
This year marks the 10th anniversary of my debut novel Uncle Flynn. Well, sort of. Technically the first version appeared on 30th December 2010, but paperbacks followed in 2011, so it’s sort-of the 10th anniversary. Either way, this treasure hunt adventure for the young and young at heart still holds an important place in my heart.
Uncle Flynn was in fact the eighth novel I wrote, but the first I decided to self-publish. Having been turned down by agents and publishers, my brother-in-law suggested this thing called Kindle on Amazon, and I decided to give it a go. The book was a modest success, and received some very good reviews – although I’m sure the fact that it was free at that time helped.
Plot
The story concerns eleven-year-old Max, a boy who suffers from crippling phobias and anxiety. Estranged from his workaholic father, Max’s life gets interesting one day when his mysterious uncle Flynn – an archaeologist normally working in South America – comes to visit.
During his stay, Max and Flynn discover clues pertaining to a local legend – a treasure buried on Dartmoor by monks, during the sacking of Buckfast Abbey at the time of Henry VIII. Following these clues lead to the discovery of a map. Max begins to put aside his many fears and hang-ups due to his obsession with finding the treasure. Flynn is equally obsessed, despite the dangerous presence of rival treasure hunters.
Complicating matters even further, once they set off across Dartmoor, Max discovers the police are on their trail. What has his uncle done to put himself at odds with the law? Flynn urges Max to help him evade his pursuers. Because he is so desperate to beat their rivals to the treasure, Max agrees, despite his uncle’s refusal to tell him why he is on the run.

Background
As well as following in the tradition of well-known titles like Swallows and Amazons, Treasure Island, and adventure films like The Goonies, the novel was initially inspired by the many walks I had taken with my eldest son on Dartmoor (to whom the novel is dedicated). We had visited several memorable locations, including Cater’s Beam, Sherberton Stone Circle, the “Crock of Gold” Bronze Age tomb, and Wistman’s Wood. These all turn up in the novel, even if I am somewhat liberal with the geography.
Some of the dangers faced on Dartmoor by the characters are not entirely fictional. There are deadly mires, especially the notorious Fox Tor mire and Raybarrow Pool. In addition, there are wild boar in the west (now documented fact). There have also been several panther sightings, though most of these were on Exmoor rather than Dartmoor. The sheer number of these (and a few dubious photographs) raise eyebrows on a regular basis, although how they got there is a mystery. Some suggest that the UK Dangerous Pets Act in the 1970s caused eccentrics who owned big cats to turn them loose, and that they somehow bred in the wild. And yes – you can see adders on the moors at warmer times of year, though they typically slither away if you get anywhere near them.
Buckfast Abbey was another key location used in the book. Much of the history of the abbey works its way into the novel, especially regarding how Henry VIII burned priceless Catholic books, closed the abbey, and had its gold and other treasures transferred to London. William Petre, who is mentioned in the novel, oversaw this process. He later retired in the south-west, purchasing a couple of manors. Uncle Flynn moves beyond these facts to suggest William Petre had other motives for returning, namely that he had become obsessed with tracking down the treasure hidden by a few clever monks that had slipped through his fingers.

Themes
I suppose the novel is mainly about overcoming fear and the dangers of mollycoddling. My protagonist Max suffers severe anxiety and panic attacks. He has many phobias, and there are satirical suggestions that an increasingly risk-averse society is at least partly to blame. For instance, one sequence early in the novel has Max being initiated into a secret club in school – a club that dares to play conkers without “protective head gear”. Max and the other children are caught and punished for their dangerous behaviour. This may sound absurd, but my late father (who was a teacher) informed me this kind of nonsense has been introduced in some UK schools.
Such satire is largely peripheral, and the novel implies throughout that Max’s difficult, estranged relationship with his father is what really lies at the heart of his problems. In attempting to impress his father, Max – along with his mysterious, genuinely dangerous uncle – takes increasingly reckless action in his quest to find the treasure. The irony is mollycoddling actually leads Max to take greater and greater risks.
Of course, this makes the novel sound terribly heavy and worthy, and I can assure you it isn’t. It is, first and foremost, a children’s adventure story. I didn’t write it to deliver any kind of “message”. However, I noticed these themes and ironies after the fact. What is important to any author will always be inherent in the text of their work, and in this case, I can see these themes in retrospect.
Uncle Flynn is available on Kindle and in paperback here (in the UK) and here (in the US).
Over the next few months, I’m highlighting some of my earlier novels. This month, I’ve been delving into treasure hunt adventure
Treasure Island (Robert Louis Stevenson) – The granddaddy of all treasure hunt adventures, the influence of this classic could hardly be overlooked. In particular, the character of Long John Silver and his relationship with Jim is a key inspiration. Silver is a compelling character, but he is dangerous, and you are never quite sure whose side he is on, or if he will suddenly turn on Jim. There are hints of this danger in the relationship between Max and Flynn in my novel.
Five On A Treasure Island (Enid Blyton) – I’m a big fan of Enid Blyton’s Famous Five series. Whilst Five Go To Smuggler’s Top is my absolute favourite, this initial entry is also a cracking tale of children finding the treasure of local legend. It also illustrates one of the key principles of a great treasure hunt narrative (whether aimed at adults or children), in that the discovery of the treasure is ultimately and ironically secondary to obtaining something of even greater value – in this case, lasting friendship between the children, and the restoration of relationship between George and her parents. In my book, the treasure is important, but the restored relationship between Max and his father is the much greater prize.
Pigeon Post (Arthur Ransome) – Arthur Ransome’s superb Swallows and Amazons series are shamefully neglected by many these days. They normally concern boating adventures, but in this instalment, our heroes go prospecting for gold in the Lake District, whilst dodging the attention of a rival prospector. Other books in this series are more famous, but I always had a soft spot for this one. Peter Duck was another Ransome influence, incidentally.
The Goonies – A gang of children follow a map to buried treasure to save their neighbourhood from being torn down by smug property developers who want to build a golf course. Yes, it’s all rather noisy and obnoxious, but for children of a certain age (ie my age), this film can do no wrong. Packed with maps, cryptic clues, secret passages, booby traps, villainous rival treasure hunters, and so on, this is an obvious influence on my book that it would disingenuous to ignore.
Mary Poppins – The Disney film rather than the PL Travers’s novels are the inspiration here. Mr Banks routinely ignores his children (and to be fair, so does Mrs Banks). The magical Mary Poppins then appears, taking the children on extraordinary adventures whilst work drives Mr Banks to a nervous breakdown. However, upon realising what is important in life, Mr (and Mrs) Banks then are reunited with their children – at which point Poppins exits stage right. This theme is echoed in Uncle Flynn, with the establishment of the estranged relationship between Max and his father, which then gives way to adventures with Flynn, ahead of the big twist in the finale.
Over the next few months, I’m highlighting some of my earlier novels. This month, continuing my series on treasure hunt adventure
Buckfast Abbey was another key location used in the book. Much of the history of the abbey works its way into the novel, especially regarding how Henry VIII burned priceless Catholic books, closed the abbey, and had its gold and other treasures transferred to London. William Petre, who is mentioned in the novel, oversaw this process. He later retired in the south-west, purchasing a couple of manors. Uncle Flynn moves beyond these facts to suggest William Petre had other motives for returning, namely that he had become obsessed with tracking down the treasure hidden by a few clever monks that had slipped through his fingers.
Given the rather excessively productive year I have had so far (first drafts on two longer than usual novels, lots of editing on earlier, currently unreleased novels, and a couple of short stories), I have decided to take a short break from writing and from posting on this blog. However, I will be back in the first week of September, and I will still post film reviews of any films I see at the cinema.




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