Death Nest: The Disappearance of Simon Dillon

Coming up with imaginative ways to publicise my novels can be a challenge. In the case of my supernaturally tinged mystery thriller Death Nest, I’ve run a gamut from the serious (how this is my most personal novel) to pranks (such as this fake interview that I’m pleased to say tricked a few readers, based on the comments). My latest attempt, a short film, is more in the latter category. Death Nest: The Disappearance of Simon Dillon is a meta-mockumentary that imagines the White Nest, a sinister and dangerous organisation within the novel, is real.

Also, this version of the film is slightly different to the version I previously uploaded on Patreon (if you saw it there already). I’ve made a couple of minor changes. Let’s call this version the “Director’s Cut”. We can even start a rumour that I didn’t get to finish it properly originally due to “studio interference”, if you like, instead of the more mundane truth that I wanted to add a couple of cutaways and a scary additional visual tweak at the end (that I won’t spoil).

The film pretends that because I recklessly detailed what they do in the book, the White Nest decided to silence me. Tommy Rogers, a private investigator looking into my disappearance, interviews former colleagues and friends. It degenerates into cheesy pseudo-Blair Witch style nonsense in the finale, but I thought, why not go the whole hog? With any luck, it will intrigue those of you who haven’t read the novel into picking up a copy. It will also make a great Christmas present for that difficult-to-buy-for relative. Here’s the film in full. I hope you find it entertaining.

Death Nest features a gripping central mystery, a romantic subplot, coming-of-age drama, and moments of horror and humour. To further whet your appetite, here’s the blurb from the back of the book.

From the author of Spectre of Springwell Forest and The Irresistible Summons… A nail-biting new mystery.

After his young son Ben writes a disturbing story about murdering a boy in a forest, widower Nick Unwin is alarmed by eerie parallels between his son’s behaviour and that of his younger brother Jason, prior to his inexplicable disappearance twenty years previously. This tragic past returns to haunt Nick when he sees an image of his long-lost brother in a newly released film.

Fearing history will repeat itself, Nick decides to investigate, along with Tanith, an old flame from his early teenage years, with dark secrets of her own connected to Jason’s disappearance. But as they delve deeper into the labyrinthine mysteries of their past, long-buried memories resurface. Nick is forced to face the terrible fear that has plagued him for decades: Was he responsible for the death of his brother?

A riveting coming-of-age thriller exploring traumatic sibling relationships, parental fears, and the misleading nature of memory, Death Nest is Simon Dillon’s most gripping novel yet.

Additional potential Christmas presents can be found in other published novels from my back catalogue. These include horror, thrillers, children’s adventure stories, dystopian sci-fi tales, and my recent forays into fantasy with my novel Ravenseed (about which I have written here) and a companion piece anthology, The Dark Forest Within (about which I have written here).

Death Nest is available in paperback or on Kindle from Amazon here (in the US) and here (in the UK). It is also available via Draft2Digital and its various outlets, including Barnes and Noble, Apple Books, and Smashwords (click here).

(Header image created by author in Canva.)

Update: August 2025

Photo of author by author.

Why have I included an image of me on Dartmoor beneath the moon? I’ve no idea, but here’s a quick overview of what I’ve been up to lately with my writing.

Medium – New cinema release reviews and film articles are ongoing.

Substack – The above new release film reviews are syndicated to Substack for all readers, but paid subscribers get all my other Medium film articles too. In addition, they are presently enjoying my dystopian sci-fi short story Sweet Dreams, part of my anthology Love and Other Punishments. Substack subscribers are also about to get access to my horror-thriller novel The Hobbford Giant, as it will be serialised as an exclusive on that platform. Watch this space.

Patreon – At this time of year, I prepare a full account of which of my annual September to August writing goals I’ve achieved. However, the main focus this month has been the ongoing work on the epic sequel to my as-yet unpublished dark fairy tale/horror story for children, The Faerie Gate. I’ve been working on this project since 2021 as a bit of a side project, slowly chipping away.

Dillon on Film – My weekly film podcast has now launched and can be heard on Spotify, Amazon, Apple, and various other platforms.

Other Novel News – I’ve also planning the second novel in the mystery thriller series I began earlier this year. On top of that, I’m polishing up the manuscript of a novel I wrote in early 2024, as I prepare to submit it to literary agents. In short, it’s an extremely busy time in the Dillon Empire.

That’s about it for now. I’ll update you again next month.

Update: April 2025

This month’s big news: I finally finished the first draft of my new supernatural mystery thriller novel. This is slightly later than originally projected, but the novel threw out a few unexpected branches despite being meticulously planned. The first draft weighs in at about 100,000 words, but there will be some cuts to the manuscript for various reasons.

I’ll make trims due to the usual rewriting and tightening. However, more importantly, this first draft includes the beginnings of a few plot threads intended for subsequent novels, as this story is the first in a series. These brought the bigger mystery behind the series to life and helped in the planning of subsequent novels, but I’ll remove them in the second draft as I don’t want to frustrate readers with too many questions and loose ends in book one. The central mystery of the first novel is complete and satisfying in and of itself, so I intend to minimise hints and clues of the bigger, overarching narrative to come. Incidentally, JK Rowling did a similar thing when she removed the explanation of Horcruxes from Harry Potter and the Chamber of Secrets and saved it for Harry Potter and the Half-Blood Prince four books later.

Thanks to this slightly inflated and overembellished first draft, I already have solid outlines for books two and three, plus a book I intend to appear around the middle of the series and the final book. Because I’m not entirely sure how many novels this series will run to, I can’t say exactly where that middle book will appear at this point. However, once I have the other novels plotted out (each will be a standalone mystery), the bigger plan will continue to evolve, and eventually, I’ll settle on a final number for this series. It could be as many as twelve novels, and it is certainly the most ambitious writing project I’ve ever undertaken.

The plot remains strictly under wraps for now. However, an extended version of this update, featuring details of the lead characters, some of the folklore that inspired the supernatural tinges of this mystery thriller, and an exclusive title reveal, is available if you become a Patreon supporter at Free Citizen of the Dillon Empire level or higher. Click here for more information. In the meantime, I’m about to start work polishing up various short stories as well as the second draft of the novel I wrote this time last year. Watch this space.

(Header Image created by author in Canva.)

Update: March 2025

A brief update on the new novel: I’m currently at about 91,000 words into the first draft. I’m well into the third act, and the book is taking shape nicely. I’m very excited about this novel. As you probably know if you’ve been following my updates, it is the first in a planned series of supernatural thrillers.

Of course, I had hoped to have the first draft finished by now, but it is taking longer than expected. I’ll get there, though. By the end of next month, without doubt. In the meantime, I’m still shopping A Thorn in Winter, a mystery thriller I wrote in 2023, around literary agents, hoping to spark some interest. If anything happens on that front, I’ll update you next month as well. In the meantime, I’d better get back to writing rather than keep spouting here. Bye for now.

(Header image created by author in Canva.)

Update: February 2025

What have I been up to lately? Well, besides the ongoing film articles and reviews that form a key part of my writing elsewhere, I’ve been hard at work on the first draft of my latest novel. It’s quite difficult to pen witty or interesting updates at this point in proceedings, since I’m naturally inclined to be tight-lipped about the plot, the title, and pretty much everything else. If you weren’t already aware, I can tell you this is a supernatural mystery thriller. It is also the first in what I hope will be a series, concerning the principal characters. However, each novel will be a standalone story in its own right.

I’m going to share more on this once the first draft is finished, but for now I’ll simply say this is probably the most ambitious long-term project I’ve undertaken as a writer, as there could be as many as twelve novels in this series. I’ve also penned a spin-off short story; a comedic mystery that contrasts the darker, scarier mystery of the novel. This short story is actually written by someone in the novel, so I’ve credited it to their character’s pseudonym. There will almost certainly be further short stories in this vein. Again, more on all that in due course.

As of today, I’ve written about 62,000 words (not counting the short story, which is about 9,000 words), and I estimate the final wordcount will be somewhere around the 90,000-word mark. I hope to have a first draft completed by the end of March, with the first round of initial revisions made by the end of April. I will then do what I always do and set the manuscript aside for a year, so I can review it with fresh eyes. In the meantime, I will work on other fiction projects.

That’s about it for now. Look out for further updates soon.

(Header image created by author in Canva.)

Update: January 2025

Me working on the first draft of my new novel.

I’m in haste, so this update will be brief.

New Novel

I’ve made a solid start to 2025 and am hard at work on the first draft of my next novel. What’s it called? What’s it about? I can’t give out any details at present, but I will say it is a supernaturally tinged mystery thriller and I’m very excited about it. That doesn’t really tell you anything, considering my genre mainstay, but if you want a few facts and figures, I can tell you I’m working on chapter eight, and I’m about 30,000 words into the manuscript. It’s also the first in a series that I have planned in rather minute detail. That said, each novel is a standalone story.

Other activities

Beyond that, I’m currently preparing A Thorn in Winter – the mystery novel I wrote in 2023 – to send to agents and publishers. I hope to have exciting news to share on that front soon, so watch this space.

I’ve also started serialising The Thistlewood Curse on Substack in weekly instalments. This is one of my earlier novels – another supernatural thriller – that has had tremendous response from those who have read it. I decided it would be fun to make it available this way as well. If you want to check it out on Substack, you can subscribe here (you’ll also get access to many of my other short stories, plus lots of film articles).

That’s it for now. I’d better get back to writing the new novel. Watch this space for further updates.

A Christmas Present Suggestion: Death Nest

Image created by author in Canva.

Seldom-seen relatives one only catches up with at Christmas can be difficult to buy presents for. However, most people love a nail-biting, page-turning mystery thriller. To that end, I humbly suggest my recently released novel Death Nest.

I’ve written about this novel a little on Medium, principally in this Orson Welles-ish faux-interview prank designed to intrigue readers (I interview one of the supporting characters). I’ve also written a lot about it here, for example in this piece, which is probably as close as I’m ever going to get to a baring-my-soul, personal essay-type article. In it, I discuss the real-life fears and traumas that metaphorically and emotionally informed the novel.

But if that makes it all sound heavy and depressing, don’t be put off! Death Nest is first and foremost a gripping thriller with a touch of romance, a smidgen of coming-of-age drama, and the odd moment of supernaturally tinged horror. There are also a few funny bits, and that’s important in any novel if you ask me, purely to provide contrast.

Here’s the blurb from the back of the book to give you an idea of the plot:

From the author of Spectre of Springwell Forest and The Irresistible Summons

A nail-biting new mystery.

After his young son Ben writes a disturbing story about murdering a boy in a forest, widower Nick Unwin is alarmed by eerie parallels between his son’s behaviour and that of his younger brother Jason, prior to his inexplicable disappearance twenty years previously. This tragic past returns to haunt Nick when he sees an image of his long-lost brother in a newly released film.

Fearing history will repeat itself, Nick decides to investigate, along with Tanith, an old flame from his early teenage years, with dark secrets of her own connected to Jason’s disappearance. But as they delve deeper into the labyrinthine mysteries of their past, long-buried memories resurface. Nick is forced to face the terrible fear that has plagued him for decades: Was he responsible for the death of his brother?

A riveting coming-of-age thriller exploring traumatic sibling relationships, parental fears, and the misleading nature of memory, Death Nest is Simon Dillon’s most gripping novel yet.

If you want to try before you buy, the first three chapters of Death Nest are available to read on Medium in Fictions. Here’s chapter one.

Of course, Death Nest isn’t the only novel I have available for potential Christmas presents. I’ve also written other mystery horror thrillers, children’s adventure stories, dystopian sci-fi tales, and one or two other things. For a full list of my published novels, click here.

Death Nest is available in paperback or on Kindle from Amazon here (in the US) and here (in the UK). It is also available via Smashwords and its various outlets (click here).

Death Nest: Summary of Recent Articles

My new mystery thriller novel Death Nest is out now. I’ve been writing a lot about it recently, from many different angles. Here’s a summary of what I’ve been discussing, with links to the articles in question. First though, here’s a brief idea of what the novel is about.

A widower fears his young son is cursed when he shows disturbing behaviour akin to that of his younger brother, before he vanished without a trace twenty years previously. Gnawing dread that history will repeat itself is inherent throughout this modern gothic mystery novel. It’s also a coming-of-age romance with hints of the supernatural, exploring traumatic sibling relationships, parental worries, and the misleading nature of memory. 

After his young son Ben writes a disturbing story about murdering a boy in a forest, widower Nick Unwin is alarmed by eerie parallels between his son’s behaviour and that of Nick’s younger brother Jason, prior to his inexplicable disappearance twenty years previously. This tragic past returns to haunt Nick when he sees an image of his long-lost brother in a newly released film.

Fearing a repeat of history, Nick decides to investigate, along with Tanith, an old flame from his early teenage years, with dark secrets of her own connected to Jason’s disappearance. But as they delve deeper into the labyrinthine mysteries of their past, long-buried memories resurface. Nick is forced to face the terrible fear that has plagued him for decades: Was he responsible for the death of his brother?

The following articles explore different aspects of the novel and the making of it. I have worded them carefully to avoid plot spoilers.

Death Nest: Reflections on Writing My Most Personal Novel

This story is quite personal for me, as it has been informed (in broad metaphorical terms) by the sectioning of my youngest brother following drug abuse, as well as my own fears about the future of my autistic youngest son. The article above was slightly written through gritted teeth, as I’ve revealed a lot more of my personal life than I’m normally accustomed to, but I hope this provides some valuable insights.

Death Nest: Chapter 1 Excerpt

According to readers so far, this is an opening that immediately grips the reader. As an author that’s all very encouraging to hear.

Death Nest: Chapter 7 Excerpt

A second clip, this time from a flashback chapter, introducing a key supporting character.

Death Nest: Settings, Research, Revisions

Various locations in southwest England, as well as my home city of Oxford, were chosen as a setting. This article also touches on other research aspects, and some of the ways in which the novel was rewritten.

Death Nest: Inspiration and Influences

Here I discuss the initial idea for the novel, and how it evolved, including an abandoning of almost all the original premise, and the switching of the protagonist’s gender from female to male (my horror-thriller novel protagonists are usually female). I also mention other novels and a few films that informed the story.

Death Nest: Initial Reviews

The five-star raves are starting to trickle in! Check out some reader feedback here.

Death Nest is in paperback or on Kindle from Amazon (click here for the UK, and here for the US). It’s also available from Smashwords and its various outlets.

(All images designed by author in Canva.)

Death Nest: Initial Reviews

Image created by author in Canva.

The first reviews for my latest novel, mystery thriller Death Nest, are starting to trickle in. I’m thrilled to tell you they are five-star raves! I’m extremely pleased readers are finding this book as gripping and entertaining as I had hoped. My fears that the story would prove too painfully personal (for reasons discussed here) seem to have been unfounded. I’m glad.

Let’s take a look at what people are saying.

“Once I started reading this, I couldn’t put it down. The mystique of the storyline drew me in and held my attention until the very end.” – Joseph M Zobel, Amazon.

“I couldn’t put it down because the twists and turns kept me on my toes. Dillon’s deep dives into characters, narrative, mystery, and intrigue kept me totally engaged. There were no lulls… I was sorry when it ended.” – Annabelle Colbert, Amazon.

“The perfect pre-Halloween read. A wonderful combination of dark and supernatural forces with moral dilemmas in life that we can all relate to, and a thread of romance that runs right through the story… Thoroughly enjoyable (if deeply disturbing at times) and hard to put down from start to finish.” – Saltram, Amazon.

The above reviews can be read in full here.

If you’ve read and enjoyed Death Nest, please do add a review to Amazon or Goodreads (or ideally both). It doesn’t have to be long or eloquent. A one-liner saying you enjoyed it is fine. I seek reviews not to massage my ego (though obviously good reviews are encouraging) but because they are absolutely vital for independent writers like yours truly. Reviews mean the algorithms show my books to more people who potentially buy them. As such, reviews literally put food on my table, so a huge thank you to all of you who take the time to write them. It is so, so appreciated.

If you’ve not read Death Nest, here’s the blurb from the back of the book to whet your appetite.

From the author of Spectre of Springwell Forest and The Irresistible Summons

A nail-biting new mystery.

After his young son Ben writes a disturbing story about murdering a boy in a forest, widower Nick Unwin is alarmed by eerie parallels between his son’s behaviour and that of his younger brother Jason, prior to his inexplicable disappearance twenty years previously. This tragic past returns to haunt Nick when he sees an image of his long-lost brother in a newly released film.

Fearing history will repeat itself, Nick decides to investigate, along with Tanith, an old flame from his early teenage years, with dark secrets of her own connected to Jason’s disappearance. But as they delve deeper into the labyrinthine mysteries of their past, long buried memories resurface. Nick is forced to face the terrible fear that has plagued him for decades: Was he responsible for the death of his brother?

A riveting coming-of-age thriller exploring traumatic sibling relationships, parental fears, and the misleading nature of memory, Death Nest is Simon Dillon’s most gripping novel yet.

Death Nest is available in paperback or on Kindle from Amazon (click here for the UK, and here for the US). It’s also available from Smashwords and its various outlets.

Death Nest: Settings, Research, Revisions

Created by author in Canva.

My latest novel, the mystery thriller Death Nest, has recently been released. Lately, I’ve been exploring different aspects of this novel, which as well as dealing in page-turning suspense also features coming-of-age elements, a touch of romance, and the odd horror moment (especially in the latter stages). It’s also possibly my most “personal” novel to date (as I’ve discussed elsewhere), with a variety of influences and inspirations informing the book.

Here, I want to share a few insights into the settings, research, and revisions that went into the creation of the novel. Beginning with the settings, I should point out that the town of Corthpothan in the novel is fictional, but slightly based on the real Cornish village Porthcothan. I visited this lovely area on the north Cornwall coast a few years ago with the family, at the height of summer. 

Porthcothan beach. Photo by Zara Dillon.

If you drive past, it looks deceptively uninteresting, but if you walk the short distance along the sand of the small inlet next to the village, it widens out into a vast sandy beach. The sea has phenomenal waves, so it is great for surfers. The area is bordered by a spectacular rugged coastline that boasts caves and gorgeous rock pools. Some of the latter are great for children to swim in (if one is concerned about the ferociousness of the sea waves and strong currents).

We had a fantastic time here, but at the same time, the details of the area were carefully logged away in my mind, knowing they might one day make their way into a novel. As for other settings that wound up appearing in the novel, these include the lovely Bagley Woods on Boars Hill, Oxford. In fact, the opening movement of the novel features a variety of Oxford locations, including the King’s Arms pub; a real place, which used to be a regular watering hole of mine. The story also includes scenes in the Magdalen Street cinema (now sadly closed), and Port Meadow, which is another fabulous place to go for walks if you ever visit Oxford, especially if you’re a keen birdwatcher.

Beyond that, the sinister Darkfire Forest is inspired by a few different woodland areas in and around where I live in Devon. Of course, eerie, possibly haunted forests have cropped up before in my novels Spectre of Springwell Forest, but what takes place in Death Nest is a little different. Here’s a photograph I took a while ago that sets the tone for the Darkfire Forest.

Photo by author.

Much of my research for this novel came about from simply checking details about places I already knew, making sure I either rendered them accurately, or deliberately changed them (as was the case with the name Porthcothan). The novel also dealt with certain subjects with which I am already greatly familiar (film production, for instance). However, some more in-depth research took place into dark subjects like human trafficking and brainwashing. I also had to research pagan folklore quite a bit, which is where I discovered and adopted the name Damara for the ancient spirit that may (or may not) influence events in the story. But I also made up a great deal too.

The initial draft had a lot more overtly supernatural stuff included. I cut or greatly reduced much of this, deciding a greater ambiguity over such incidents was preferable. There are still plenty of spooky edges in the final text, and one can read the supernatural into the events. But at the same time, there are enough doubts and questions to leave such matters up to the reader, rather than forcing them into a particular perspective.

Death Nest is available in paperback or on Kindle from Amazon (click here for the UK, and here for the US). It’s also available from Smashwords and its various outlets.