The Dark Forest Within: An Anthology of Fantasy Tales

In case you were unaware, my recently released anthology of fantasy novellas and short stories, The Dark Forest Within, has been extensively under the microscope on this site. Featuring six tales of magic and mystery, darkness and danger, adventure and romance, triumph and tragedy, this volume is both a companion piece to my novel Ravenseed and a carefully curated collection of tales in its own right.

No prior knowledge of Ravenseed is necessary to read this collection, nor do the two stories exclusive to it, acting as both prequel and sequel, spoil the experience of reading the novel in any way whatsoever. They are entirely standalone tales.

Totalling around 100,000 words, this epic collection is excellent value, featuring some of the best fantasy tales I’ve written to date. Selecting these six, and indeed ordering them, proved an interesting challenge, as I wanted the reading experience to feel collective and thematically unified. Each story features literal journeys in forests of one kind or another, and each story’s protagonist also features an inward journey, hence the umbrella title for the anthology, The Dark Forest Within.

Some of these stories were previously available to Substack or Medium subscribers, but 40,000 words worth of material (specifically the stories Wulfric’s Quest and Winged) is previously unpublished, unseen anywhere up until now. The first two stories in the collection are set in the present, the third is set in a modern parallel world, and the final three are all set in the Dark Ages in the Arthurian tradition.

To whet your appetite, here’s a little about each story in the collection in the order in which they appear.

Papercut

Gabriel is a lonely teenage boy living with his strict Jehovah’s Witness mother. He is visited in dreams by a mysterious paper girl. A surreal romantic adventure ensues, visiting the occasional dark corner. That’s not surprising, as the story deals with a few darker themes, including oppressive religious legalism, absent fathers, and overcoming fear. It’s also set at Christmas, along with the second story in this volume (I thought they’d go well together).

More about this story here.

An In-Between Christmas

Sophie is a young struggling writer, attempting to contact her comatose father, who is at the point of death. She is joined by a young man called Yousef, who has prior experience traversing the In-Between, a mysterious realm between life and death. Fantastical adventures ensue, but Sophie is also drawn deep into the traumatic secrets of her past, which she must confront before she can reach her father.

More about this story here.

Window of the Soul

This story is set in a parallel world gripped by a civil war between East and West. In the East, a young adolescent girl, Inessa, finds herself at the mercy of a domineering, abusive, paranoid stepfather who wishes to cut out her eyes and replace them with “double-glazed” synthetic eyes. He believes this will protect her from the evil spirits that may enter her soul if she reads books containing propaganda from the West. Inessa’s mother continually argues against this, but will she prevail? In the meantime, Inessa receives a secret summons to the nearby woodland and discovers a mysterious hidden library.

More about this story here.

Wulfric’s Quest

This can be read as a sequel to Ravenseed, if you wish to interpret it as such, but at 27,000 words, I consider this novella the centrepiece of the anthology. The titular Wulfric is a peasant farmer sent by his village on a perilous journey to track down the reclusive wizard Vulcyth. The villagers believe Vulcyth will be able to prevent a supernatural attack on their settlement, as foretold in a vision. Along the way, Wulfric is given shelter by Elise, wife of the knight Sir Roderick, who is presently away with the King fighting a war in the north.

Elise and Wulfric experience a powerful mutual attraction that seems mysterious and magical, though both restrain themselves. Events take a turn for the peculiar when Sir Roderick turns up, and Elise says she’s never seen him before in her life, claiming he is an impostor. Sir Roderick insists he is the one and only Sir Roderick, but claims to have never been married and that he doesn’t know Elise. Together, they journey into a forbidden forest, hoping to find Vulcyth and discover answers to the various mysteries. But an evil power conspires against them.

More about this story here.

Winged

A direct prequel to Ravenseed, set one year beforehand. The first act features Sir Matthew and Sir Peter, their squires Robin and Hugh, and their horses, all of whom feature in the main narrative of Ravenseed. However, whilst they are main characters in the novel, they are side characters here, riding in escort to Winged’s protagonist, a mysterious woman of the King’s court called Lady Amelia. At the advice of the King’s wizard, she undertakes a dangerous quest for reasons that she initially keeps secret from those escorting her. But Sir Matthew, Sir Peter, and the others are only instructed to escort her so far, to the end of the Forest of Arden. From there, she is to continue alone.

As the first act of the story progresses, it becomes clear there’s a lot more to Lady Amelia than meets the eye. She appears to have unusual powers. What’s more, when the party faces danger from attacking bandits, it becomes abundantly clear that she doesn’t require the protection of knights. Her escort is merely to keep up appearances. But what does she seek in the Forest of Arden, and why does she intend to travel off the safe paths through it, into areas where demons lurk in the most dangerous parts of the wood?

More about this story here.

Bloodmire

Sir William rides on a rescue mission into the dreaded Bloodmire Forest to rescue his betrothed. Witnesses claim she was abducted by a feared beast who dwells in the heart of the sinister woodland. During his journey, Sir William encounters bandits, witches, and other strange supernatural beings. But per the theme of this anthology, as he travels deeper into the forest, he travels deeper into himself. What he finds inside perhaps doesn’t quite conform to the noble knight Sir William wishes to believe that he is. In addition, he is warned at several points that his quest is futile. Is it? Should he listen to such advice?

This story is a spin-off from Ravenseed in that it features one of the supporting characters (a mysterious monk). Bloodmire is the darkest story in this volume, though I have slightly revised the ending in comparison with the original version published on Medium. More about that, and other elements of this story, here.

Bonus Substack Exclusive: Offline Dream

To be clear, this novella isn’t featured in The Dark Forest Within, but I have made it available online. It concerns a future where humans cannot dream without plugging their brains into the carefully controlled International Dream Network. A young student at Oxford has a natural dream involving a mysterious girl he’s never met. Unfortunately, this makes him a target to those who wish to exploit him for one reason or another. For more on why Offline Dream wasn’t included in the collection, and how you can read it exclusively on Substack, click here.

The Dark Forest Within is out now in ebook or paperback via Amazon here (in the UK) and here (in the US). For Draft2Digital and its various outlets, you can pick up ebooks and paperback copies here.

(All images created by author in Canva.)

New Anthology: The Dark Forest Within Out Now!

Created by author in Canva.

I’m thrilled to announce that my new fantasy anthology, The Dark Forest Within, is out now. These six tales of magic and mystery, darkness and danger, adventure and romance, triumph and tragedy have been carefully curated by yours truly as a companion piece to my novel, Ravenseed.

Let me be clear upfront: You do not need to first read Ravenseed to read this collection. Nor does reading these stories first spoil Ravenseed in any way, shape, or form. Each of these half-dozen novellas and short stories is designed to stand alone.

Weighing in at over 100,000 words, this epic collection is excellent value, featuring some of the best fantasy tales I’ve written to date. Selecting what to include and exclude was a tricky process, as I wanted the stories to read as a collective experience whilst also being thematically and tonally in keeping with Ravenseed. Some of these stories were previously available to Substack or Medium subscribers, but 40,000 words worth of material is previously unpublished, unseen anywhere up until now.

As such, here’s a brief introduction to each story. Over the next few weeks, I’ll discuss them in more detail in separate articles.

Papercut – Gabriel, a lonely teenage boy living with his strict Jehovah’s Witness mother, is visited in dreams by a mysterious paper girl.

An In-Between Christmas – On a spiritual plane between life and death, Sophie, a struggling writer, tries to contact her comatose father.

Window of the Soul – Amid a world torn apart by civil war, an adolescent girl called Inessa faces soul-threatening danger when her stepfather wants to cut out her eyes.

Wulfric’s Quest – In many ways, the centrepiece of this collection, this previously unpublished 27,000-word novella involves a peasant farmer attempting to track down an elusive wizard following a vision of impending catastrophe in his village. Set in the Dark Ages, this could be interpreted as a sequel to Ravenseed or as an entirely unconnected story, one parallel universe away from it.

Winged – Another previously unpublished story, this features the knights in Ravenseed as supporting characters in the first act before the new protagonist, a mysterious woman named Amelia, undertakes a dangerous quest alone. A direct prequel to Ravenseed.

Bloodmire – Published here for the first time with my slightly revised (and preferred) finale, this is another Ravenseed prequel featuring a minor but pivotal supporting character from that novel in one key scene. It concerns a knight undertaking a quest to rescue his betrothed, who has been captured by a supernatural beast. But is this knight as pure-hearted and brave as he appears?

For the purists out there, the original, slightly different Bloodmire finale will remain on Medium for posterity. But for the record, I consider this tweaked version definitive.

As the title of this collection suggests, the deeper the protagonists go into the forests (and there are forests in every story of one kind or another), the deeper they go into themselves. Whether they concern dreams, different dimensions, or our own world long ago during the Dark Ages, I hope these tales resonate with you.

The Dark Forest Within is out now in ebook or paperback via Amazon here (in the UK) and here (in the US). For Draft2Digital and its various outlets, you can pick up ebooks and paperback copies here.

New Anthology: The Dark Forest Within Out Next Week!

Exciting news! My new fantasy anthology, The Dark Forest Within, is released next week. A selection of novellas and short stories packed with adventure, romance, darkness, danger, magic, monsters, mystery, triumph, tragedy, and a sprinkling of humour. Some of these tales have previously been published online to subscribers on Medium or Substack, but others are exclusive to this volume.

After last week’s tease, here’s a proper cover reveal.

Created by author in Canva.

Conceived as a thematic companion piece to my novel Ravenseed, this collection includes two tales that function as direct prequels featuring characters from that novel. But if you’ve not read Ravenseed, don’t worry. No prior knowledge is required, and each of these stories stands alone.

The centrepiece is a 27,000-word novella entitled Wulfric’s Quest, which can potentially be interpreted as a sequel to Ravenseed, though featuring entirely different characters. Again, reading Ravenseed first is not required, and it won’t spoil the novel if you read this anthology first. That’s all the detail I’ll give for now, but watch this space for further announcements and articles over the next few weeks on each of the stories in the collection.

The Dark Forest Within is released on Monday the 2nd of June. You can pre-order this anthology on Kindle via Amazon here (in the UK) and here (in the US). For Draft2Digital and its various ebook outlets, pre-order here. Print copies will be available from the 2nd of June.

New Short Story: Window of the Soul

Photo by Ion Fet on Unsplash

I’ve recently written a new short story; a dark fairy tale entitled Window of the Soul. Well, I say short story, it’s actually closer to novella length, hence why Fictions on Medium are running it in eight instalments over last month and this month. It is also available on Substack, for those of you who subscribe to the paid version of the Dillon Empire on that platform.

Window of the Soul is set in an unnamed land akin to a modern western nation, but with key differences. They exist in a state of civil war between east and west. Into this mix, an adolescent girl finds her very soul in jeopardy, when ocular double-glazing salesmen urge her authoritarian stepfather to replace her eyes with new ones that will protect her from supposedly untoward spiritual influences. I won’t say anything else about the plot but do check out part one here (on Medium) or here (on Substack).

New Novella: Bloodmire

Photo by Henry Hustava on Unsplash

Over the past seven weeks, the wonderful people at Medium publication Fictions serialised my fantasy novella Bloodmire. The plot concerns a Dark Ages knight undertaking a quest to rescue the young woman to whom he is betrothed. She has been captured by a mysterious Beast and taken into a mysterious and dangerous uncharted forest. On his quest, the knight encounters bandits, witches, and strange supernatural beings, journeying ever deeper into the forest, and ever deeper into himself.

Sounds trope-tastic? I can assure you Bloodmire is not a straightforward tale of damsels in distress. In fact, it’s a narrative designed to invite different interpretations and perspectives. Inspiration wise, it draws on everything from Arthurian legend (particularly Sir Gawain) to Heart of Darkness. It is also intended as a companion piece to my upcoming novel Ravenseed and features one of the supporting characters. However, I stress Bloodmire requires no prior knowledge of Ravenseed. It stands entirely alone.

I’ve had some terrific response and comments so far, so do check it out. Part One of Bloodmire can be found here, with links to subsequent parts at the end of every instalment. I hope you enjoy it.

Coming Soon, Later, and Perhaps Never: October 2020 Update

A couple of years ago, I posted an article with the same title, expounding on exactly where I was at with my novels, in their varying states of disrepair. Here’s a full update, sort-of divided by genre. Bear in mind one of these will be released very soon, almost certainly before the end of the year.

Fantasy

Ravenseed – This Dark Ages set fantasy novel is now on its third draft, having received largely positive feedback from various sources. It’s a brooding, melancholy tale of knights, sorcerers, and enchantment, simmering with love, lust, betrayal, and revenge. Alongside the Dark Ages story is a parallel framing story set in the present.

The Faerie Gate – My long-delayed, horror-story-for-children is now on its fourth draft. Originally written in 2015, it’s definitely the scariest novel I’ve written that is primarily aimed at children, and it really pushes the envelope in that respect. But this dark fairy tale is also a very compassionate story, about a young adolescent coming to terms with the separation of her parents. I’m also planning an epic sequel which may end up being more than one sequel, set in the same universe. The sequel(s) might be aimed at a more “young adult” readership. I’ll know more once I start writing this next year.

The Deviant Prophet – Another dark fairy tale, but this time for adults. Fantasy and reality clash in a disturbing tale of religious oppression, amid a vivid and surreal world parallel to our own. The initial inspiration for this came from a close friend’s extraordinary dreams. I finished a third draft earlier this year.

Goldeweed – This is an epic, three volume fantasy saga I have been shaping on and off for almost eighteen years. Set in a vast imagined realm on many different planes of reality, it details three love stories that play out against an apocalyptic backdrop at the end of an era. Currently longer than War and Peace, it’s a tale I have rewritten and tinkered with for some time, and I’m still not entirely happy with it.

Gothic Mystery Thriller/Horror

The White Nest – This novel is something of a culmination for me; a summing up of all the tropes, themes, and ideas I have explored in earlier gothic mystery novels. But although there is an element of Now-That’s-What-I-Call-a-Simon-Dillon-Gothic-Mystery about this novel, it is also radically different in two ways. Firstly, it features a male protagonist. Secondly, it is the most intensely personal novel I’ve written since Children of the Folded Valley. Yes, I know all writing is “personal”, but this one really jabbed raw nerves in an ultimately cathartic way, tapping into traumatic fears regarding siblings, parental fears, false guilt, and more. It is also something of a coming of age novel, despite the genre trappings. One more point: The White Nest refers to something sinister in the story, but it’s only a placeholder title. I’m keeping the real title secret for now.

Wormcutter – From something I wrote in 2020, to something I wrote in 2007 (from an idea I had researched on and off since 1996), this detective thriller/horror hybrid begins as an apparently open and shut murder investigation, then escalates into a humdinger of a conspiracy, involving the Freemasons and much more… until it ends up in the most disturbing territory I have ever explored in a novel (definitely 18 certificate stuff). Currently on its fourth draft, and due for another polish.

Miscellaneous

The Balliol Conspiracy – This somewhat old-fashioned, Hitchcockian romantic spy thriller is a conspiracy story of a different kind (much more PG territory, unlike Wormcutter), and proved a real change of pace for me when I wrote it. A strong, suspenseful central mystery results in an historic, fact-based treasure hunt, leading to a new lease of life for the bereaved protagonist. I don’t want to say too much more, except that yes, it does involve Balliol College in Oxford (see above picture). I also wanted to write a grown-up book that, for once, my mother would be able to read without having nightmares. Currently on its second draft, its actually grown on me quite a bit since I first wrote it, and my wife thinks I should attempt more stories of this kind. But I suspect it is a one-off. We’ll see.

Peaceful Quiet Lives – This dystopian tale imagines a bleak American future, satirising the worst fears of both sides in the so-called culture wars. At the same time, it is also a love story, featuring protagonists who fall foul of political extremists of all persuasions. This novel is currently on its fourth draft, and represents a real oddity for me, as it is quite unlike anything I’ve ever written. Like Children of the Folded Valley and The White Nest, it is also a highly “personal” novel.

A Statement of Disbelief – Another satirical novel, this time set in the dubious world of Christian television fundraising. It’s only had one draft, but quite honestly, I’m not sure it will ever see the light of day. However, I will confess it was great fun to write.

Short Stories – It’s also worth mentioning that I’ve written quite a collection of short stories, mostly horror and science fiction (including one of novella length). I may publish a volume of these at some point.

To reiterate, one of the above will almost certainly be released before the end of the year. Can you guess which one? Watch this space for an imminent announcement.