Tag Archives: Dystopian fiction

Peaceful Quiet Lives: Setting, Research, and Revisions

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My latest novel, Peaceful Quiet Lives, involved just as much research as usual, though this time into many unexpected areas.

Given the authoritarian political states in the novel, a certain amount of investigation into those with extreme views was inevitable. I looked at a lot of the more cult-like leaders on the US evangelical right-wing, as well as extremists on the left, and their groups and organisations. I also read up on so-called “incel” groups and those who believe they can have loving relationships with an android. At first, I feared the ideas for my novel would be too ridiculous even for a satire, but real life was always three steps ahead of me.

After researching several US cities and states, I took the decision to not name any real city or geographic location in the novel, other than to talk in vague terms about east and west (with California and the west coast having fallen into the sea, following the “big one” earthquake). Apart from anything else, I didn’t like to assign particular social, political, or religious ideologies to any one city, so it seemed best, on balance, to have the cities in the novel remain nameless. It’s also worth mentioning that several parts of the novel deal with news media organisations, for which I drew on my own television experience. This was more for the personalities and their attitudes than the technical side, though I should stress no characters are directly based on real people.

The plot came to me fully formed in early 2018, in a strange “download”. At first, I expected my protagonist Sam to be American, but then I realised I needed an “outsider” perspective for this story, so made him an English refugee (in the novel, an unspecified “Catastrophe” has rendered the UK and Europe uninhabitable). As I wrote the story, little changed from the original outline in terms of characters and events, but I did ruthlessly prune everything I considered “preachy”, I hope successfully. Peaceful Quiet Lives is not intended to be a political statement of any kind, and I wanted the events to speak for themselves, without editorialising.

I also cut a number of lengthy sequences, especially in part two. A chapter where Sam and Eve attend an illegal gathering was removed, largely because it felt superfluous in light of the Halloween party they attend earlier. This gathering involved people indulging in all manner of “rebellious” activity; not just unregistered (and therefore legally “unconsenting”) sexual activity, but also free and frank political and spiritual discussion, without fear of state punishment for expressing undesirable views. In that draft, the priest from the final chapter made an earlier appearance, discussing his resistance work in both nations with Sam. I liked this section of the novel, but took it out because it felt a little on the nose, as well as being unnecessary. I revised the novel so Sam only meets the priest in the final chapter.

If you’ve not yet read Peaceful Quiet Lives, why not give it a go? Here’s the blurb from the back of the book:

Two Nations Under God. Can their love survive in either nation?

Life, love, liberty, and the pursuit of happiness are a distant dream for Sam and Eve. Their forbidden love falls foul of laws in both nations born from the ashes of the Second American Civil War.

A satire of political and religious fears, Peaceful Quiet Lives is a thought-provoking and powerful dystopian future shock.

Peaceful Quiet Lives is available as a download or paperback from Amazon. Order your copy here (in the UK), or here (in the US). You can also order from Smashwords here.

Peaceful Quiet Lives: Influences and Inspirations

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My latest novel, Peaceful Quiet Lives, is informed by a number of classic novels, whilst also being very much its own unique story. Here are five texts that were influential in some way.

Nineteen Eighty-Four (George Orwell) – Orwell’s masterpiece casts a long shadow over all modern dystopian fiction, and to not acknowledge it would be disingenuous. The Winston and Julia romance informs some of what Sam and Eve experience, as does their suffering at the hands of the authorities. However, the central relationship has a very different purpose and outcome in my novel. There are also parallels between the censorship of Nineteen Eight-Four (including “newspeak”) and the censorship rules in both nations in my novel, which operate at opposite political extremes. However, once again, the kind of censorship is very different.

The Handmaid’s Tale (Margaret Atwood) – The religious oppression of the Gilead regime to a degree did inform the oppression of women in the NPAR (New Puritan American Republic), in my novel. However, there are vitally important differences. For one thing, there is no population crisis, and women are not forced into marriages for breeding purposes in the NPAR. However, women are strictly controlled in terms of the lives they can lead, the careers they can pursue, and so forth. Furthermore, marriages have to authorised by religious authorities.

A Clockwork Orange (Anthony Burgess) – The brainwashing of young Alex to “cure” him of his wicked ways did in some way influence the torment Eve suffers at the hands of interrogators in the DEAR (Democratically Enlightened American Republic), in my novel. However, unlike Alex, Eve is a far less contentious subject, nor is the reader invited to feel torn or backed into a corner over her treatment. I expect and indeed hope that unambiguous sympathy is the reader’s response in her case.

Fahrenheit 451 (Ray Bradbury) – A state where all books are banned is the horrifying premise of Bradbury’s most notorious novel (the title refers to the temperature at which paper burns). Not all books are banned in the two nations of my novel, but many are. Sometimes the same novel is banned in both states, but for entirely different reasons. For example, a novel banned for sexual content in the NPAR could also be banned for perceived sexism in the DEAR.

The Trial (Franz Kafka) – Like the protagonist of Kafka’s novel, Sam finds himself chewed up by the inexplicable and unfair machinery of legal processes in both the NPAR and the DEAR. The prosecutions he faces are nonsensical, but are intended as a satire of the fears often expressed by extremists on both ends of the left/right political spectrum. In particular, the trial in the latter part of the second section of the novel reaches an absurdity of hair-clutching proportions, but I shan’t explain how, for fear of spoilers.

Peaceful Quiet Lives was also informed, to a lesser degree, by Gulliver’s Travels, Brave New World, The Hunger Games, and even satirical BBC classic comedy series Yes Minister. Here’s the blurb from the back of the book to whet your appetite:

Two Nations Under God. Can their love survive in either nation?

Life, love, liberty, and the pursuit of happiness are a distant dream for Sam and Eve. Their forbidden love falls foul of laws in both nations born from the ashes of the Second American Civil War.

A satire of political and religious fears, Peaceful Quiet Lives is a thought-provoking and powerful dystopian future shock.

Peaceful Quiet Lives is available as a download or paperback from Amazon. Order your copy here (in the UK) or here (in the US). It is also available at Smashwords here.

Peaceful Quiet Lives: Themes

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There can be no doubt that my latest novel, Peaceful Quiet Lives, has been informed by the ongoing so-called culture wars in America. These culture wars, whether social, political, or religious have been a simmering division in America as far back as I can remember, and in one sense, are nothing remarkable in a western democracy.

However, in recent years, these divisions have become a lot more exacerbated. I’ve also noticed a militant tendency in the language and behaviour of extremists on both sides that is remarkably similar. This militancy, fuelled by social media, television news, and opportunistic politicians, has stirred up some serious unpleasantness. One need only look at the aftermath of the recent US election for evidence.

Let me be absolutely clear: Peaceful Quiet Lives is not a political statement of any kind. It came to me in a strange download in early 2018, whilst writing my (as yet unreleased) Dark Ages set romantic fantasy tale Ravenseed. After getting this download, I wrote Peaceful Quiet Lives purely because I thought it was a good story. I had no political agenda at all.

The central idea – regarding opposite extreme authoritarian states being two sides of the same militant coin – I thought would make an intriguing backdrop for a doomed romance. But I also wanted the novel to be a satire of the worst fears of both sides in the US culture wars. The first half of the novel plays on fears that the US could turn into a religious theocracy. The second half sends up fears that the US is headed for a “woke” dystopia. The novel isn’t so much intended as a warning against both scenarios, neither is it an attempt to lash out in despair at the current problems in America, but rather it is an exercise in absurdity. I hope the tragic lunacy of such a future is inherent within the text, and that as a result, perhaps the fears of both sides will be eased, just a little.

Despite such grandiose ambitions, I hope people enjoy the novel as simply a damn good read.

By the way, the title derives from a couple of New Testament verses; one urging people to live a quiet life and mind our own business (in 1 Thessalonians chapter 4), and another passage urging prayer for those in authority, that we might live peaceful and quiet lives (in 1 Timothy chapter 2). The title is ironic on a number of levels, since events in lives of Sam and Eve are neither peaceful nor quiet.

Here is the blurb from the back of Peaceful Quiet Lives:

Two Nations Under God. Can their love survive in either nation?

Life, love, liberty, and the pursuit of happiness are a distant dream for Sam and Eve. Their forbidden love falls foul of laws in both nations born from the ashes of the Second American Civil War.

A satire of political and religious fears, Peaceful Quiet Lives is a thought-provoking and powerful dystopian future shock.

Peaceful Quiet Lives is available as a download or paperback from Amazon. Order your copy here (in the UK) or here (in the US). It is also available from Smashwords here.

Peaceful Quiet Lives: The First 400 Words

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My latest novel, Peaceful Quiet Lives, is out now.

Here’s the first 400ish words, as a taster.

The morality inspectors are late.

  I glance at my watch. 7:37am. They were supposed to be here seven minutes ago. Typically a morality inspection of a premises the size of my apartment takes a good twenty minutes, not allowing for nervous small talk, or, if you know the inspectors well, salacious tales of impounded illegal political materials, banned books, films, drugs, alcohol, pornography, and so forth.

  Morality inspectors are usually punctual to a fault, but if they don’t turn up soon, I’ll have to re-book my bi-annual inspection, or I’ll end up missing the train and be late for work.

  I peer at the cloudy skies above the city. My apartment lies within a tall grey high-rise building, on the ninth floor, and I have a good view to the south. The streets are already busy, filled with rushing commuters getting on buses, entering metro stations, or driving their vehicles. The crowds are bad enough as it is in the morning, but they’ll be even worse if I end up leaving later due to tardy morality inspectors.

  Tardy. That’s a word I never used back in England before the Catastrophe. I’ve picked up many words living the last twenty years in the New Puritan American Republic. Other words I’ve had to stop using. Not unless I want an on-the-spot fine for contravening the Profanity Act.

  A knock at the door indicates the morality inspectors have finally arrived. 7:39am. A full nine minutes late. Shaking my head and tutting, I open the door to find Inspector Chuck Willis red faced and quite flustered, alongside two younger men in their early twenties.

  ‘I’m so sorry Sam,’ Chuck says. ‘I know we’re running late. Contraband incident in the apartment we inspected before yours. Do you still want to do this now? Or do you want to reschedule?’

  ‘No, best to get it over with,’ I say, indicating for Chuck to come in.

  Chuck and the two younger men enter my apartment. They are dressed in the austere manner of all morality inspectors, as though attending a funeral: black trousers, ties, shoes, and jackets, embossed with a lapel depicting a black crucifix on a white background surrounded by the black outline of a five pointed star; the NPAR flag. The only difference is like all government officials, they are required to carry handguns.

Intrigued? Here’s the blurb from the back of the book.

Two Nations Under God. Can their love survive in either nation?

Life, love, liberty, and the pursuit of happiness are a distant dream for Sam and Eve. Their forbidden love falls foul of laws in both nations born from the ashes of the Second American Civil War.

A satire of political and religious fears, Peaceful Quiet Lives is a thought-provoking and powerful dystopian future shock.

Peaceful Quiet Lives is available as a download or paperback from Amazon. Order your copy here (in the UK) or here (in the US). Alternatively, it can be ordered from Smashwords here.

NEW NOVEL OUT NOW: Peaceful Quiet Lives

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My latest novel, Peaceful Quiet Lives, has been released. Not “dropped”, as one often hears these days, but “released”. “Dropped” just sounds careless and irresponsible, and presumably could lead to breakages.

Anyway, I have released this novel as a surprise, with no real build up, even though I have been dropping hints in posts like this one, and announcing it indirectly by interviewing one of the supporting characters, who ends up threatening me (see my post earlier this week).

Here is the blurb from the back of the book:

Two Nations Under God. Can their love survive in either nation?

Life, love, liberty, and the pursuit of happiness are a distant dream for Sam and Eve. Their forbidden love falls foul of laws in both nations born from the ashes of the Second American Civil War.

A satire of political and religious fears, Peaceful Quiet Lives is a thought-provoking and powerful dystopian future shock.

Because Peaceful Quiet Lives sits outside my usual genre writing of mainly gothic mysteries and children’s adventure novels, I decided to self-publish the novel rather than approach publishers. I’ve not released anything in 2020, so I wanted to surprise my readers with something new. On top of that, it seemed timely, given current events in the US.

I’ll be talking more about the novel on the blog in the coming weeks.

Peaceful Quiet Lives is available as a download or paperback from Amazon. Order your copy here (in the UK) or here (in the US).

Why We Need Dystopian Fiction

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Some literature seeks to highlight current social problems to bring about change. The most effective examples include works by Charles Dickens. Oliver Twist, for instance, highlighted the appalling conditions of workhouses, and the problem of nineteenth century UK poverty in general, amid a gripping and dramatic narrative. Gulliver’s Travels by Jonathan Swift sought to expose contemporary injustice and hypocrisy through fantastical satire. However, dystopian fiction occupies an altogether different role in the literary landscape. Dystopian fiction seeks not to affect change, but to warn against change for the worse, as a check and balance.

The best dystopian narratives have etched themselves so powerfully into the popular consciousness that they have become a kind of shorthand argument that prevails against foolish or dangerous ideology. George Orwell’s Nineteen Eighty-Four is the ultimate example. Someone says they think more snooping and surveillance is a good idea, and the notion can be rebutted as “Orwellian” or “Big Brother”. It might be suggested by proponents of both political wings that certain books should be banned or censored. Again, one can cite Orwell, with reference to censorship and “newspeak”, robbing people of narratives (and indeed the words) to express themselves. The legacy of Nineteen Eighty-Four has helped protect western society from the worst excesses of authoritarianism.

Other dystopian tales have exerted a similar power. Margaret Atwell’s The Handmaid’s Tale has long been adopted by feminist groups as a warning against gender-based oppression in a potential religious autocracy; a danger that seems particularly feared in the United States. Anthony Burgess’s A Clockwork Orange jabs other raw nerves, with warnings about encroaching state control over individuals, particularly with reference to the brainwashing of young Alex. Then there’s Franz Kafka’s The Trial, which warns against frightening, impenetrable legal bureaucracy. Suzanne Collins’s The Hunger Games warns against a return to Roman Empire style bread and circuses dictatorship, whilst at the same time inviting allegorical comparisons between the west and exploited developing nations. Speaking of The Hunger Games, dystopian fiction recently has had particular resonance in the young adult market, with The Hunger Games, The Maze Runner, Divergent, and various other titles.

I still think Aldous Huxley’s Brave New World features one of the scariest warnings in literature, as it resembles the modern west in alarming ways. The novel depicts a world where entertainment, pleasure, distraction, and trivia are deliberately deployed to distract the masses. However, for me, one of the most frightening prospects in dystopian fiction remains Ray Bradbury’s Fahrenheit 451, which features a world where all books are banned.

Given current problems in the world, I’m not surprised at the enduring popularity of dystopian stories. This is a good thing. We now need future shock dystopian fiction more urgently than ever. People everywhere – and politicians in particular – need to read these books, think, carefully consider where we are headed, and avoid these appalling futures at all costs.

My Top Five Most Reviewed Novels

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Every so often, I write an email, social media post, or blog urging my wonderful readers to please, please, please, take a minute to leave a review of my novels (or short stories) if they enjoy them.

Why do I ask this? Online reviews are absolutely essential to writers, especially little-known authors like yours truly who either self-publish, or more recently publish through a small indie publisher. We don’t crave reviews because we are insecure and require constant affirmation; we crave them because the more there are, the more algorithms show our work to more people. Reviews are an author’s lifeblood, and in many cases help us (indirectly) put food on the table.

Reviews don’t need to be long or eloquent. “I enjoyed it” is absolutely fine. If you can add that on Amazon and/or Goodreads, you will have been an immense help. Thank you very much to everyone who has left reviews. It is hugely appreciated.

With that rather begging (but continually necessary) appeal out of the way, here are my top five most reviewed novels (current combined totals taken from both Amazon and Goodreads). Most of these are four or five star reviews; which is nice, obviously.

PHANTOM AUDITION5. Phantom Audition (20 reviews) – My personal favourite of the novels on this list. A gripping and sinister psychological gothic mystery, it concerns a bereaved actress, who lived in the shadow of her much more famous actor husband, prior to his death. A series of unsettling discoveries lead her to believe her husband may have rather buried himself in his final role. Did it have a bearing on his apparent suicide? Was it murder? Could he even have been influenced by vengeful supernatural forces? Phantom Audition is a page-turner that messes with the mind of the reader as much as it’s imperilled heroine.

SSF cover4. Spectre of Springwell Forest (21 reviews) – A full-blooded gothic ghost story, guaranteed to send shivers down the spine. Easily the scariest novel on this list, Spectre of Springwell Forest concerns a young woman called Lily who moves to a sleepy village near Dartmoor, with her husband and young daughter. Lily discovers a sinister painting in her attic that shows the mouth of a mysterious abandoned railway tunnel in a forest. She is unsettled to discover other villagers have paintings (by a local artist) of the same image in their homes, though they remain tight-lipped as to why. Later, after discovering the real abandoned railway tunnel in a local forest, a mysterious spectral figure appears in the paintings that only Lily can see. The figure gradually becomes visible at the mouth of the tunnel, then slowly emerges, getting closer and closer as time passes. At the same time, Lily’s daughter begins to exhibit strange and disturbing behaviour. Intrigued? Read it if you dare…

The Birds Began to Sing_1600x2400_Front Cover3. The Birds Began to Sing (27 reviews) – Another gothic thriller, this one features a huge twist ending. The story largely takes place in a sinister country mansion that once belonged to the late, great author Sasha Hawkins. Several wannabe authors arrive at the mansion to take part in a mysterious writing competition, to pen the finale to an unpublished Hawkins manuscript. Among these is Alice Darnell, who is hoping this will finally lead to her big break. However, peculiar competition rules, enigmatic dreams, and ghostly apparitions lead her to question her sanity, as she is drawn into a tangled web of deceit, revenge, and murder.

uncle-flynn_cover2. Uncle Flynn (75 reviews) – The first novel I published is an old-fashioned treasure hunt story aimed at the young and young at heart. It concerns an anxious boy called Max who is plagued by fears and panic attacks. He is visited by his archaeologist uncle, and together they set about uncovering the truth behind local legends of buried treasure on Dartmoor, with roots going back to the time of Henry VIII’s sacking of Catholic monasteries. With rival villainous treasure hunters on their tail, can they get to the treasure first? More unsettlingly, why are the police also after Max’s uncle? Dedicated to my eldest son, this novel is first and foremost intended as a gripping and mysterious adventure, but it also features themes of overcoming fear and the dangers of mollycoddling – especially in the twist ending (yes, I do enjoy writing a good twist ending).

Folded Valley cover1. Children of the Folded Valley (259 reviews) – Still my most popular novel by a huge margin, this tale of a man looking back on his life growing up amid a mysterious cult clearly struck a chord among readers. It’s a mysterious and melancholy dystopian tale, with themes of religious oppression, loss of innocence, disillusionment, coming of age, rebellion, uprising, and the haunting power of traumatic memory.

Very loosely informed by some of my own childhood experiences, perhaps it is my most “personal” novel to date. Having said that, all writing is personal to some degree, so regardless of how many raw nerves I decided to jab with this book, I can’t attribute its (relative) popularity to that alone. I also like to think my writing has improved a lot since I penned Children of the Folded Valley as there are one or two sections I’d definitely approach differently if I wrote it today.

I completed the first draft in 2011; a fact I constantly point to, in order to dismiss those who view the novel as a cathartic response to the sudden death of my father in 2012. In fact, my father helped shape the final version. I spoke over the phone with him after he read the initial draft, and he made one particular suggestion that he felt would tip the story from “good” to “great”. Hugely excited at his idea, I thanked him profusely, and told him I would definitely adopt it. He seemed very pleased.

That was the last time I ever spoke to him.

Children of the Folded Valley is dedicated to both my parents.

In the shadow of Nineteen Eighty-Four: Writing my current novel

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71Y5qibEolLI have recently re-read George Orwell’s dystopian milestone, Nineteen Eighty-Four. As ever, I came away from it stunned by the satirical and chilling narrative, and deeply alarmed at its prophetic insights. However, I also experienced something I hadn’t expected: Intimidation. This book has been called one of the greatest novels of the twentieth century, and sometimes the greatest. The bar for this kind of fiction has been set very highly indeed, not just with Nineteen Eighty-Four but also other classic dystopias like The Handmaid’s Tale, Brave New World, Fahrenheit 451, A Clockwork Orange and so on. Therefore, what business does an upstart like me have trying to write a dystopian future shock novel? Can I really add anything of value in this genre?

Whatever moments of George McFly Syndrome I may experience along the way, I honestly believe I can. I am about two-thirds of the way through what has become one of the most challenging and exciting novels I have ever undertaken. I have no idea if the finished product will be brilliant, terrible, or something in between, but nonetheless I am writing it with a passion unprecedented even by my standards.

The title remains a secret for now, but the story is set a little way into the future, in America. It is, broadly speaking, a dystopian drama about the so-called culture wars, satirising both sides and their various subcultures. The “religious right” and “liberal left” are equal targets of my ire, and common sense is utterly disregarded by both during the events of the story.

This makes it sound like I have an axe to grind, and perhaps, for once, I do. But I don’t intend to lash out at the reader in despair. Nor is this intended as a political statement of any kind (heaven forbid). What I hope for this book is that it will be gripping and dramatic; at times darkly comic, absurd, thoughtful, moving, tragic, and perhaps yes, a little bit angry. But I hope the overall feeling the reader is left with is sympathy for the plight of the protagonist, rather than a sense that they are being preached at. After all, in the past I have been very vocal about what can happen when writing a story with a conscious agenda. The last thing I ever want to sound like is condescending, finger-wagging or preachy.

More on this novel once it is finished, polished, and finally published. Watch this space.