A Novel to Offend Everyone: Peaceful Quiet Lives

Credit: Denisa Trenkle

A new dystopian thriller currently playing in cinemas, Alex Garland’s Civil War, makes provocative speculation on the horrors of a second internal military conflict in the US. It’s a tense, gripping work, well worth watching, and my full review of the film can be read here. However, whilst Garland portrays the President in a vaguely Trumpian manner, the specific issues that might trigger a modern US civil war are deliberately sidestepped. Garland’s priority is to show a hellish conflict to be avoided at all costs.

Garland allows all viewers a way in by uniting Texas and California in the story, as the “Western Forces” leading an insurrection against the US government. With Texas and California sitting on opposite ends of the political spectrum in real life, this union ensures no one in the audience feels got at, regardless of their political views. It’s a smart move and works well for the film.

However, my 2021 novel Peaceful Quiet Lives is set in the aftermath of a second American civil war, in which two politically polarised nations on the North American continent live side by side in an uneasy peace. A satirical dystopian romantic drama, Peaceful Quiet Lives features secret lovers who find themselves at odds with the political powers of both nations. Unlike Civil War, it does not duck the political issues.

I wrote the first draft of this novel in 2018, during Trump’s first term, as I watched the so-called culture wars unfolding in America. Admittedly, I was watching from the UK. Some people have dismissed my book on that basis, suggesting I lack the cultural insight or objectivity to write about this because I’m British. I’m not sure that’s true, and to those who say this, I’d urge them to read my novel first, before judging it.

At any rate, these culture wars, whether social, political, racial, or religious, have been a division in America simmering all my life. In one sense, they are nothing remarkable in a Western democracy. However, in recent years, these divisions have become a lot more exacerbated. A militant tendency in the language and behaviour of both sides is remarkably similar. This militancy, fuelled by fear-driven social media, television news, and opportunistic politicians, has stirred up serious unpleasantness. The events of 6th January 2021, for example.

Although Peaceful Quiet Lives explores some of these divisive topics, it is not a political statement. My novel has no left or right political agenda. However, the central idea — regarding two extreme authoritarian states being two sides of the same militant coin — I thought would make an intriguing backdrop for a doomed romance. I also wanted the novel to be a satire of the worst fears of both sides in the US culture wars.

The first half of the novel plays on fears that the US could turn into an authoritarian right wing religious theocracy. This section explores (among other things) a world in which women’s rights are severely curtailed. For example, sex outside of marriage can result in public flogging or imprisonment. Abortions carry the death penalty for all those involved, and churches have far more political power. Some of what I wrote here in 2018 isn’t that far from recent developments.

The second half sends up fears that the US is headed for an authoritarian left wing state. This section takes place in a world where taxes are higher based on sex and race (white men are taxed more for being white and male), and Incel culture has become a serious terrorist threat. In addition, sexual consent has become a bureaucracy where a man can be charged with rape, even if his partner insists it wasn’t rape, if the correct online consent forms aren’t filled in at the time.

The novel isn’t so much intended as a warning against both scenarios, neither is it an attempt to lash out in despair at the current problems in America, but rather it is an exercise in absurdity. I hope the tragic lunacy of such a future is inherent within the text, and that as a result, perhaps the fears of both sides will be eased, just a little.

Such grandiose ambitions aside, I hope people enjoy the novel as simply a damn good read. I’ll admit this novel exists outside my usual horror-thriller mystery oeuvre, but I’ve explored dystopian tales elsewhere (mostly in short story form —here, for instance), so I expect I’ll dabble in it again, from time to time. I do hope you’ll give Peaceful Quiet Lives a go, even though it’s got something in it to offend everyone (by design).

By the way, the title derives from New Testament verses urging people to live a quiet life and mind one another’s business (in 1 Thessalonians chapter 4). The title is ironic since events in the lives of my protagonists are neither peaceful nor quiet. Nor are they left alone to get on with their private lives.

If you’re interested in reading a sample, the first six chapters of Peaceful Quiet Lives can be read on Medium (here’s chapter one). Otherwise, the full novel is available on Kindle or paperback from Amazon (here in the UK, here in the US). It’s a very different beast to Alex Garland’s Civil War, which is more concerned with the visceral horrors of actual war, but I hope you’ll consider Peaceful Quiet Lives interesting in its own right.

(Originally published on Medium.)

2023 In Review

I was going to pose with a death stare for Death Nest, but my wife ruined that by telling a joke.

Annual reviews can sound terribly self-serving, so the first thing I want to say in this one is thank you so much to all of you. Thank you for buying my books, reviewing my books, and most of all, I’m thrilled that you are enjoying them. Thank you for all your kindness and support all this year, and through many previous years. Things are developing slowly but surely, as I ease my way into this full-time writing business, and I have much to celebrate and be thankful for in 2023.

New Novel Release: Death Nest

The achievement I’m most proud of this year is the release of my supernaturally tinged mystery thriller Death Nest. It’s had some stunning reviews so far (as you can see here) and readers are finding it every bit as gripping as I’d hoped. It’s a huge encouragement to me and something of a relief, considering how personal this novel is to me (as you may have already read about here).

New Anthology Release: Love and Other Punishments

This year also saw the release of another short story anthology entitled Love and Other Punishments. This one had a dystopian science fiction theme, with seven stories, most of them exclusive to this collection. Driverless cars being hacked by terrorists, mind-reading software implanted in the brains of office workers, nightmare-suppressing nanotech for children, and much more are explored in a wide-ranging set of tales incorporating satire, thrillers, and even a touch of romantic comedy. For more information, click here.

New Novel First Draft Written: A Thorn in Winter

Another major achievement this year was penning the first draft of this new gothic mystery thriller. It involves a young woman initially caught in a web of blackmail, only to uncover something much more sinister when a tarot card reading links her situation to a decades-old unsolved murder case. I’m very proud of what I hope is a page-turning whodunit, and I can’t wait to share it with you all.

New Novel Rewritten: The Hobbford Giant

This horror-thriller I originally wrote in 2022. It was on my list to polish up this year, and this has been done. It is now being submitted to mainstream agents and publishers in the hope that someone finally says yes on that front (I came frustratingly close this year with Death Nest, eventually self-publishing it, and feeling thoroughly vindicated by the positive feedback).

Here’s a brief idea of what the novel is about, from my pitch letter to literary agents:

Is it sometimes better not to know the truth? This question lies at the heart of The Hobbford Giant, my 83,000-word horror-thriller mystery. Set in 1997, it concerns a young journalist investigating an unusual archaeological dig, an abuse scandal at a former children’s home, an ancient folklore legend, and a dark family secret that connects her to all three. The story also explores repressed memories, childhood trauma, and what happens when lies are covered by more lies. A tagline for the novel might be: “Some secrets can claim your soul.”

Against the wishes of her parents, Mira Webb moves in with her estranged uncle, after getting a job at the local paper in the southwest town of Hobbford. Her first assignment involves a piece on archaeologists digging in the grounds of a children’s home closed years previously in the aftermath of an abuse scandal. Their discoveries may shed light on the legend of a giant that once menaced the area, but after she experiences ghostly visitations, and the archaeologists start winding up in comas, Mira comes to believe an ancient curse may be at work; a curse to which she has a horrifying personal connection.

Sound gripping? I hope so. Hopefully, agents and publishers will think so too. I’ll keep you posted with updates on this next year.

Short Stories

Image by Rizal Deathrasher from Pixabay

I’ve written six short stories and novellas this year, some of which were exclusives for the aforementioned Love and Other Punishments anthology. Two others were released on Medium and Substack, the latter of which I branched out into recently. At this point, Substack is a mirror of my Medium output, with a free option for people who only want the new release film reviews (as you’ve probably noticed, I no longer host those here), and a paid option for those wanting everything. However, I may well start putting exclusives on Substack too. Here are the two short stories in question. Links to subsequent parts are included at the end of every instalment.

Aftermath

After leaving a cult, a young woman returns to her estranged mother. Read on Medium here, or on Substack here.

Crockern’s Curse

A young couple investigating a childhood mystery on Dartmoor are menaced by supernatural forces linked to local folklore. Read on Medium here, or on Substack here.

Other Achievements This Year

One of my long term projects is an epic sequel to an as-yet unpublished fantasy novel for children entitled The Faerie Gate (though that title will probably change). This huge undertaking is a novel I return to between other writing priorities, and this year I managed to write a hefty chunk, to the point that it is now about halfway finished. I hope to write more of this monster novel next year.

I’ve also continued to give exclusive early access to short stories, sneak previews of artwork, exclusive insights into my writing processes, video updates, novel draft previews (including serialised unpublished novels), and other material found nowhere else, on my Patreon page. I still offer four levels of pricing support: Ally of the Dillon Empire, Free Citizen of the Dillon Empire, Knight of the Dillon Empire, and General of the Dillon Empire. I’ve grown my support a little this year, so that’s encouraging. Take a look at my Patreon page here, for more information.

In short, 2023 has been a breakneck year, with lots achieved, and much still to achieve. I’m taking a break over Christmas, but as usual, I’ll unveil my goals for 2023 on New Year’s Day. Watch this space.

It only remains for me to wish you all a peaceful, restful Christmas.

(All images by author or created by author in Canva, unless otherwise stated.)

Film Review – The Creator

Credit: 20th Century Studios

Gareth Edwards has had a fascinating directorial career to date. His debut Monsters (2010) was a singular offbeat gem, which featured sterling location shooting and composited visual effects on an extraordinarily low budget. Godzilla (2014) proved a pretty solid reboot for the US-made iterations of the titular giant lizard, and despite a troubled production history, Rogue One (2016) turned out to be the most universally loved of the recent Star Wars films. The Creator is another foray into science fiction, and an unexpectedly strong one. Once again, Edwards utilises great location work with tremendous compositing amid action-packed thrills and food-for-thought themes.

The film opens with a montage showing the development of robotics and AI. They become increasingly involved in daily life, even taking on human appearance to a degree, as humans are encouraged to offer their “likeness” to robots, or simulants as they come to be known. Things go pear-shaped when the AI launch a nuclear weapon, annihilating Los Angeles. America declares war on AI and immediately outlaws the use of it. But in Asia, people embrace AI. Thus, a war is waged against AI in Asia, with America developing a massive superpowered hovering platform called NOMAD that searches for AI with great blue beams, and then bombs it to kingdom come.

Into this mix comes tough US special forces agent Joshua (John David Washington), charged with finding and destroying an AI superweapon that threatens to turn the course of the war against the Americans. When said weapon turns out to be an enigmatic child simulant (Madeleine Yuna Voyles), Joshua becomes understandably confused and conflicted about carrying out his mission. He subsequently smuggles said child simulant, whom he calls “Alfie” (a nickname derived from “Alpha-Omega”) across various war zones, avoiding capture from soldiers on both sides, because he believes she knows the location of his wife Maya (Gemma Chan), who he previously believed to be dead. Along the way, Joshua and Alfie bond, and what started as a straightforward tale of human versus AI becomes more complicated, as hidden secrets and agendas are revealed.

Amid chases, gunfights, and other visual spectacle, the hoary old sci-fi questions are asked: Can machine intelligence be sentient? If sentient machinery is programmed to feel pain, does it really feel pain? Can it have aspirations, ambitions, a sense of religious belief, a need for love, and so forth? And what are the implications for humanity? What does it mean to be human? Is our inherent worth dependent on whether we are carbon or silicon-based? Do we have a responsibility to the machine intelligence we created? Are we in effect their god, or is this simply another step in human evolution?

Of course, none of these questions are new. They’ve been asked in science fiction countless times before, in everything from Blade Runner (1982) to Akira (1988), both of which seem to be important influences here. Actually, I spotted a lot of other key texts informing this film, including Apocalypse Now (1979), E.T. The Extra-Terrestrial (1982), AI: Artificial Intelligence (2001), Elysium (2013), Chappie (2015), and Ex Machina (2014). I was even reminded of Gerry Anderson’s puppet TV series Captain Scarlet and the Mysterons at a couple of points.

Despite the plethora of inspiration from the aforementioned stories, The Creator delivers as a singular piece in its own right. Purely in terms of design, spectacle, and visual effects, this is an outstanding piece of work with a unique vision. Edwards directs the action well, and there is plenty of food for thought with the aforementioned, zeitgeist-tapping, artificial intelligence pontificating. Is this film an argument for humanity to integrate with AI in a hurrah-for-transhumanism sort of way? Perhaps, but on a metaphorical level, I suspect it is more a plea for tolerance, understanding, and peace. These themes come across well in Edwards and co-writer Chris Weitz’s screenplay, which also manages to get away with some fairly strong anti-US military sentiments. That’s quite unusual for a mainstream Hollywood film, especially in this day and age.

The narrative logic isn’t quite as compelling, and it is chiefly for this reason that I don’t think The Creator is the science fiction masterpiece some are making it out to be. But it is nonetheless very good indeed, a tremendously entertaining spectacle and well worth catching on the biggest screen you can find for the breathtaking visuals alone. With sterling contributions from the supporting cast (look out for Alison Janney in a strong antagonist role), beautiful cinematography from Greig Fraser and Orren Soffer, and a fine music score from Hans Zimmer, there is plenty of icing on this tasty cinematic cake. Here’s hoping it’s a sizeable hit, reinforcing this year’s message to Hollywood from the box office: We’ve had enough of legacy sequels, reboots, cinematic universes, and superheroes. More original stories, please.

UK Certificate: 12A

US Certificate: PG-13

Love and Other Punishments: A Dystopian Sci-Fi Anthology

In case you were unaware, I’ve recently released and have been extensively promoting my new dystopian sci-fi anthology Love and Other Punishments. Now available in ebook or paperback from Amazon, Smashwords, and associated outlets, this selection of novellas and short stories is proving a hit with readers. Featuring futuristic satire, technological speculation, alternative realities, and melancholy obsessions, Love and Other Punishments is a compelling compliment to my earlier dystopian novels Children of the Folded Valley and Peaceful Quiet Lives.

Some of these stories had previously been available on Medium (all except one are now removed), but three are brand new and exclusive to this volume. Two never-before-seen novellas of about 20,000 and 18,000 words each, and one new short story at around 12,000 words, have been added to the other earlier novellas and stories earmarked for inclusion. The total word count for the volume is around 85,000 words. Not bad value for £2.99 (or $3.99, in the US).

Here’s a plot taster for each story, plus the accompanying graphics. For more detail on the story and what inspired it, click on the link to the appropriate specific article on this blog.

Sweet Dreams

A journalist investigates a tech company manufacturing nightmare suppressing nanotech for children. “Sweet Dreams” refers to the technology involved, which the journalist comes to believe may be linked to an increase in suicidal tendencies among young people. Her investigations uncover conspiracies, cover-ups, and eventually murder.

For more about this story, click here. Also, if you want a taster of this collection, all five parts of Sweet Dreams are currently available on Medium, beginning here (each instalment contains a link to subsequent parts).

The Thought Improvement Plan

In a world where thought monitoring brain implants are standard employment practice, a man and woman conduct a secret workplace romance against company policy. Together they find devious ways to fool their thought supervisor by providing false brain metrics. New and exclusive to this volume. For more about this story, click here.

Driverless

When terrorists hack the Driverless Vehicle Network, threatening to crash cars unless their demands are met by the British government, a civil servant begins to suspect there may have been an inside job. New and exclusive to this volume. For more about this story, click here.

Bleed with Me

In the not-too-distant future, ghost sightings are found to be “quantum contamination” or “memory bleeds” that can be easily disposed of via scientific means. A quantum contamination cleaner becomes secretly obsessed with the unsolved murder of a young woman whose memory bleeds occupy his home. New and exclusive to this volume. For more about this story click here.

The Traffic Warden

A curious IT technician discovers a surreal, sinister truth about traffic wardens. I almost left this darkly comic tale out of the volume, but ultimately felt it made a nice a palate cleanser following the emotionally intense finale of Bleed with Me. Exclusive to this volume, previously available on Medium. For more about this story click here.

Apocalypse 1983

In a parallel universe, a Soviet Air Force officer holds the fate of the world in his hands. Inspired by the real-life 1983 Soviet nuclear false alarm incident, in which Stanislav Petrov essentially saved the world from nuclear annihilation. Exclusive to this volume, previously available on Medium. For more about this story click here.

Love and Other Punishments

In a fascistic future London, a widowed salesman begins to suspect he has repressed memories when he encounters a mysterious woman. Exclusive to this volume, previously available on Medium. For more about this story click here.

To order a copy of the Love and Other Punishments anthology, click here (for Amazon in the US), or here (for Amazon in the UK). Digital versions are also available from Smashwords and associated outlets here.

New Anthology Highlight: Love and Other Punishments

Created in Canva.

Over the past few weeks on the blog, I’m delved into the seven short stories and novellas contained within my recently released Love and Other Punishments dystopian sci-fi anthology. This week, I draw this series to a close with the titular novella itself.

Love and Other Punishments is a dystopian romantic mystery concerning, Shaun Harrison, a bereaved insurance salesman living in a not-too-distant future fascist London. Shaun’s wife and two children were murdered, and the grief has crushed him. The killer, Christopher Chapman, was sentenced to experience being stabbed in perpetuity, within a virtual reality matrix that continually resets itself. But such high-tech attempts at making the punishment fit the crime aren’t a comfort amid Shaun’s miserable existence.

Shaun begins to believe he has repressed memories when he encounters a mysterious woman, Lara Taylor. There is something familiar about her, but Shaun can’t put his finger on it. Images of a beach return to his mind, but he can’t place them. He and Lara become romantically involved, and for the first time in years, glimmers of happiness begin to return to Shaun. However, the mystery surrounding Lara deepens. Shaun is determined to discover the truth, but sometimes, the truth is best left undiscovered.

This story was inspired by an overthink on the nature of justice, and what Britain might look like in the future if it was run by the Daily Mail reading hang ‘em and flog ‘em brigade. At the same time, it’s a love story about memory and whether sometimes ignorance is bliss. I can’t say much more than that without getting into spoilers, but this final story in the collection is one of which I am most proud.

To order a copy of the Love and Other Punishments anthology, click here (for Amazon in the US), or here (for Amazon in the UK). Digital versions are also available from Smashwords (and their various outlets) here.

New Anthology Highlight: Apocalypse 1983

Designed in Canva.

Over the next few weeks on the blog, I’m delving into the seven short stories and novellas contained within my recently released Love and Other Punishments dystopian sci-fi anthology.

This week: Apocalypse 1983

Soviet Russia, 1983. Colonel Andrei Fedorov is assigned to replace Colonel Stanislav Petrov for his shift at Serpukhov-15 bunker, monitoring the Oko nuclear strike early warning system, as Colonel Petrov is ill. Fedorov takes over this dull assignment from Colonel Komorovksy. The pair exchange remarks about the contraband Variety magazine Komorovksy had been reading, concerning the recent David Lynch-directed third instalment in the Star Wars trilogy, Revenge of the Jedi. Komorovksy departs. Federov watches, reflecting that lately, he hasn’t spent enough time with his wife and daughter. 

Then, the unthinkable happens.

The Revenge of the Jedi remarks makes clear this story takes place in a parallel universe. David Lynch really was once offered the job of directing what became Return of the Jedi (Revenge of the Jedi was the working title George Lucas later changed). A far bigger difference between this history of our universe and that of Colonel Fedorov is also about to become apparent because in our universe, Colonel Stanislav Petrov – a real figure from history – was on duty on the fateful day I describe.

This story was inspired by the real-life 1983 Soviet nuclear false alarm incident, in which Petrov, an officer of the Soviet Air Defence Forces, chose to ignore an alarm indicating the presence of incoming American nuclear missiles. Standing orders were to alert his superiors to wait for corroborating evidence; an instruction Petrov deliberately disregarded, as he knew this would cause the button to be pushed. When no such evidence arrived, he correctly concluded the warning had been a false alarm, caused by errors in the satellite warning system.

Petrov’s instincts are widely credited for having averted a full-scale nuclear war between the USA and USSR. Furthermore, Petrov subsequently stated that had someone else been on duty that night, a nuclear strike would almost certainly have occurred, as the other duty officers did not have a civilian background, and their military mindset would have meant orders were followed to the letter. Petrov was not rewarded for his heroic actions, but he was reprimanded by his superiors for improper filing of paperwork.

The inspiration for Apocalypse 1983 was simply to imagine what might have happened had Petrov not been on duty. Thinking about how close we came to a nuclear apocalypse freezes my blood. As for the story’s place in this collection, at a brisk 2,000 words, it acts as a palate cleanser between the suspense thrills of Sweet Dreams, and the enigmatic romantic mystery of Love and Other Punishments, the final novella in the collection.

To order a copy of the Love and Other Punishments anthology, click here (for Amazon in the US), or here (for Amazon in the UK). Digital versions are also available from Smashwords (and their various outlets) here.

New Anthology Highlight: Sweet Dreams

Created in Canva.

Over the next few weeks on the blog, I’m delving into the seven short stories and novellas contained within my recently released Love and Other Punishments dystopian sci-fi anthology.

This week: Sweet Dreams

Ali, a young journalist, investigates tech company Astral, which manufactures nightmare-suppressing nanotech for children. “Sweet Dreams” is the name of the software, which is injected into babies at birth, and is now as commonplace as routine vaccinations. A generation has grown up since parents started implanting Sweet Dreams into their children. As a result, teenagers now expect nightmares at the onset of puberty, along with other bodily changes, as the nanotech is programmed to disintegrate at that time. 

However, in a small handful of cases, the nanotech remains in operation, as nightmares are not forthcoming. Ali is one such person, as she has never had a nightmare. By contrast, her boyfriend Malcolm is an “anti-Sweet”: a child raised without Sweet Dreams nanotech by parents who had scruples about the software. Such people are a tiny minority, but with an apparent rise in suicides among those who failed to get nightmares at puberty has led to political controversy, hence Ali’s investigation into Astral. 

Murder and more murder soon follow, with Ali realising she may be in over her head in a web of paranoia, conspiracy, and cover-ups. But how high up does the conspiracy go? Who can she trust?

Themes of playing God and the dangers of mollycoddling are inherent in the subject matter, but quite honestly Sweet Dreams isn’t meant to be terribly deep. My main motivation in writing was to create a gripping tech-murder mystery novella. One thing I will add is that this absolutely and emphatically is not intended as an anti-vaccination metaphor, however much some readers may be determined to read that into it. 

That said, the prospect of putting nanotech and microchips in our brains is another matter entirely. It does alarm me when I read of people who’d be quite willing to embrace such technology without any qualms. Also, what parents do in this story, attempting in a very literal sense to protect their children from bad dreams, perhaps drew inspiration from overprotective parents I’ve encountered in real life. When they don’t let their children read scary books or see scary films (despite children’s inherent curiosity about such things), I think this can be developmentally stifling and potentially unhealthy. Then again, you’d doubtless expect nothing less than an opinion like this from a parent like me, given the nature of some of my writing (including my children’s novels). My views on such matters are well-documented.

To order a copy of the Love and Other Punishments anthology, click here (for Amazon in the US), or here (for Amazon in the UK). Digital versions are also available from Smashwords (and their various outlets) here.

New Anthology Highlight: The Traffic Warden

Designed in Canva.

Over the next few weeks on the blog, I’m delving into the seven short stories and novellas contained within my recently released Love and Other Punishments dystopian sci-fi anthology.

This week: The Traffic Warden

Do you know anyone who is a traffic warden? Or anyone who will admit to being one? Some years ago, I had a highly amusing speculative conversation at my former workplace, with colleagues who proposed wildly imaginative theories about whether traffic wardens were genetically engineered, or androids, or even aliens, since no one knew or knew of anyone who knew a traffic warden. Are those in this much-loathed profession cloaked in a veil of secrecy? Could someone you know secretly be a traffic warden?

When I contributed to this debate with my own darkly absurd theory on the origins of traffic wardens, it was suggested to me that I turn this into a short story. I did, never intending it for publication. It was meant as mere blackly comic whimsy and a joke for my colleagues (who all read the story). However, it did take some inspiration from genuine traffic warden behaviour I’d witnessed. 

For example, I have seen traffic wardens lurking in wait for persecuted parents trying to drop their children at school having parked in a perfectly safe fashion (but on double yellow lines) and running to slap tickets on their cars for the few seconds whilst they are escorting the children inside. These parents really did have nowhere else to park, and once the council added the double yellow lines (I suspect not for safety reasons, but to raise cash), these parents were rather stuffed. Many of them were forced to add parking fines into their monthly budgeting (as was reported in a news broadcast at the time).

 On another occasion, I’ll never forget the diabolical behaviour I witnessed from traffic wardens outside Kings Cross station in London, as they circled parked cars like vultures, awaiting the seconds to tick down to 7am when parking restrictions came into force. I daresay they are paid on commission, which encourages this lunacy. One particularly overzealous warden placed a ticket on a parked car at 6:57am, just as the owner came to collect it. A furious argument ensued, in which all manner of officious nonsense about not being able to withdraw the ticket once it had been issued was spouted, that the time on the ticket read 7:01am, and that if the car owner wanted to lodge a protest and argue the toss, he’d have to go through official channels. I was so incensed at this traffic warden’s bureaucratic cruelty that I offered to be a witness if required, as I had seen the car owner return to his vehicle before 7am, as I had done.

I’d even heard on the news (though not personally witnessed) how another driver had purchased a permit to park in a restricted space, clearly displayed it in his windscreen, only for a traffic warden to ticket him anyway, as overnight frost had covered the car windows. In such circumstances, traffic wardens damn well ought to give the benefit of the doubt, but of course, that would require a scenario in which they aren’t operating due to hypnotic conditioning and brainwashing, as per my short story.

The Traffic Warden is very short and intended as little more than a palate cleanser between Bleed with Me and the next novella in the volume, Sweet Dreams. Because it is so slight and whimsical, I almost didn’t include it. But on reflection, I decided it was needed to provide a brief chuckle after the melancholia of Bleed with Me, and before the dark mystery at the heart of Sweet Dreams.

To order a copy of the Love and Other Punishments anthology, click here (for Amazon in the US), or here (for Amazon in the UK). Digital versions are also available from Smashwords (and their various outlets) here.

New Anthology Highlight: Bleed with Me

Designed in Canva.

Over the next few weeks on the blog, I’m delving into the seven short stories and novellas contained within my recently released Love and Other Punishments dystopian sci-fi anthology.

This week: Bleed with Me

In a near future, when Hadron Collider experiments and the like are in full swing, ghostly apparitions of people who suffered violent or sudden deaths are increasingly common. These are scientifically explained as “memory bleeds” or “quantum contamination”: Images from the past bleeding through into the present. Scott Murray is a qualified quantum contamination cleaner who uses scientific apparatus to locate the source of the contamination and neutralise the quantum particles. He is often used as a police consultant in murder cases when quantum contamination offers clues.

One such case particularly interests Scott. Police were unable to find the killer of Judy Armstrong, but he purchased the house in which she lived, without cleaning the quantum contamination. Every day, he watches her regular ghostly appearances, trying to put together what happened, becoming increasingly obsessed. Then, in a peculiar twist of fate, he encounters another young woman, Lena Meadow, who is the spitting image of Judy. There doesn’t seem to be a connection between the two, but Scott is determined to find one, believing they must be long-lost twins. Are they? Or is there an even more unsettling explanation?

I think Bleed with Me could well be my favourite story in this volume. It’s a 20,000-word novella in seven parts, and although it sounds like a ghost story, it’s firmly planted in the science fiction tradition of something like Minority Report rather than anything in the horror genre. That said, it has been influenced by classic mystery films such as Otto Preminger’s film noir Laura, and Alfred Hitchcock’s masterpiece Vertigo, in its musings on obsession and how sometimes, it is better not to know the truth (another idea explored quite a lot in my writing).

Bleed with Me is a brooding, melancholy tale, which also explores self-fulfilling prophecies, and the dangers of accepting our projections of who we think a person is. What inspired it? I’m honestly not sure. It just occurred to me in a sudden download of inspiration one morning. Not for the first time, as I outlined the story, something seemed to take over, as though I were getting the story from something outside of myself. I know other writers claim similar things happen to them, so at least I’m not alone in sounding a little bonkers.

To order an ebook or paperback of the Love and Other Punishments anthology, click here (for Amazon in the US), or here (for Amazon in the UK). Digital versions are also available from Smashwords (and their various outlets) here.

New Anthology Highlight: Driverless

Designed in Canva.

Over the next few weeks on the blog, I’m delving into the seven short stories and novellas contained within my recently released Love and Other Punishments dystopian sci-fi anthology.

This week: Driverless

Linda Wheeler is a civil servant working at the central headquarters of the Driverless Vehicle Network in London. One morning, she is summoned to an emergency confidential briefing to learn terrorists have hacked their systems. They have already demonstrated their power by causing one crash, and are threatening to crash many more vehicles, with increasing severity, unless their demands are met. As the staff at the DVN try to regain control of their systems, Linda finds a rabbit trail of evidence and begins to suspect an insider may have assisted the terrorists in their attack. But who can be trusted? Nail-biting shenanigans ensue.

I intended Driverless as nothing more than an old-fashioned thriller with dystopian sci-fi trimmings. There’s lots of page-turning suspense, and I was influenced by everyone from Michael Crichton to Alfred Hitchcock. Of all the short stories in this volume, this is the one I most hope makes it to the big screen one day, as I reckon it could be expanded in a number of fascinating ways, including beyond the ending. But I rather like it in this shorter, tighter form too.

It’s worth adding that the previous novella The Thought Improvement Plan is referenced in an “Easter egg” during Driverless. As you may recall, Belinda Barrymore’s mother Jackie is hit by what appears to be a malfunctioning driverless car in The Thought Improvement Plan, causing her to wind up in hospital during the latter part of that story. Here, Jackie is namedropped again during the initial briefing, only it is revealed the malfunctioning car in question was deliberately crashed by the terrorists. So yes, this story takes place in the same universe in a concurrent time frame.

What inspired Driverless? Just how appalled I am at the whole idea of it, to be honest. Driverless vehicles are so rife with the potential for disaster (not just potential terrorist hackers) that I can’t understand why anyone would be crazy enough to get into one of those things. Call me a Luddite if you like, but there it is. Still, perhaps it will never come to pass in the ways we might fear. As former Top Gear presenters Jeremy Clarkson, Richard Hammond, and James May once pointed out, the idea of driverless cars on some of the world’s most dangerous roads – including Bolivia’s notorious “Death Road” through the mountains – is utterly preposterous.

To order an ebook or paperback of the Love and Other Punishments anthology, click here (for Amazon in the US), or here (for Amazon in the UK). Digital versions are also available from Smashwords (and their various outlets) here.