My new mystery thriller novel Death Nest is out on the 1st of October and available for pre-order at Amazon and Smashwords. Here’s the first of a few teaser images counting down to the release.
A spoiler-free comment on this image: The story features a cave on the north Cornwall coast, in the fictional village of Corthpothan (loosely inspired by the real Cornwall coastal village Porthcothan).
My new mystery thriller novel, released on the 1st of October. Watch this space for more details.
I’ve recently updated my Patreon goals and reflected on those achieved over the past year. On the whole, I did pretty well, I think. Out of eight major goals set, I achieved six and a half. It’s important to be accountable to one’s supporters, so I’ve laid out the details in this article.
I am still keep to attract further patrons, so please consider supporting me. I have four giving levels: Ally of the Dillon Empire (£2 per month), Free Citizen of the Dillon Empire (£4 per month), Knight of the Dillon Empire (£8 per month), and General of the Dillon Empire (£25 per month). Depending on the level of support, I offer monthly video updates, insights into my writing process, previews of short stories, chapter drafts, and cover art, interviews with my characters, serialised novel drafts, and exclusive material (including other fiction snippets) not seen anywhere else.
If you’re considering supporting me, why not head over to my Patreon page for more information? Here’s the link.
In case you were unaware, I’ve recently released and have been extensively promoting my new dystopian sci-fi anthology Love and Other Punishments. Now available in ebook or paperback from Amazon, Smashwords, and associated outlets, this selection of novellas and short stories is proving a hit with readers. Featuring futuristic satire, technological speculation, alternative realities, and melancholy obsessions, Love and Other Punishments is a compelling compliment to my earlier dystopian novels Children of the Folded Valley and Peaceful Quiet Lives.
Some of these stories had previously been available on Medium (all except one are now removed), but three are brand new and exclusive to this volume. Two never-before-seen novellas of about 20,000 and 18,000 words each, and one new short story at around 12,000 words, have been added to the other earlier novellas and stories earmarked for inclusion. The total word count for the volume is around 85,000 words. Not bad value for £2.99 (or $3.99, in the US).
Here’s a plot taster for each story, plus the accompanying graphics. For more detail on the story and what inspired it, click on the link to the appropriate specific article on this blog.
A journalist investigates a tech company manufacturing nightmare suppressing nanotech for children. “Sweet Dreams” refers to the technology involved, which the journalist comes to believe may be linked to an increase in suicidal tendencies among young people. Her investigations uncover conspiracies, cover-ups, and eventually murder.
For more about this story, click here. Also, if you want a taster of this collection, all five parts of Sweet Dreams are currently available on Medium, beginning here (each instalment contains a link to subsequent parts).
In a world where thought monitoring brain implants are standard employment practice, a man and woman conduct a secret workplace romance against company policy. Together they find devious ways to fool their thought supervisor by providing false brain metrics. New and exclusive to this volume. For more about this story, click here.
When terrorists hack the Driverless Vehicle Network, threatening to crash cars unless their demands are met by the British government, a civil servant begins to suspect there may have been an inside job. New and exclusive to this volume. For more about this story, click here.
In the not-too-distant future, ghost sightings are found to be “quantum contamination” or “memory bleeds” that can be easily disposed of via scientific means. A quantum contamination cleaner becomes secretly obsessed with the unsolved murder of a young woman whose memory bleeds occupy his home. New and exclusive to this volume. For more about this story click here.
A curious IT technician discovers a surreal, sinister truth about traffic wardens. I almost left this darkly comic tale out of the volume, but ultimately felt it made a nice a palate cleanser following the emotionally intense finale of Bleed with Me. Exclusive to this volume, previously available on Medium. For more about this story click here.
In a parallel universe, a Soviet Air Force officer holds the fate of the world in his hands. Inspired by the real-life 1983 Soviet nuclear false alarm incident, in which Stanislav Petrov essentially saved the world from nuclear annihilation. Exclusive to this volume, previously available on Medium. For more about this story click here.
In a fascistic future London, a widowed salesman begins to suspect he has repressed memories when he encounters a mysterious woman. Exclusive to this volume, previously available on Medium. For more about this story click here.
To order a copy of the Love and Other Punishments anthology, click here (for Amazon in the US), or here (for Amazon in the UK). Digital versions are also available from Smashwords and associated outlets here.
Photo by Pete Crockett on Unsplash
I recently had a new short story published in Fictions on Medium, entitled Aftermath. This two-part tale concerns a young woman returning to her mother after leaving a cult, circa early 1978. It follows her attempts to reconnect with those she left behind, as well as rebuilding her life and introducing her young son to the father who doesn’t know he exists.
Part One can be read here. Part Two can be read here.
Aftermath doesn’t neatly fit into any of my usual genres, but it is thematically consistent with some of my earlier work. I’ve written about the effects of cults before, albeit with more of a dystopian sci-fi twist, in my novel Children of the Folded Valley. The story isn’t directly based on any of my own experiences, but those experiences nonetheless informed the telling. I’d add that I’ve written a second short story featuring a different character attempting to move on after emerging from a cult. It’s something of a companion piece and may also turn up on Medium in the future.
Over the past few weeks on the blog, I’m delved into the seven short stories and novellas contained within my recently released Love and Other Punishments dystopian sci-fi anthology. This week, I draw this series to a close with the titular novella itself.
Love and Other Punishments is a dystopian romantic mystery concerning, Shaun Harrison, a bereaved insurance salesman living in a not-too-distant future fascist London. Shaun’s wife and two children were murdered, and the grief has crushed him. The killer, Christopher Chapman, was sentenced to experience being stabbed in perpetuity, within a virtual reality matrix that continually resets itself. But such high-tech attempts at making the punishment fit the crime aren’t a comfort amid Shaun’s miserable existence.
Shaun begins to believe he has repressed memories when he encounters a mysterious woman, Lara Taylor. There is something familiar about her, but Shaun can’t put his finger on it. Images of a beach return to his mind, but he can’t place them. He and Lara become romantically involved, and for the first time in years, glimmers of happiness begin to return to Shaun. However, the mystery surrounding Lara deepens. Shaun is determined to discover the truth, but sometimes, the truth is best left undiscovered.
This story was inspired by an overthink on the nature of justice, and what Britain might look like in the future if it was run by the Daily Mail reading hang ‘em and flog ‘em brigade. At the same time, it’s a love story about memory and whether sometimes ignorance is bliss. I can’t say much more than that without getting into spoilers, but this final story in the collection is one of which I am most proud.
To order a copy of the Love and Other Punishments anthology, click here (for Amazon in the US), or here (for Amazon in the UK). Digital versions are also available from Smashwords (and their various outlets) here.
Over the next few weeks on the blog, I’m delving into the seven short stories and novellas contained within my recently released Love and Other Punishments dystopian sci-fi anthology.
This week: Apocalypse 1983
Soviet Russia, 1983. Colonel Andrei Fedorov is assigned to replace Colonel Stanislav Petrov for his shift at Serpukhov-15 bunker, monitoring the Oko nuclear strike early warning system, as Colonel Petrov is ill. Fedorov takes over this dull assignment from Colonel Komorovksy. The pair exchange remarks about the contraband Variety magazine Komorovksy had been reading, concerning the recent David Lynch-directed third instalment in the Star Wars trilogy, Revenge of the Jedi. Komorovksy departs. Federov watches, reflecting that lately, he hasn’t spent enough time with his wife and daughter.
Then, the unthinkable happens.
The Revenge of the Jedi remarks makes clear this story takes place in a parallel universe. David Lynch really was once offered the job of directing what became Return of the Jedi (Revenge of the Jedi was the working title George Lucas later changed). A far bigger difference between this history of our universe and that of Colonel Fedorov is also about to become apparent because in our universe, Colonel Stanislav Petrov – a real figure from history – was on duty on the fateful day I describe.
This story was inspired by the real-life 1983 Soviet nuclear false alarm incident, in which Petrov, an officer of the Soviet Air Defence Forces, chose to ignore an alarm indicating the presence of incoming American nuclear missiles. Standing orders were to alert his superiors to wait for corroborating evidence; an instruction Petrov deliberately disregarded, as he knew this would cause the button to be pushed. When no such evidence arrived, he correctly concluded the warning had been a false alarm, caused by errors in the satellite warning system.
Petrov’s instincts are widely credited for having averted a full-scale nuclear war between the USA and USSR. Furthermore, Petrov subsequently stated that had someone else been on duty that night, a nuclear strike would almost certainly have occurred, as the other duty officers did not have a civilian background, and their military mindset would have meant orders were followed to the letter. Petrov was not rewarded for his heroic actions, but he was reprimanded by his superiors for improper filing of paperwork.
The inspiration for Apocalypse 1983 was simply to imagine what might have happened had Petrov not been on duty. Thinking about how close we came to a nuclear apocalypse freezes my blood. As for the story’s place in this collection, at a brisk 2,000 words, it acts as a palate cleanser between the suspense thrills of Sweet Dreams, and the enigmatic romantic mystery of Love and Other Punishments, the final novella in the collection.
To order a copy of the Love and Other Punishments anthology, click here (for Amazon in the US), or here (for Amazon in the UK). Digital versions are also available from Smashwords (and their various outlets) here.
Over the next few weeks on the blog, I’m delving into the seven short stories and novellas contained within my recently released Love and Other Punishments dystopian sci-fi anthology.
This week: Sweet Dreams
Ali, a young journalist, investigates tech company Astral, which manufactures nightmare-suppressing nanotech for children. “Sweet Dreams” is the name of the software, which is injected into babies at birth, and is now as commonplace as routine vaccinations. A generation has grown up since parents started implanting Sweet Dreams into their children. As a result, teenagers now expect nightmares at the onset of puberty, along with other bodily changes, as the nanotech is programmed to disintegrate at that time.
However, in a small handful of cases, the nanotech remains in operation, as nightmares are not forthcoming. Ali is one such person, as she has never had a nightmare. By contrast, her boyfriend Malcolm is an “anti-Sweet”: a child raised without Sweet Dreams nanotech by parents who had scruples about the software. Such people are a tiny minority, but with an apparent rise in suicides among those who failed to get nightmares at puberty has led to political controversy, hence Ali’s investigation into Astral.
Murder and more murder soon follow, with Ali realising she may be in over her head in a web of paranoia, conspiracy, and cover-ups. But how high up does the conspiracy go? Who can she trust?
Themes of playing God and the dangers of mollycoddling are inherent in the subject matter, but quite honestly Sweet Dreams isn’t meant to be terribly deep. My main motivation in writing was to create a gripping tech-murder mystery novella. One thing I will add is that this absolutely and emphatically is not intended as an anti-vaccination metaphor, however much some readers may be determined to read that into it.
That said, the prospect of putting nanotech and microchips in our brains is another matter entirely. It does alarm me when I read of people who’d be quite willing to embrace such technology without any qualms. Also, what parents do in this story, attempting in a very literal sense to protect their children from bad dreams, perhaps drew inspiration from overprotective parents I’ve encountered in real life. When they don’t let their children read scary books or see scary films (despite children’s inherent curiosity about such things), I think this can be developmentally stifling and potentially unhealthy. Then again, you’d doubtless expect nothing less than an opinion like this from a parent like me, given the nature of some of my writing (including my children’s novels). My views on such matters are well-documented.
To order a copy of the Love and Other Punishments anthology, click here (for Amazon in the US), or here (for Amazon in the UK). Digital versions are also available from Smashwords (and their various outlets) here.
Over the next few weeks on the blog, I’m delving into the seven short stories and novellas contained within my recently released Love and Other Punishments dystopian sci-fi anthology.
This week: The Traffic Warden
Do you know anyone who is a traffic warden? Or anyone who will admit to being one? Some years ago, I had a highly amusing speculative conversation at my former workplace, with colleagues who proposed wildly imaginative theories about whether traffic wardens were genetically engineered, or androids, or even aliens, since no one knew or knew of anyone who knew a traffic warden. Are those in this much-loathed profession cloaked in a veil of secrecy? Could someone you know secretly be a traffic warden?
When I contributed to this debate with my own darkly absurd theory on the origins of traffic wardens, it was suggested to me that I turn this into a short story. I did, never intending it for publication. It was meant as mere blackly comic whimsy and a joke for my colleagues (who all read the story). However, it did take some inspiration from genuine traffic warden behaviour I’d witnessed.
For example, I have seen traffic wardens lurking in wait for persecuted parents trying to drop their children at school having parked in a perfectly safe fashion (but on double yellow lines) and running to slap tickets on their cars for the few seconds whilst they are escorting the children inside. These parents really did have nowhere else to park, and once the council added the double yellow lines (I suspect not for safety reasons, but to raise cash), these parents were rather stuffed. Many of them were forced to add parking fines into their monthly budgeting (as was reported in a news broadcast at the time).
On another occasion, I’ll never forget the diabolical behaviour I witnessed from traffic wardens outside Kings Cross station in London, as they circled parked cars like vultures, awaiting the seconds to tick down to 7am when parking restrictions came into force. I daresay they are paid on commission, which encourages this lunacy. One particularly overzealous warden placed a ticket on a parked car at 6:57am, just as the owner came to collect it. A furious argument ensued, in which all manner of officious nonsense about not being able to withdraw the ticket once it had been issued was spouted, that the time on the ticket read 7:01am, and that if the car owner wanted to lodge a protest and argue the toss, he’d have to go through official channels. I was so incensed at this traffic warden’s bureaucratic cruelty that I offered to be a witness if required, as I had seen the car owner return to his vehicle before 7am, as I had done.
I’d even heard on the news (though not personally witnessed) how another driver had purchased a permit to park in a restricted space, clearly displayed it in his windscreen, only for a traffic warden to ticket him anyway, as overnight frost had covered the car windows. In such circumstances, traffic wardens damn well ought to give the benefit of the doubt, but of course, that would require a scenario in which they aren’t operating due to hypnotic conditioning and brainwashing, as per my short story.
The Traffic Warden is very short and intended as little more than a palate cleanser between Bleed with Me and the next novella in the volume, Sweet Dreams. Because it is so slight and whimsical, I almost didn’t include it. But on reflection, I decided it was needed to provide a brief chuckle after the melancholia of Bleed with Me, and before the dark mystery at the heart of Sweet Dreams.
To order a copy of the Love and Other Punishments anthology, click here (for Amazon in the US), or here (for Amazon in the UK). Digital versions are also available from Smashwords (and their various outlets) here.
Over the next few weeks on the blog, I’m delving into the seven short stories and novellas contained within my recently released Love and Other Punishments dystopian sci-fi anthology.
This week: Bleed with Me
In a near future, when Hadron Collider experiments and the like are in full swing, ghostly apparitions of people who suffered violent or sudden deaths are increasingly common. These are scientifically explained as “memory bleeds” or “quantum contamination”: Images from the past bleeding through into the present. Scott Murray is a qualified quantum contamination cleaner who uses scientific apparatus to locate the source of the contamination and neutralise the quantum particles. He is often used as a police consultant in murder cases when quantum contamination offers clues.
One such case particularly interests Scott. Police were unable to find the killer of Judy Armstrong, but he purchased the house in which she lived, without cleaning the quantum contamination. Every day, he watches her regular ghostly appearances, trying to put together what happened, becoming increasingly obsessed. Then, in a peculiar twist of fate, he encounters another young woman, Lena Meadow, who is the spitting image of Judy. There doesn’t seem to be a connection between the two, but Scott is determined to find one, believing they must be long-lost twins. Are they? Or is there an even more unsettling explanation?
I think Bleed with Me could well be my favourite story in this volume. It’s a 20,000-word novella in seven parts, and although it sounds like a ghost story, it’s firmly planted in the science fiction tradition of something like Minority Report rather than anything in the horror genre. That said, it has been influenced by classic mystery films such as Otto Preminger’s film noir Laura, and Alfred Hitchcock’s masterpiece Vertigo, in its musings on obsession and how sometimes, it is better not to know the truth (another idea explored quite a lot in my writing).
Bleed with Me is a brooding, melancholy tale, which also explores self-fulfilling prophecies, and the dangers of accepting our projections of who we think a person is. What inspired it? I’m honestly not sure. It just occurred to me in a sudden download of inspiration one morning. Not for the first time, as I outlined the story, something seemed to take over, as though I were getting the story from something outside of myself. I know other writers claim similar things happen to them, so at least I’m not alone in sounding a little bonkers.
To order an ebook or paperback of the Love and Other Punishments anthology, click here (for Amazon in the US), or here (for Amazon in the UK). Digital versions are also available from Smashwords (and their various outlets) here.
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