-Between Christmas is also being serialised on Substack (here). It will appear in weekly instalments, every Monday, with the final part appearing on the 23rd of December. However, if you can’t wait that long, or if you want to read the story outside of Medium and Substack, all six instalments are available on Patreon, but at a price. I’m taking advantage of their new “buy a one-off post” scheme, so that’s available too, at a cost of £3 per instalment. I agree, that’s a bit steep, but that’s Patreon’s minimum price per post. All Patreon support is hugely appreciated, of course.

Substack or Patreon?

If you want full access to my short stories and novellas, as well as classic cinema articles, top tens, film review archive, and more, then Substack is probably a better bet at $5 per month (the free version gives you new release film reviews only, though after four weeks they disappear behind a paywall). Patreon provides more exclusive behind the scenes material, and exclusives such as video updates, story previews, deleted scenes, unseen designs, more in depth articles about my creative process, and so forth. But if you simply want to see the finished products, Substack is better value for money. Of course, if you’re on Medium, much of what I publish on Substack is there too. However, there are going to be exclusives on Substack very soon, so do bear that in mind if dithering over where best to view my work.

Subscribe to me on Substack here or support me on Patreon here.

Another new short story

Beyond all this, I’m working on yet another new short story. This time it’s a comedic detective story, the details of which I’m keeping under wraps at present. This story also has a connection to my new novel, but I’m keeping quiet on exactly how for now, except to say the light tone here will be in stark contrast to the much darker edges of the new novel.

That’s about it for now. Expect my final update for 2024 next month.

Update: October 2024

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Over the last month, most of my fiction writing activities have centred around short stories. The first of these, a new fantasy tale presently untitled, is set at Christmas and concerns a young woman with a father in a coma. At the hospital, She meets a mysterious man who transports her to another dimension where she might be able to contact her father, if she undertakes a perilous journey. That’s all I’m going to say about the plot for now (I’m being deliberately vague on details) but I hope it will run on Medium and Substack this December.

The second short story is about a private detective investigating the murder of a much-loathed man involved in an online scam. However, this story might not see the light of day, because I wrote it mainly as an exercise in getting to know the protagonist of my next novel. I may write two or three more short stories involving this character in other cases, and might publish them further down the line, if all goes well with the novel, and if the short stories are compelling enough in their own right.

All of which brings me to the next novel. The preparations for writing the manuscript in earnest are presently underway. I’m preparing plot outlines, character profiles, undertaking research, and generally getting ready for the big push to write the first draft, early next year. Hence, the short stories being centred on the private detective protagonist.

That’s pretty much all I can say at present about my fiction writing. I’ll keep you updated with further news when I have it. However, if you are a Medium subscriber, or if you subscribe to me on Substack, do check out my ghost story presently being serialised on both platforms: Rachael.

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A spooky, supernatural horror tale, Rachael is in five parts, the first four of which are now available to read. Here’s the subheading I’ve used: “At a private girls school, an English teacher fond of shoplifting and married men stages a cursed play linked to a centuries-old ghost story.”

Check out part one here (on Medium) or here (on Substack). The end of each instalment features links to subsequent parts, of the final part will be published on the 31st of October.

Medium and Patreon Update: October 2022

Photo by engin akyurt on Unsplash

As I’ve recently launched on Patreon, I’ve decided to combine my monthly Medium highlights with Patreon highlights. If you aren’t already a supporter on Patreon, please take a look at this link, which outlines my writing goals for the next year, clearly stating how much I wish to raise and why, and offering support levels of £2, £4, £8, and £25 per month, with different benefits at each level. Please consider supporting me, even if only at the lower level, as every pound makes a huge difference.

The big Patreon news this month is, as of this week, I’ve started serialising the current draft of my novel The Balliol Conspiracy. This somewhat unusual story begins as a psychological mystery, evolving into a romantic spy thriller of sorts akin to novels such as John Buchan’s The Thirty-Nine Steps and Hitchcock films like North by Northwest.

The Balliol Conspiracy proved a real change of pace for me when I wrote it, as frankly, I wanted to write a novel that (for once) wouldn’t give my mother nightmares. As such, I strove to keep events at a PG level, even though it is a grown-up thriller with a strong, suspenseful narrative. At its heart, this is a history-based treasure hunt tale, leading to a new lease of life for its bereaved protagonist, who has a mysterious compulsion for purchasing and cataloguing suitcases left in airports. I don’t want to say too much more, except that it also involves Balliol College in Oxford, the infamous “Galloping Gertie” Tacoma Narrows bridge disaster, and the head of Oliver Cromwell!

If you become a “Knight of the Dillon Empire” at £8 per month, you get at least one draft chapter of The Balliol Conspiracy per month, as well as all the benefits of the lower “Ally of the Dillon Empire” and “Free Citizen of the Dillon Empire” tiers. These include updates on all I’m doing, which sometimes take the form of videos of me prattling in various locations such as Dartmoor. You also get draft previews of short stories, deleted snippets of published books, exclusive peeks at rejected cover artworks, further insights into my creative process, and more.

I hope many of you consider supporting me, and that you enjoy the exclusive material. In the meantime, here’s a selection of my highlights from Medium over the past month. Those of you who aren’t Medium subscribers get three free reads per month. However, if you decide to subscribe to Medium to read all my work (and the work of many others), please do so via this link, as it means I financially benefit from your subscription. Thank you for supporting my writing endeavours, and I hope you enjoy the following.

My Ten Favourite Sci-Fi Films

A much procrastinated over selection featuring UFOs, futuristic dystopias, AI nightmares, reality television, time travel, and more.

My Ten Favourite Vampire Films

Twilight emphatically excluded with extreme prejudice.

Ten Great Films Under 90 Minutes

If your time is limited, great movie choices are still possible.

Why is The Wicker Man So Terrifying?

Robin Hardy’s 1973 folk horror classic still gets under the skin.

Is It Ever Acceptable to Use a Phone in a Cinema?

Short answer: No. After a recent extraordinary confrontation, I can’t believe I’m still having to say this.

I Pity Those Who Don’t Find ‘A Fish Called Wanda’ Funny

Any excuse to talk about John Cleese’s hilarious classic comedy heist thriller.

Race, Representation, and The Rings of Power

How online review-bombing extremists are ruining legitimate critical discourse of the Tolkien TV series.

Underrated Disney: The Journey of Natty Gann

A neglected gem from the Disney wilderness years.

That’s it from me this month. Thank you again for all your support, and a special big thank you to my ten first monthly supporters on Patreon – Claus, Robin, David S, David P, Steve, Yasmine and Ville, Sterling, Galina, Ian, and Gillian, plus those who have contributed one-off donations on Ko-fi. And also to Ruth and Iain. I’ll leave it there, before this degenerates into an Oscar acceptance speech, suffice to say, it is greatly appreciated.

Writing Update: The White Nest

With the exception of a couple of short stories, last year I took an extended break from fiction writing after finishing the first draft of a novel tentatively titled The White Nest. This story proved every bit as “personal” as Children of the Folded Valley. In fact, given the level of raw nerve jabbing involved, it’s safe to say I did something of a “Truman Capote”. What I mean by that is Capote was scarred to such a degree after writing his masterpiece In Cold Blood that he never finished another novel.

I am not comparing myself to such a literary giant, nor did I do anything as drastic as attend executions for my art, as he did, but the painful truth is that writing The White Nest affected me in ways I’m still coming to terms with. For some time, I wondered if my “voices” would ever return. I wrote a bit about that experience in this article on Medium. Thankfully I can report that the voices are back.

This year so far, I have written the first novel in a planned trilogy of fantasy stories that exist in the same Universe as my as-yet unpublished dark fairy tale novel The Faerie Gate. However, despite being pleased that I’ve managed to write another novel, I’m not yet convinced the quality is high enough to warrant being shared with the world. I feared the same for The White Nest, but having finally braved another look at the manuscript, I am pleased to report that is not the case.

The White Nest (I’m keeping the real title secret for now) is another gothic mystery, at least in part. It is also a coming-of-age story, a romance, a conspiracy thriller, and obviously it contains some strong horror elements. It deals in themes of complicated sibling relationships, parental fears, and false guilt. Reading it back, I can see why the process of writing it had such an effect on me, due to some of the painful personal experiences on which I am drawing. That said, I think readers will simply enjoy it as a vivid, gripping, page-turning mystery, which was always my primary intention. I think it might contain the best first act I’ve ever written. I can’t say if the ending is up to the same standard, as I’ve yet to reread it, but so far the signs are promising.

In terms of plot, The White Nest represents something of a departure from my previous gothic mysteries, in that the protagonist is male. I’m keeping the specifics under wraps for now, but I can tell you the story contains a full checklist of my favourite gothic tropes, including a sleepy south-west England village, haunted forest, eerie mansion, secret tunnels, dubious secret experimental facilities, occult secret societies, ghosts, demons, curses, mysterious disappearances, childhood memories buried by trauma, rug-pulling twist ending… you name it. You could even call this novel Now That’s What I Call A Simon Dillon Gothic Mystery if you really wanted to, as it is something of a compilation of my preoccupations, genre wise.

Here are some photographs of locations that inspired settings for certain sequences in The White Nest. The novel is predominantly set in Cornwall, but much of the landscape is based on the rugged North Devon coast. However, the first part of the novel is set in Oxford. One key scene takes place in Port Meadow.

Once I finish a second draft of The White Nest, I am moving on to a new gothic mystery, one that’s been gestating in my mind for some time. It is getting to the point where it is an itch I have to scratch, and I’m looking forward to developing it. In the meantime, I may well release a volume of short stories in the future, as I’ve now got quite a nice pile of these, and it would be nice to have them all together in one place. As ever, watch this space.

Writing Update: “The White Nest”

To say 2020 hasn’t gone the way I expected so far would be an understatement. However, in one respect it has gone to plan: I have just finished the first draft of my latest novel.

I won’t announce the title just yet, so let’s call it The White Nest for now. That won’t be the final title, but the White Nest is an element of the narrative. What is the White Nest? Is it something sinister? Obviously. This is a gripping gothic mystery akin to all my previous endeavours in that genre, including The Birds Began to Sing, The Irresistible Summons, Spectre of Springwell Forest, The Thistlewood Curse, and Phantom Audition.

The White Nest has a full checklist of my favourite gothic tropes, including a sleepy south-west England village, haunted forest, eerie mansion, secret tunnels, dubious secret experimental facilities, occult secret societies, ghosts, demons, curses, mysterious disappearances, childhood memories buried by trauma, rug-pulling twist ending… you name it. You could even call this novel Now That’s What I Call A Simon Dillon Gothic Mystery if you really wanted to, as it is something of a compilation of my preoccupations, genre wise.

Like some of my earlier novels, this one also straddles the borders between mystery thriller and supernatural horror. However, one key trope has changed. Instead of a tenacious imperilled heroine at the centre of the drama, this story features a male protagonist. In fact, this novel is different in a number of ways, because it is a highly personal work. Yes, I know, all writing is personal to some degree, but this one really does jab some of my raw nerves in the themes it explores – including the challenges in sibling relationships, parental fears, false guilt, coming of age, and more. In that respect, it is my most “personal” work since Children of the Folded Valley.

The actual plot? Sorry, that remains top secret for now. It’s likely to remain top secret for some time too, as I need the dust to settle on this one, before I return to it with a fresh eye. Although presently a hefty 105,000 words or so, I hope to shave about 10,000 words from that length, deleting a few less essential subplots and/or characters, much like what happened with The Irresistible Summons.

As for what I’ll be writing next, I do have a nifty idea for a fantasy novel, based on a rather strange dream I had last year. When I shared this dream with a colleague, she said that if I didn’t turn it into a book, she would! At any rate, I hope to begin at least outlining this one soon.

In between planning, I’ll probably pen the odd short spooky story, including one (or possibly two) set during the present pandemic. Watch this space.