New Covers: Spectre of Springwell Forest, Phantom Audition, The Irresistible Summons

Three of my gothic mystery horror/thriller novels have recently been unavailable, for tedious legal reasons not worth wringing my hands over in this blog post. However, the good news is they are back, having received a make-over with new covers, courtesy of the brilliant Yasmine Nuoraho.

Here are each of the new covers, with an introduction to each novel, to whet your appetite.

Spectre of Springwell Forest

Exeter, 2010. Lily Parker learns that her daughter Olivia is to move to the village of Springwell, near Plymouth. To the surprise of her husband Andy, this sends Lily into terrified despair. She tells him that Olivia must not move to Springwell, under any circumstances. Andy wants to know why, and Lily tells him what happened to her many decades previously, in 1979, warning him that she has a horrifying secret that she had previously hoped to take with her to the grave.

In 1979, Lily and her then six-year-old daughter Olivia, along with her first husband Tom Henderson, move to the sleepy village of Springwell. Here they meet a tight- lipped community of secretive villagers who seem to have something to hide. Lily discovers a painting of an abandoned railway tunnel in her attic, by a local artist, Alison Merrifield. Lily is strangely drawn to the painting, particularly the dark maw of the tunnel, and ends up hanging the picture in her hallway.

After meeting her neighbour and other mothers dropping their children at the local primary school, Lily is surprised to learn they all have similar paintings in their homes, all of them painted by Alison Merrifield, all of them showing the same abandoned railway tunnel. The other mothers dismiss this as something of a village in-joke, and when Lily visits Alison in her local craft shop, Alison herself insists she cannot understand why the paintings of the abandoned tunnel are so popular. But Lily senses she is being lied to.

Shortly afterwards, when Lily and Olivia go for a walk in the local forest, they come across a fenced off area in the heart of the woods where the barbed wire has been mysteriously torn apart. Investigating further inside the fenced off section, they discover the very same abandoned railway tunnel of the painting and enter the tunnel. A disturbing incident follows (which I won’t spoil).

After this incident, back home, Lily starts to make out a mysterious figure emerging from the railway tunnel in the painting. As time passes, the eerie figure becomes more clearly defined, but Lily is disturbed to discover no-one can see it but her. Worse still, as the sinister figure is revealed, Olivia starts to behave in an increasingly alarming manner.

To pick up your copy of Spectre of Springwell Forest in paperback or ebook click here (in the UK), and here (in the US). Or you can click here, to download the book from Smashwords.

Phantom Audition

Small-time actress Mia Yardley, recently widowed wife of renowned actor Steven Yardley, grieves in his ancestral family home, Elm House, near Plymouth. Her husband’s inexplicable suicide left her in possession of a considerable fortune, but she is unsettled. Her sister-in-law Jemima is openly hostile, and Mia also senses disapproval from hired staff, especially de facto housekeeper Liza. Only Verity, a part-time maid, is friendly to Mia, seeming genuinely sorry about the death of Steven.

Mia discovers Steven’s secret acting diary. It details appointments made with a psychic medium, Etta, who advised Steven on which roles to take. Mia visits Etta to question her over mysterious diary entries that hint at a more supernatural reason for Steven’s demise. Etta rejects such claims, but Mia senses she is hiding something, and explains as much to her best friend Bronwyn, when they go out horse riding. Mia also begins to see manifestations of what she believes to be Steven’s ghost in and around Elm House, and also at a nightclub.

Mia’s therapist tells her the visions of Steven are psychological, not spiritual. But Mia isn’t convinced, and begins an investigation into her husband’s death that gradually becomes an obsession. She uncovers the alarming story behind the last role her husband took, but every answer leads to more questions, opening dangerous doors to a labyrinthine world of terrible secrets. The deeper Mia digs into they mystery, the deeper she disappears inside her own inner darkness, crossing thresholds from which there can be no return.

To pick up your copy of Phantom Audition in paperback or ebook click here (in the UK), and here (in the US). Or you can click here, to download the book from Smashwords.

The Irresistible Summons

Teenager Naomi Levinson laments the death of her boyfriend, Toby Lane. Toby and his entire family perished in a mysterious house fire, which Naomi comes to believe may have been started deliberately.

Several years later, Naomi is now an accomplished television producer making documentaries debunking the supernatural. When a shoot interviewing a possibly possessed killer in prison goes terribly wrong, the production company Naomi works for faces a lawsuit and possible closure.

Offered what could be her last job, Naomi is initially reluctant to take on filming a promotional video for computer game company Persephone. She considers the task beneath her talents. However, after production gets underway at the Persephone office block on London’s Canary Wharf, strange things begin to happen.

One member of staff inexplicably disappears. Ghosts are sighted, one of whom appears to be Toby. This re-opens old emotional wounds for Naomi, bringing back bittersweet memories of her strictly religious messianic Jewish parents, who disapproved of her teenage lover.

A horrifying conspiracy is gradually revealed. Cutting edge technology and ancient evil meet, leading to the discovery of a shocking and terrifying secret – one that could change the nature of life and death as we know it.

To pick up your copy of The Irresistible Summons in paperback or ebook click here (in the UK), and here (in the US). Or you can click here, to download the book from Smashwords.

Coming Soon, Later, and Perhaps Never: October 2020 Update

A couple of years ago, I posted an article with the same title, expounding on exactly where I was at with my novels, in their varying states of disrepair. Here’s a full update, sort-of divided by genre. Bear in mind one of these will be released very soon, almost certainly before the end of the year.

Fantasy

Ravenseed – This Dark Ages set fantasy novel is now on its third draft, having received largely positive feedback from various sources. It’s a brooding, melancholy tale of knights, sorcerers, and enchantment, simmering with love, lust, betrayal, and revenge. Alongside the Dark Ages story is a parallel framing story set in the present.

The Faerie Gate – My long-delayed, horror-story-for-children is now on its fourth draft. Originally written in 2015, it’s definitely the scariest novel I’ve written that is primarily aimed at children, and it really pushes the envelope in that respect. But this dark fairy tale is also a very compassionate story, about a young adolescent coming to terms with the separation of her parents. I’m also planning an epic sequel which may end up being more than one sequel, set in the same universe. The sequel(s) might be aimed at a more “young adult” readership. I’ll know more once I start writing this next year.

The Deviant Prophet – Another dark fairy tale, but this time for adults. Fantasy and reality clash in a disturbing tale of religious oppression, amid a vivid and surreal world parallel to our own. The initial inspiration for this came from a close friend’s extraordinary dreams. I finished a third draft earlier this year.

Goldeweed – This is an epic, three volume fantasy saga I have been shaping on and off for almost eighteen years. Set in a vast imagined realm on many different planes of reality, it details three love stories that play out against an apocalyptic backdrop at the end of an era. Currently longer than War and Peace, it’s a tale I have rewritten and tinkered with for some time, and I’m still not entirely happy with it.

Gothic Mystery Thriller/Horror

The White Nest – This novel is something of a culmination for me; a summing up of all the tropes, themes, and ideas I have explored in earlier gothic mystery novels. But although there is an element of Now-That’s-What-I-Call-a-Simon-Dillon-Gothic-Mystery about this novel, it is also radically different in two ways. Firstly, it features a male protagonist. Secondly, it is the most intensely personal novel I’ve written since Children of the Folded Valley. Yes, I know all writing is “personal”, but this one really jabbed raw nerves in an ultimately cathartic way, tapping into traumatic fears regarding siblings, parental fears, false guilt, and more. It is also something of a coming of age novel, despite the genre trappings. One more point: The White Nest refers to something sinister in the story, but it’s only a placeholder title. I’m keeping the real title secret for now.

Wormcutter – From something I wrote in 2020, to something I wrote in 2007 (from an idea I had researched on and off since 1996), this detective thriller/horror hybrid begins as an apparently open and shut murder investigation, then escalates into a humdinger of a conspiracy, involving the Freemasons and much more… until it ends up in the most disturbing territory I have ever explored in a novel (definitely 18 certificate stuff). Currently on its fourth draft, and due for another polish.

Miscellaneous

The Balliol Conspiracy – This somewhat old-fashioned, Hitchcockian romantic spy thriller is a conspiracy story of a different kind (much more PG territory, unlike Wormcutter), and proved a real change of pace for me when I wrote it. A strong, suspenseful central mystery results in an historic, fact-based treasure hunt, leading to a new lease of life for the bereaved protagonist. I don’t want to say too much more, except that yes, it does involve Balliol College in Oxford (see above picture). I also wanted to write a grown-up book that, for once, my mother would be able to read without having nightmares. Currently on its second draft, its actually grown on me quite a bit since I first wrote it, and my wife thinks I should attempt more stories of this kind. But I suspect it is a one-off. We’ll see.

Peaceful Quiet Lives – This dystopian tale imagines a bleak American future, satirising the worst fears of both sides in the so-called culture wars. At the same time, it is also a love story, featuring protagonists who fall foul of political extremists of all persuasions. This novel is currently on its fourth draft, and represents a real oddity for me, as it is quite unlike anything I’ve ever written. Like Children of the Folded Valley and The White Nest, it is also a highly “personal” novel.

A Statement of Disbelief – Another satirical novel, this time set in the dubious world of Christian television fundraising. It’s only had one draft, but quite honestly, I’m not sure it will ever see the light of day. However, I will confess it was great fun to write.

Short Stories – It’s also worth mentioning that I’ve written quite a collection of short stories, mostly horror and science fiction (including one of novella length). I may publish a volume of these at some point.

To reiterate, one of the above will almost certainly be released before the end of the year. Can you guess which one? Watch this space for an imminent announcement.