A Novel to Offend Everyone: Peaceful Quiet Lives

Credit: Denisa Trenkle

A new dystopian thriller currently playing in cinemas, Alex Garland’s Civil War, makes provocative speculation on the horrors of a second internal military conflict in the US. It’s a tense, gripping work, well worth watching, and my full review of the film can be read here. However, whilst Garland portrays the President in a vaguely Trumpian manner, the specific issues that might trigger a modern US civil war are deliberately sidestepped. Garland’s priority is to show a hellish conflict to be avoided at all costs.

Garland allows all viewers a way in by uniting Texas and California in the story, as the “Western Forces” leading an insurrection against the US government. With Texas and California sitting on opposite ends of the political spectrum in real life, this union ensures no one in the audience feels got at, regardless of their political views. It’s a smart move and works well for the film.

However, my 2021 novel Peaceful Quiet Lives is set in the aftermath of a second American civil war, in which two politically polarised nations on the North American continent live side by side in an uneasy peace. A satirical dystopian romantic drama, Peaceful Quiet Lives features secret lovers who find themselves at odds with the political powers of both nations. Unlike Civil War, it does not duck the political issues.

I wrote the first draft of this novel in 2018, during Trump’s first term, as I watched the so-called culture wars unfolding in America. Admittedly, I was watching from the UK. Some people have dismissed my book on that basis, suggesting I lack the cultural insight or objectivity to write about this because I’m British. I’m not sure that’s true, and to those who say this, I’d urge them to read my novel first, before judging it.

At any rate, these culture wars, whether social, political, racial, or religious, have been a division in America simmering all my life. In one sense, they are nothing remarkable in a Western democracy. However, in recent years, these divisions have become a lot more exacerbated. A militant tendency in the language and behaviour of both sides is remarkably similar. This militancy, fuelled by fear-driven social media, television news, and opportunistic politicians, has stirred up serious unpleasantness. The events of 6th January 2021, for example.

Although Peaceful Quiet Lives explores some of these divisive topics, it is not a political statement. My novel has no left or right political agenda. However, the central idea — regarding two extreme authoritarian states being two sides of the same militant coin — I thought would make an intriguing backdrop for a doomed romance. I also wanted the novel to be a satire of the worst fears of both sides in the US culture wars.

The first half of the novel plays on fears that the US could turn into an authoritarian right wing religious theocracy. This section explores (among other things) a world in which women’s rights are severely curtailed. For example, sex outside of marriage can result in public flogging or imprisonment. Abortions carry the death penalty for all those involved, and churches have far more political power. Some of what I wrote here in 2018 isn’t that far from recent developments.

The second half sends up fears that the US is headed for an authoritarian left wing state. This section takes place in a world where taxes are higher based on sex and race (white men are taxed more for being white and male), and Incel culture has become a serious terrorist threat. In addition, sexual consent has become a bureaucracy where a man can be charged with rape, even if his partner insists it wasn’t rape, if the correct online consent forms aren’t filled in at the time.

The novel isn’t so much intended as a warning against both scenarios, neither is it an attempt to lash out in despair at the current problems in America, but rather it is an exercise in absurdity. I hope the tragic lunacy of such a future is inherent within the text, and that as a result, perhaps the fears of both sides will be eased, just a little.

Such grandiose ambitions aside, I hope people enjoy the novel as simply a damn good read. I’ll admit this novel exists outside my usual horror-thriller mystery oeuvre, but I’ve explored dystopian tales elsewhere (mostly in short story form —here, for instance), so I expect I’ll dabble in it again, from time to time. I do hope you’ll give Peaceful Quiet Lives a go, even though it’s got something in it to offend everyone (by design).

By the way, the title derives from New Testament verses urging people to live a quiet life and mind one another’s business (in 1 Thessalonians chapter 4). The title is ironic since events in the lives of my protagonists are neither peaceful nor quiet. Nor are they left alone to get on with their private lives.

If you’re interested in reading a sample, the first six chapters of Peaceful Quiet Lives can be read on Medium (here’s chapter one). Otherwise, the full novel is available on Kindle or paperback from Amazon (here in the UK, here in the US). It’s a very different beast to Alex Garland’s Civil War, which is more concerned with the visceral horrors of actual war, but I hope you’ll consider Peaceful Quiet Lives interesting in its own right.

(Originally published on Medium.)

New Short Story: Trigger Warning

Photo by Brendan Stephens on Unsplash

My latest short story, Trigger Warning, is now being serialised in Fictions on Medium, and also on Substack, if you are subscriber. Here’s a “friend link” to the first part on Medium, so you can get past the paywall and enjoy a free sample of this four part satirical tale.

Trigger Warning concerns a future where a small but growing minority of people are being offended to death when reading contentious novels. The protagonist, a novelist who unrepentantly writes controversial material, finds their persective challenged when they become romantically involved with someone whose close relative died reading one of the author’s books.

If you enjoy what you read so far, why not subscribe to me on Substack? In addition to full access to my film review archive, you also get access to all the other articles I syndicate from Medium (film analysis, top tens, classic cinema retrospectives, etc) plus many short stories. It’s well worth the $5 per month, I think, so why not at least give it a free trial? Subsequent instalments of Trigger Warning will appear each Friday over the coming weeks.

Alternatively, for Medium subscribers, the story will also be revealed in full over the next three weeks. I hope you enjoy Trigger Warning, wherever you read it.

Film Review – Bodies Bodies Bodies

Credit: A24/Stage 6 Films/Sony

Anyone who frequents online cesspools like Twitter will immediately understand the shooting-fish-in-a-barrel satirical targets of Bodies Bodies Bodies; a well-acted and directed slasher flick from Instinct director Halina Reijn. Given my contempt for all things TwitTok, my zero tolerance for the professionally offended, and the eye-rolling social media buzz phrases given a good kicking here, I expected this to be right up my street. But perhaps surprisingly, it left me cold for reasons I’ll expound on in a moment.

Sarah DeLappe’s screenplay, based on a story by Kristen Roupenian, concerns a group of wealthy twenty-somethings trapped in a mansion during a genre staple violent storm, complete with obligatory power cut. The main character is recovering drug addict Sophie (Amandla Stenberg), who brings her new working-class girlfriend Bee (Maria Bakalova) to meet and have fun with her truly ghastly friends, including best pal David (Pete Davidson). They swim, dance, drink, snort cocaine, and decide to play a murder mystery game that goes pear-shaped when someone gets killed for real. Who is the murderer among them?

Besides the aforementioned characters, suspects include David’s attention-seeking actress girlfriend Emma (Chase Sui Wonders), their outspoken, manipulative friend Jordan (Myha’la Herrold), self-obsessed, cornucopia-of-Gen-Z-stereotypes Alice (Rachel Sennott), and her recent Tinder acquisition, older vet Greg (Lee Pace), who struggles to understand when his younger companions are joking or not. Old grievances resurface, petty arguments are rehashed, and it becomes clear this lot really don’t like one other at all, despite their shared history.

Frankly, it’s tempting to sympathise with whoever is offing this hideous and incompetent crowd. The entire cast is annoying beyond belief, which is the point in a blunt-instrument satirical sense. Yet I can’t help thinking the film believes it is a lot cleverer than it really is. Rather than feeling as though I’m in the presence of a satirical genius deftly dissecting the more unpalatable aspects of Generation Z, I spent most of the film experiencing the same soul-sucking despair for humanity one gets from spending too long in comment threads. In a sense, the film is as insufferable as what it purports to satirise.

Perhaps that’s a little unfair. Performances are good, and Reijn’s occasionally suspenseful direction suggests she may yet have a great horror film in her. But everything feels so one-note and on-the-nose that it becomes numbing. There are only so many times social media buzz terms like toxic, gaslighting, narcissist, silencing, triggering, safe space, and so forth can be trotted out for subversion, before one wishes for a little more nuance. The best satires typically have a lone sane person battling to be heard amid the madness (think Group Captain Mandrake in Dr Strangelove, for instance). Here there is no such character.

I will concede that the final twist is clever, justifying the film’s existence by the skin of its teeth. However, it felt like too little too late, as by then I hated every single character in the film, and not in a compelling, love-to-hate-them way. The film also had the curious effect of making me want to leap to Generation Z’s defence. They really aren’t all this detestable.

All that said, Bodies Bodies Bodies has attracted some strong notices. What can I say? Other opinions are available, but despite being well-performed and proficiently assembled, I can’t say I much cared for it.

UK Certificate: 15

US Certificate: R

Content Warnings: Very strong language, strong violence, drug misuse.

New Short Story: In-Between

Photo by Jonny Gios on Unsplash

The Fictions publication on Medium published my short story In-Between. Originally conceived as a supernatural satire, this evolved into something far more personal. It concerns a recently deceased man whose attempts to haunt his family are constantly interrupted by ghost politicians attempting to secure his vote in an afterlife by-election. Check it out in full here. I hope you enjoy it.

Film Review – People Just Do Nothing: Big In Japan

People Just Do Nothing: Big In Japan is a film spin-off from comedy shorts that started online. It eventually got picked up by the BBC, but I didn’t see the series. However, this film is clearly a descendant of the This is Spinal Tap school of mockumentary filmmaking. As such, it’s hardly groundbreaking, but there are a few satirical laughs to be had from these idiotic, ignorant, narcissistic, but oddly loveable characters.

Said characters belong to Kurupt FM: “The biggest pirate radio station in Brentwood”, which is also the only pirate radio station in Brentwood. This garage music crew are now off the air, and have proper jobs in bowling alleys, as postmen, and so forth. But when one of their tracks is used on a garish Japanese TV game show, it looks like fame is finally beckoning (in Japan, at any rate). They fly to Tokyo to meet the company wanting to promote their music and put faces to the track. Spinal Tap price-of-fame falling out shenanigans ensue.

The group is led by MC Grindah (Allan Mustafa) with his pal DJ Beats (Hugo Chegwin). Theirs is the relationship most tested by the compromises demanded by their new Japanese overlords. For instance, when they want to change the name of the band from Kurupt FM to “Bang Boys”, Beats remarks that “it sounds like a paedophile ring”.

Along for the ride are their pals Decoy (Daniel Sylvester Woodford) and Steves (Steve Stamp). The latter forms a hilariously awkward crush on their translator Miki (Hitomi Sono) after she proves sympathetic to his drug habit. MC Gindah’s wife Miche (Lily Brazier) also turns up in Tokyo, eventually. Earlier she is thwarted in a flights mix-up, and resorts to faking Instagram pictures, claiming they are from Japan because she’s informed all her followers that’s where she’s going. Equally amusing is Kurupt FM’s “you can’t hustle a hustler” manager Chabuddy G (Asim Chaudhry), who begins to feel pushed out by their Japanese handler Taka (Ken Yamamura).

It’s all decently performed by all, with solid if unremarkable direction from Jack Clough. I certainly chuckled a few times, though I doubt this is destined for Spinal Tap cult classic status.

UK Certificate: 15

US Certificate: R

Content Warnings: Strong language, drug use, sexual references.

Film Review – The Forever Purge

First, a confession: I’ve always had a slight vendetta against the Purge series, because the ingenious premise – for one night every year, all crime is legal – I came up with myself, some years before these films existed. I even went so far as to write a screenplay, though it was radically different from anything we’ve seen on screen in the Purge series. For one thing, it had more of an oppressive religious angle and was set amid a Puritanical cult, who repress all their sinful urges to an absurd degree, except for one day in the year when all sin (including murder) is permitted. I went so far as to get feedback on this screenplay and polished it up into fairly good shape.

Alas, you snooze you lose. I didn’t take the project further, and a few years down the line, The Purge pipped me to the post. Oh well. No sense in begrudging the success of the franchise, even though they have varied greatly in quality, to say the least. However the latest instalment, The Forever Purge, I liked more than usual. It takes the premise a little further, with ominous warnings of how the Purge doesn’t purge anything, but rather spreads like a contagion, and eventually won’t be contained to just one night.

Sure enough, a Mexican immigrant couple working at a Texas stables get caught up with the aftermath of the Purge, as a nationwide cult of organised rebels decides to continue the murderous mayhem after it officially finishes, to “cleanse” the country of undesirables (principally immigrants). Said couple are Juan (Tenoch Huerta) and Adela (Ana de la Reguera, who initially find themselves at the wrong end of Juan’s racist employer Dylan (Josh Lucas) before they are forced to work together to try and escape to Mexico. Yes, Mexico – see the irony? It’s not exactly subtle, nor particularly original (Roland Emmerich’s The Day After Tomorrow pulled a similar stunt with people rushing across the Mexican border from America in a ha-ha-how-ironic moment).

On the other hand, performances are good enough, and there is plenty of nasty gruesome violence to satisfy genre fans. Director Everardo Gout isn’t great at handling the frightening aspects, throwing out a bunch of jump scares that fail to scare. On the other hand, there are some intermittently exciting action sequences.

It would be easy to snootily dismiss The Forever Purge as satire for nitwits, but sometimes blunt instruments are effective. In this case, the lingering unpleasantness of the Capitol riots provides obvious but powerful parallels. Although the film is clearly preposterous, with America more polarised than ever, perhaps the Mad Max-style landscapes seen here aren’t such a huge leap from reality. Let’s just hope they don’t become reality. In the meantime, The Forever Purge does just enough to engage horror audiences.

UK Certificate: 15

US Certificate: R

Content Warnings: Contains strong violence and swearing.

New Short Story: Call the Number On Your Screen

Photo by Bubble Pop on Unsplash

Call the Number On Your Screen is a new short story by yours truly, available for your reading pleasure in Illumination, a publication on Medium. It concerns a corrupt televangelist who takes extreme measures to find his blackmailer. Satirical of a certain kind of American televangelist, it also draws inspiration from hard boiled noir crime fiction. As such it’s a little outside my usual genre, but writing it was a fun experiment. Besides, the themes – corrupt religious figures, abuse of power – will be familiar from my other works.

Click here to read the full story.

Film Review – I Care A Lot

Rosamund Pike reminds audiences of her ice-cold performance in Gone Girl by adding the character of Marla Grayson to her CV in I Care A Lot. Marla runs a business as a state-appointed legal guardian for the elderly, looking after their assets when a doctor decides they are unfit to look after themselves. For Marla, it’s a lucrative scam, with easily bribed doctors looking to offload irritating patients, leaving her to leech the money of those she has put in care homes, whilst children and relatives seethe impotently, watching their inheritances get frittered away, and being denied access to their loved ones.

Marla’s Darwinian, law-of-the-jungle philosophy is sociopathic, corrupt, and heartless, but technically, she operates within the law. However, when her latest target (Dianne Wiest) turns out to have criminal connections, Marla gradually begins to realise that for all her predatory scheming and abhorrent bullying, she might have bitten off more than she can chew.

A noir thriller with darkly comic undertones, I Care A Lot is well-directed by J Blakeson (who helmed The Disappearance of Alice Creed), and well-acted by a cast that also includes Peter Dinklage as a Russian mob boss, and Eiza Gonzalez as Marla’s lesbian lover. It would probably amount to little more than horrible people being horrible if it weren’t for the satirical undercurrents, implicitly condemning the corruption of capitalist greed, and the dark side of the American dream. Whilst Marla is a staggeringly cruel and truly vile character, it is also just about possible to admire her determination, whilst desperately longing for her comeuppance.

In short, not a film for everyone, but likely to appeal to those who enjoy something a little dark and twisted.

UK Certificate: 15

US Certificate: R

Content Warnings: Very strong language, violence, sex.

Peaceful Quiet Lives: Summary of Recent Articles

Here’s a one-stop-shop with links to all you need to know about my latest novel, dystopian romantic satire Peaceful Quiet Lives.

What’s it about? Here’s the blurb from the back of the book:

Two Nations Under God. Can their love survive in either nation?

Life, love, liberty, and the pursuit of happiness are a distant dream for Sam and Eve. Their forbidden love falls foul of laws in both nations born from the ashes of the Second American Civil War.

A satire of political and religious fears, Peaceful Quiet Lives is a thought-provoking and powerful dystopian future shock.

Intrigued? Want to know more? Check out these articles:

The First 400 Words

“The morality inspectors are late.”

Read the opening paragraphs to whet your appetite.

Themes

“The central idea – regarding opposite extreme authoritarian states being two sides of the same militant coin – I thought would make an intriguing backdrop for a doomed romance. But I also wanted the novel to be a satire of the worst fears of both sides in the US culture wars.”

I outline my intentions for the novel, whilst making clear it isn’t a political statement.

Influences and Inspirations

“Orwell’s masterpiece casts a long shadow over all modern dystopian fiction, and to not acknowledge it would be disingenuous.”

The literature that informed Peaceful Quiet Lives.

The Cover

“Given that the subject matter is outside my usual gothic horror or children’s adventure oeuvre, it really needed to stand out.”

Designing the cover, through various alternative images, before settling on the final version.

A Second Excerpt

“You will be expected here, at the Department of Tolerance, to begin your Enlightenment Conditioning classes tomorrow morning at nine o’clock sharp.”

An extract from the second half of the novel.

Setting, Research, and Revisions

“At first, I feared the ideas for my novel would be too ridiculous even for a satire, but real life was always three steps ahead of me.”

An insight into the development of the novel, including deleted chapters, and research into extreme political movements.

Love and Other Punishments

A short story companion piece to Peaceful Quiet Lives, published in Illumination (a publication on Medium).

How Will You React?

“I’ve had people tell me it’s gripping, romantic, satirical, darkly funny, deadly serious, disturbing, offensive, timely, too-soon, desperately sad, and an important warning.”

An overview of reviews and reactions so far.

Peaceful Quiet Lives is available as a download or paperback from Amazon. Order your copy here (in the UK), or here (in the US). You can also order from Smashwords here.

Peaceful Quiet Lives: How Will You React?

My most recent novel, dystopian romantic satire Peaceful Quiet Lives, has attracted a wider and more varied response than any of my previous works. It has provoked a lot of wildly different reactions and jabbed a few raw nerves. I’ve had people tell me it’s gripping, romantic, satirical, darkly funny, deadly serious, disturbing, offensive, timely, too-soon, desperately sad, and an important warning.

One thing all the responses have in common: They are all hugely positive. So far, reviews have been exclusively five-star raves. I must confess, I sensed I was on to something whilst writing the novel, and speculated to that effect at the time. I’m always reluctant to trust such instincts, as there is always the danger of being deluded. However, it seems on this occasion, my instinct might have been correct.

Here are a sample of recent reviews, on Amazon and Goodreads:

“It’s been a long time since any novel has touched me on such an emotional level: shock initially, then horror, and ultimately sadness; the last few pages were read through tears. A futuristic, thought-provoking book in the first instance that hits you with the realisation at a certain point that most of what Dillon describes is here already. Absolutely gripping.” (Amazon reader.)

“A must-read. I am a slow reader, but I read this book in a few days because I could not put it down. If you only read one book in 2021, I’d recommend it be this one. An exciting yet frustrating love story set in America (but not as we know it) a few decades from now. Buy it – buy it now!” (EmmaGee, Amazon.)

“Interesting (and scary) look at the extreme ends of two societies we see vying for power and attention in our world today. I am not sure why the second half of this book surprised me but throughout the whole story I found my confirmation bias challenged – exactly, I am sure, what the author intended.” (JA Nice, Amazon.)

“Future Fact or Fiction? Gripping, thought-provoking stuff in the light of current events. It may punch you in the stomach.” (Amazon Reader.)

“Relentlessly bleak… This is not for the faint hearted but certainly kept me gripped.” (Amazon Reader.)

“Who doesn’t love a great love story? This is a great book… an easy read with a captivating plot. It also caused me to think a lot about the political landscape in the US right now and brought up a lot of emotions. When I reached the end of the book, I didn’t want it to end. I highly recommend it!” (Amazon reader.)

“Thought provoking, disturbing, and at times hilarious. Several laugh out loud moments… I dare you to read it!” (Steve Beegoo, Goodreads.)

“So engrossing that I literally missed my stop on the train, because I was busy reading. I highly recommend it.” (Claus Holm, author Tempus Investigations.)

Intrigued? Why not pick up a copy yourself, and see how you react? Here’s the blurb from the back of the book to further whet your appetite:

Two Nations Under God. Can their love survive in either nation?

Life, love, liberty, and the pursuit of happiness are a distant dream for Sam and Eve. Their forbidden love falls foul of laws in both nations born from the ashes of the Second American Civil War.

A satire of political and religious fears, Peaceful Quiet Lives is a thought-provoking and powerful dystopian future shock.

Peaceful Quiet Lives is available as a download or paperback from Amazon. Order your copy here (in the UK), or here (in the US). You can also order from Smashwords here.