Tag Archives: Horror

Opening Chapters: The Birds Began to Sing

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This month on Medium, I’m showcasing some of the opening chapters from my novels. These will be primarily from my gothic mysteries, though there may be one or two others. This week I feature the first part of gothic psychological thriller The Birds Began to Sing.

I wrote this novel back in 2012, and in all honesty, I think if I were writing it today, I’d open the book differently. Yes, I have a bit of satirical fun with the publishing industry, but I fear it comes off as a little petulant. Still, I love the book overall, and am proud of it. Here are the opening paragraphs.

Rejection is normal. Everyone experiences rejection at some time in their life, so there is no point getting upset about it. Don’t give up. Just move on. Tomorrow might be better.

That’s what Alice Darnell kept telling herself. Yet having her writing rejected again and again by agents and publishers was beginning to feel worse than getting dumped by a boyfriend. She had just received another rejection letter from a literary agency through the post, and every time she read one it felt like something inside her died. Her bedroom now had an entire wall plastered with rejection letters of one kind or another, all of them saying more or less the same thing:

Dear Alice,

Thank you for your sample chapters and synopsis which we read with interest. Unfortunately we don’t feel this is one for us, but we wish you the best of luck elsewhere.

Kind regards

The Publisher/Agent

Alice thought a more honest summary might read as follows:

Dear Alice,

I’m not sure why you bothered to send us your sample chapters and synopsis, as you are not an established author. Obviously, we didn’t bother reading it. You might want to try elsewhere and see if anyone is foolhardy enough to take on an unknown author, but don’t count on success.

Indifferent regards

The Publisher/Agent

Alice pinned the most recent rejection letter alongside the others, and glanced at the alarm clock at the side of her bed. Almost half past nine. She had a cold, and had already called in sick so wouldn’t be going to work. That meant a day alone trying to rest, recuperate and watch daytime television whilst trying not to feel too depressed.

From The Birds Began to Sing by Simon Dillon.

You can read the whole of the chapter here, and read my companion piece article on this series here. Alternatively, to purchase a copy of The Birds Began to Sing (ebook or paperback) click here (for the UK), here (for the US), or here, if you wish to purchase via Smashwords.

Opening Chapters: Phantom Audition

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This month on Medium, I’m showcasing some of the opening chapters from my novels. These will be primarily from my gothic mysteries, though there may be one or two others. This week I feature the first part of gothic psychological thriller Phantom Audition, which begins like this:

What Mia noticed most was the silence.

She kept expecting to hear Steven’s voice, or the insistent thud of his feet, as he rehearsed his lines, pacing up and down. She expected to hear him on the phone to his agent, publicist, or to a director.

In the mornings, she no longer heard his absurd singing in the shower. His seat at the breakfast table stood empty. Mia would avert her eyes, unable to bear staring at the space he should occupy. He should be sipping his tea, scrolling through his phone, crunching his cereal… Silence chewed the room instead, like wind and rain gnawing an eroding landscape.

At nights, Mia would awaken and roll over, hoping to warm herself on his body. But Steven wasn’t there, and he wasn’t coming back. He had been replaced with the same terrible silence that screamed, clawed, and tore at her mind whenever she entered the rooms that still had his smell. The memory of her husband had stained the entire house.

Mia had always thought the mansion ludicrously big for the pair of them, but now more than ever she felt the size of the place. A curious unease lingered, as though the carpets, furniture, paintings, and ornaments had turned against her. She felt like a stranger in her own home, imagining everything around her glared in frowning disapproval. Perhaps her presence was a desecration.

One Monday morning a month after the funeral, the unpleasant sensation of feeling watched by the house became too much, and Mia yelled out into the silence.

‘It’s my bloody home too!’

The house responded without mercy, making every tiny tick of the clock an intolerable cacophony. Mia put her hands over her ears. She knew her behaviour was absurd, but the curious mixture of anger and fear that stirred within her had taken her by surprise. Sadness at Steven’s passing was to be expected, but she had not expected to feel so defensive or fearful. Perhaps bewilderment at the events leading up to his suicide by drug overdose still had her on edge.

From Phantom Audition by Simon Dillon.

You can read the whole of the chapter here, and read my companion piece article on this series here. Alternatively, to purchase a copy of Phantom Audition (ebook or paperback) click here (for the UK), here (for the US), or here, if you wish to purchase via Smashwords.

Opening Chapters: The Thistlewood Curse

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In a brief series on Medium, I’m showcasing some of the opening chapters from my novels. These will be primarily from my gothic mysteries, though there may be one or two others. Kicking off the series is my supernaturally tinged whodunnit The Thistlewood Curse, which opens with these words:

In spite of the peculiar circumstances surrounding the death of Jacob Price, Detective Sergeant Laura Buchan had all but convinced herself there was no foul play. That he died as the result of a bizarre accident had become the accepted version of events for her and most of her colleagues. Only the senior investigating officer, Detective Inspector Ethan Roland, had any further inkling that Price’s demise was in any way suspicious.

Laura kept pinching the bridge of her nose in a nervous reflex. The questioning of her lifelong friend and occasional colleague Lawrence Crane should have been mere formality; an interview that would establish beyond all doubt that he had no involvement in Price’s death. But Roland kept treating him like a criminal. No doubt he considered his actions thoroughness, but Laura thought he was just being rude. Through the two-way mirror, Laura watched as Roland continued to question Crane in the interview room.

‘Are you glad he’s dead?’

Lawrence Crane leaned forward and stared for a moment at the mirror. His eyes met Laura’s and although he could not see her, she experienced the familiar sensation of discomfort, as though she were standing before him naked. His gaze seemed darker and colder than usual, no doubt because he didn’t suffer fools gladly, and Ethan continued to behave like one.

Crane returned his piercing, steel blue stare to the Detective Inspector sitting before him. Although his back was turned, Laura could imagine the dogged, determined expression on Ethan Roland’s face. He had a stocky, bulldog build that intimidated most people he questioned. But Lawrence Crane was not most people. He replied with an icy calm.

‘Obviously, I’m glad he’s dead.’

From The Thistlewood Curse by Simon Dillon.

You can read the whole of the chapter here, and read my companion piece article on this series here. Alternatively, to purchase a copy of The Thistlewood Curse (ebook or paperback) click here (for the UK), here (for the US), or here, if you wish to purchase via Smashwords.

More Five Star Reviews

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I’ve recently had a few more encouraging five-star rave reviews for some of my novels, on Amazon and Goodreads.

Peaceful Quiet Lives

“A futuristic book about a post-civil war America. The east is ultra-liberal and the west is ultra-conservative. What I loved about this book is the detailed thought Mr. Dillon put in about what an extreme society would look like. In my personal life, I live mainly on one side of the aisle. The description of the other side’s extreme made sense to me. The description of the extreme side of my ideals was shocking. It made me understand what the other side of the aisle is so afraid of. Quite an eye-opener. I’d like to believe the proverbial “slippery slope” will never end in the extremes described in this book. And hope this book is a warning to us all of what could happen if we continue to widen the gap and refuse to compromise.” – Heather K, Amazon.

Children of the Folded Valley

“Dystopian sci-fi with a high level of haunting creepiness that begets humans in some situations. Interesting character development and interactions.” – Aimee Gramblin, Goodreads.

The Irresistible Summons

“An extraordinarily imaginative tale, the supernatural infused with technology, love and hatred and an intense sense of dread and mystery. Thoroughly enjoyed it. I recommend you check out more of Simon’s extensive body of work both here and on Medium.” – Alison, Amazon.

Spectre of Springwell Forest

“Great read! I enjoyed it immensely. The tension was great and I was engaged from the start.” – Jennifer Brewer, Goodreads.

Phantom Audition

“Simon Dillon has done it again with this gripping story full of intrigue and mystery. Characters full of emotions that a reader can invest in.” – AM Cummins, Goodreads.

If you enjoy my novels, please do leave reviews on Amazon, Goodreads, or wherever you picked them up. They are an encouragement to me, but much more importantly, they mean the algorithms show my work to more potential readers, which is a great support to me as an independent writer. Reviews literally help me put food on the table, so a huge thank you to everyone who shows their appreciation in this way. Even a one-liner helps (as you can see from the above), so they don’t have to be long.

I know I’ve not written a great deal of book/writing related articles here over the last month, but I expect that to change soon. I’ve been busy on a number of other fronts, including writing a new short story which I hope to announce here soon. Watch this space.

All titles are available from Amazon here (in the UK) and here (in the US). Some of the above titles are also available from Smashwords.

New Novel Update

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Credit: lalesh aldarwish at Pexels

I have now officially finished the first draft of my latest novel. The title is currently The Hobbford Giant, though that might change. Another gothic mystery, this one straddles the psychological thriller/horror spectrum, and will sit neatly alongside my previously published novels in the genre such as Spectre of Springwell Forest, The Irresistible Summons, The Thistlewood Curse, Phantom Audition, and The Birds Began to Sing.

I don’t want to say too much about the plot at this stage, but here are a few titbits. As previously stated, it concerns a young journalist, who investigates a local mystery with links to her past in the fictional town of Hobbford. There are variations on a few typically gothic locations, including a large spooky house and a sinister forest. In the background of the narrative is an archaeological dig taking place on the site of a now-closed children’s home, following a major abuse scandal. The protagonist’s mysterious estranged uncle is also a key character. He runs an expensive mental health clinic for rich clients.

As for the title, it refers to Hobbford folklore. On a nearby hill, is the chalk outline of a giant figure, somewhat akin to the real-life Cerne Abbas Giant in Dorset (see below). In my story, local legend states this giant was sent by a witch to take revenge, after the witch in question was persecuted. The giant was slain, and the body supposedly buried inside the hill. How does this have a bearing on the plot? I wouldn’t dream of spoiling the surprise.

Credit: Wikipedia Commons. Nigel Mykura / Cerne Abbas Giant / CC BY-SA 2.0

What else can I tell you about the book? It took about three months to complete the first draft (working from a thoroughly researched and plotted outline I prepared last year), and in the process, the story became rather darker than I originally intended. Although the essentials of the plot didn’t change, I realised whilst writing that the subject matter and tone veered more towards the horror end of my oeuvre than I originally thought. I’d expected this to read as more a thriller, like The Birds Began to Sing. But it ended up closer in tone to Spectre of Springwell Forest, though to my mind not quite as frightening. Perhaps The Thistlewood Curse is my closest point of comparison, as that one also sits at the mid-point between horror and thriller.

Thematically, this story deals with hidden secrets, as with all good gothic mysteries. More specifically, it concerns what happens when lies are told and perpetuated, and how these lies act as a kind of black hole, sucking in others when they chose to keep silent out of fear and intimidation, rather than bringing the truth into the light. I didn’t set out to write anything particularly profound, but looking back over the first draft, I can see more, in retrospect, what must have been lurking in my subconscious whilst writing this: Lies and cover-ups, however well-intended, are never a good thing.

I will now be following my standard procedure of sitting on the novel for a while, before redrafting with fresh eyes anywhere between six months to a year from now. At that point, I will start the process of showing the manuscript to beta readers, and then think about publication possibilities. I’m excited about this novel and look forward to sharing it with you in due course.

New Novel Update

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Yes, my new novel features a sinister house. Photo by Ján Jakub Naništa on Unsplash

This post is a bit of a cheat, because it is little more than me updating you by saying I’ll soon be updating you. Updating you on what, you may ask? The novel I’ve almost finished writing. I mentioned this novel in my New Year’s Day post. It’s another gripping gothic mystery thriller with spooky, possibly supernatural undertones. I suspect it will be right up your street if you enjoyed my earlier novels such as The Birds Began to Sing, Phantom Audition, and so forth.

I typically spend the winter months writing novels. It distracts me from feeling depressed about the dismal, dark, dank weather, and gives me something to do in hibernation. Getting to a first draft by March (or thereabouts) also makes me feel as though I’ve achieved something significant early in the year. Of course, sometimes I go on to write additional novels. My most productive year to date was 2017, where I managed to pen Spectre of Springwell Forest, Echo and the White Howl, and a third, as-yet unpublished novel entitled A Statement of Disbelief.

Three points about the new novel: 1) No, I’m not going to tell you anything about the plot. At least, not yet. I will simply repeat what I said in my New Year post: “It is set in a fictional south-west England town and features a young journalist who gets drawn into a local mystery with links to her past.” 2) Progress wise, I’m on chapter 19, having written around 75,000 words. 3) I reckon I’ll have a first draft finished by the end of this month, with an estimated word count of around 85,000 – 90,000 words.

I had the idea for this novel in the middle of writing another early last year. The research, outlining, character profiles, and so forth were prepared during the summer and autumn, and I started writing the novel in earnest in January. Do I have a title yet? No, but I will by the time the first draft is finished. The experience of writing this novel has been smooth on the whole, though not without the occasional interruption from other voices in my head, demanding I start on the next story idea. And the next, and the next… Those voices are terribly unreasonable, though they can occasionally be cowed into temporary submission by telling them to form an orderly queue and shut up.

More on the next novel soon. Watch this space.

Infestation Reviews

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I’ve had a couple of great five-star reviews from readers on Amazon for Infestation: A Horror Anthology, including one from Danish author Claus Holm (author of the excellent Tempus series).

“Dillon has once again produced a book to make your spine freeze like an icicle, and occasionally make you feel slightly sick to your stomach. The main story in Infestation deals with giant spiders, and it is both gross and great at the same time.
Several stories in the collection are remarkable, and able to bring out various emotions. I literally cried once.

There is also a prequel to the novel The Irresistible Summons, allowing my favourite character Raven some more time on centre stage.

Simon Dillon is one of Britain’s best horror authors and this book is definitely another feather in his cap.” – Claus Holm, Amazon.

I also got this review:

“Each story is a carefully woven journey crafted in riveting excellence. I dare you to stop reading a story halfway – highly doubtful that anyone could. A true imagery craftsman! Compelling and delicious to devour.” – Lisa B, Amazon.

Infestation: A Horror Anthology includes a six-chapter science fiction horror novella – the eponymous Infestation – along with five other short stories: Once in a Lifetime, Spinner, Regression, Influencer, and White Horse. The latter two are exclusive to this volume, and as Claus Holm notes, White Horse is a standalone prequel to my gothic mystery novel The Irresistible Summons. All told, the collection comes to a good value 77,000 words, and constitutes a great opportunity to read a selection of my shorter horror fiction pieces in one place..

Infestation: A Horror Anthology is available on Kindle and paperback from Amazon here (in the UK) and here (in the US). It can also be ordered via Smashwords here.

Infestation Unpacked: White Horse

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My recently released book Infestation: A Horror Anthology features my Infestation novella – a six-chapter sci-fi horror tale – along with five other short stories. In my final entry in this series examining each story in the collection, here’s a closer look at White Horse, which like Influencer is exclusive to this volume.

Raven is a snarky, ambitious young camera operator/editor working for a production company specialising in documentaries that usually debunk the supernatural. Whilst on a location scout/research excursion with her producer, they meet a woman claiming her house is haunted. Although initially thinking her an opportunist after television fame, Raven comes to believe there might be something to her claims. Also, the woman’s face is unsettlingly familiar…

White Horse is a prequel to my gothic mystery horror novel The Irresistible Summons, in which Raven is a supporting character. Here she is the protagonist, working alongside a different producer, investigating a sinister and apparently supernatural mystery with a link to Raven’s childhood. I should add that no prior knowledge of The Irresistible Summons is required to read White Horse. It is entirely standalone, though it does hint at what is to come for Raven in the dying embers of the story.

Like the other stories in this collection, White Horse is a variation on the running theme of guilt, in this case involving a moral dilemma in Raven’s past. Where did the idea come from? Fellow author and friend Claus Holm had been pestering me for years to write a spinoff from The Irresistible Summons featuring Raven, and eventually I had an idea I considered worthy of development. White Horse delves more into Raven’s background and motivations, and is, I believe, a fine companion piece to the novel. I’m rather pleased with it, and I hope you like it too.

Incidentally, the title refers to the Uffington White Horse, an extraordinary piece of minimalist Bronze Age art in which a large chalk horse is rendered on a hillside. There are several White Horse hills in the UK, but the Uffington White Horse is the most famous. The story takes place near said hill, and aside from the geographic setting, there are (fictional) occult elements linked to the hill that prove relevant to the narrative.

Infestation: A Horror Anthology is available on Kindle and paperback from Amazon here (in the UK) and here (in the US). It can also be ordered via Smashwords here.

Infestation Unpacked: Spinner

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My recently released book Infestation: A Horror Anthology features my Infestation novella – a six-chapter sci-fi horror tale – along with five other short stories. In the penultimate instalment of this series examining each story in the collection, this week I take a slightly deeper dive into Spinner.

Graphic designer Isabel is trapped in an abusive relationship with her bullying business owner partner Tyler, which is exacerbated once Covid lockdown hits in early 2020. They have recently moved into a new home; one which the son of the previous owner, Maud Spinner, was particularly keen to get off his hands. Never a good sign. Nor are the sinister sounds coming from the basement…

Photo by Marten Newhall on Unsplash

As a fusion of abusive relationship drama and supernatural horror, Spinner is dark, claustrophobic, and frightening. The running theme throughout the Infestation anthology concerns guilt, real or perceived. In the case of Isabel, she is constantly gaslit and made to feel guilty by Tyler. This set-up feeds into her later paranoia over the malevolent supernatural presence in their home, and whether maybe, just maybe, it might all be in her head.

Spinner almost didn’t get included in this collection, as I had concerns it wasn’t quite up to scratch. However, when I tested the story on Medium, I received some very strong positive feedback, here for instance, from people for whom the story resonated on a personal level. It is worth adding that Spinner is partly informed by the experiences of two people I know personally, besides a few obvious literary horror giants such as MR James and Stephen King.

Infestation: A Horror Anthology is available on Kindle and paperback from Amazon here (in the UK) and here (in the US). It can also be ordered via Smashwords here.